Hans Hinterreiter
Hans Hinterreiter (28 January 1902 – 15 September 1989) was a Swiss painter and art theorist associated with Concrete art. After studying architecture at ETH Zürich, he developed a systematic approach to painting based on geometric patterns and Wilhelm Ostwald's colour theory. He moved permanently to Ibiza in 1939.
Hans Hinterreiter
- Name
- Hans Hinterreiter
- Born
- 28 January 1902
- Birthplace
- Winterthur, Switzerland
- Died
- 15 September 1989
- Place of death
- Santa Eulalia del Río, Ibiza, Spain
- Occupation
- Painter, art theorist
- Known for
- Concrete art, colour theory
- Nationality
- Switzerland
Reference Check
Propose documentary evidence for Hans Hinterreiter. A contribution is never written directly as fact: identity, source, rights and evidence gates still decide.
Sign in to contribute
World of VALÉORINE
Documentary connections
Only confirmed graph relationships appear here. Images are shown only when their identity and reuse rights both pass the documentary gate.
Documentary evidence
Documentary basis
Authority files
wikidata · Q23071693 · wikipedia · Hans Hinterreiter
In this article
Key facts
Key facts
• Name — Hans Hinterreiter • Born — 28 January 1902 • Birthplace — Winterthur, Switzerland • Died — 15 September 1989 • Place of death — Santa Eulalia del Río, Ibiza, Spain • Occupation — Painter, art theorist • Known for — Concrete art, colour theory
Biography
Biography
Hans Hinterreiter was born on 28 January 1902 in Winterthur. From 1920, he studied mathematics before switching soon afterwards to architecture at ETH Zürich. During his studies, he pursued art history and took piano and painting lessons. He also drew and painted with guidance from the landscape painter Wilhelm Ludwig Lehmann. From 1922 to 1924, he travelled in Italy, and in 1925 received his diploma in architecture before gaining practical experience in several architectural offices in Aarau and Bern. In 1929, Hinterreiter married Mina Sahn. From 1929 to 1935, he lived in Seelisberg, where he painted landscapes. He stayed in Spain from 1934 to 1936. After returning to Switzerland, he came into contact with Max Bill and Zürich artists associated with Concrete art in the later 1930s. His wife Mina died in 1939, and in the same year Hinterreiter moved permanently to Ibiza. He acquired a farm there in 1953. As a source of income, he designed holiday houses. He married Hanna Marie Elisabeth Ingeborg Bartels in 1963. In 1985, the Hans Hinterreiter Foundation was established in Vaduz. Hinterreiter died on 15 September 1989 in Santa Eulalia del Río, Ibiza.
Exhibitions
Exhibitions
Hinterreiter exhibited with the Swiss artists’ group Allianz in Zürich in 1942 and 1947. A 1973 exhibition at the Kunstmuseum Winterthur marked a stage in his later recognition. In 2018, the Fundación Juan March organised an exhibition of his work in collaboration with the Hans Hinterreiter Foundation, presenting around 75 works together with documents and publications related to his long-term study of colour and form.
Places
Named by the record
Places
Only places the record itself states, plotted where the house gazetteer settles their coordinates. Nothing is inferred from a name or a nationality.
Winterthur.
Birth place
Santa Eulària des Riu.
Death place
Work and theory
Hinterreiter was associated with Concrete art. His work centred on geometric patterns and colour theory, with music also informing his approach. His paintings used mathematically planned geometric patterns and varied colour arrangements. In the early 1930s, Hinterreiter encountered the colour theory of the German chemist Wilhelm Ostwald. He adopted Ostwald's color system as a basis for his painting and developed his own approach to the systematic organisation of form, which he called the Formorgel. After 1930, his compositions often began with a line placed within a regular grid, which he then varied through rotation, reflection and repetition. His system has also been discussed from a mathematical perspective, particularly for its use of symbolic notation, grids and non-linear geometric deformations in creating his compositions. Hinterreiter described some of his works as Farbgedichte, or colour poems, and related them to musical composition. He also set out his ideas in theoretical publications, including Geometrische Schönheit in 1958, A Theory of Form and Color in 1967 and Die Kunst der reinen Form in 1978.
Text attribution
Licensing
Text attribution
Part of the biographical narrative on this page reuses licensed material. Its origin, revision and licence are recorded here.
The biographical narrative on this page is based on the Wikipedia article Hans Hinterreiter, revision 1368987186 (EN edition), by its contributors. VALÉORINE has edited that text and built its own documentary record around it. The reused material is available under CC BY-SA 4.0, and this page's reuse of it is offered under the same licence. Everything else on this page — the chronology, the holdings, the evidence, the plates and the connections — is VALÉORINE's own record. Sources and licences.
References
Citations
References
Each reference names the institution holding it, so a reader may go to the document itself.
reference work
Secondary witnessreference work
Secondary witness
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 27 August 2026.
Elsewhere in Paintings
19,456 published records in this field, each with its sources named.
- Hans HassenteufelArtist
- Hans HerrmannArtist
- Hans HeyerdahlArtist
- Hans HeysenArtist
- Hans HirtzArtist
- Hans HoffmannArtist
- Hans Holbein the ElderArtist
- Hans HolmenArtist
Best supported in this field
For owners
Own a work by Hans Hinterreiter?
A specialist will read what you send and tell you what the house can establish, what it cannot, and whether the object is suited to sale. There is no charge and no obligation. The object stays with you throughout; nothing is shipped to us unless it is arranged in writing beforehand.