H. C. Robbins Landon

He moved to Europe, where he lived for the rest of his life. He co-founded the Haydn Society in 1949, the goal of which was to publish and record Haydn's works. Gaining access to archives in countries throughout Europe, he spent decades researching the life and works of Haydn. He rescued, published critical editions of, wrote books about, and with the society arranged for the recording of, numerous forgotten works. He finally published his five-volume study, Haydn: Chronicle and Works, between 1976 and 1980. In addition to his work on Haydn, Landon and the society recorded neglected works of Mozart, and he published five popular books about Mozart, dispelling myths about the composer's life. He had written 28 books by 1996. Landon also wrote regularly for music magazines and newspapers, especially the longest-established London paper, The Times. He was a popular broadcaster for the BBC on radio and television and was praised for his ability to enthuse general audiences with his chosen subject. From the 1970s, he was a sought-after lecturer and held appointments with colleges in the US and the UK.

Landon was born in Boston, Massachusetts, the son of William Grinnell Landon, a writer of Huguenot descent, and his wife Dorothea LeBaron née Robbins, a musician. He was educated at Aiken Preparatory School, Lenox School for Boys and Asheville School. While at the last he discovered the music of Haydn, which became his lifelong study. • Illustration — Haydn in 1791 Most of Haydn's music had been neglected for many years. In the first half of the nineteenth century Robert Schumann wrote of him, "Today it is impossible to learn anything new from him. He... has ceased to arouse any particular interest." At the end of the century, Hubert Parry said that musicians need not be ashamed of knowing only a few of Haydn's symphonies "for Haydn is scarcely himself in this most important branch of composition till this very late period of his life." Of Haydn's output of more than 750 works, only a tenth was available in print in the mid-twentieth century. Landon determined to concentrate his studies on Haydn. In pursuit of this goal, he "would learn several instruments, and study orchestration, harmony, several foreign languages, and history". From 1943 to 1945 he was a student at Swarthmore College, studying music theory with Alfred Swan, composition with Harl McDonald and English literature with W. H. Auden. His studies at Swarthmore ended when its Quaker administrators expelled him for an affair with a female student. From 1945 to 1947 Landon was at Boston University, studying music with Hugo Norton and Karl Geiringer, who was described by The Times as "the great Haydn scholar". Landon graduated with a Bachelor of Music degree in 1947.

After graduating, Landon planned to go on to Harvard University to take a master's degree, but in the interim he decided to go to Europe for the summer of 1947. While there he secured a job as foreign music correspondent for the Intercollegiate Broadcasting System. Recognizing that he would shortly be conscripted for two years' military service, Landon sought out the U.S. Army of Occupation in Vienna and volunteered as a military historian, researching and documenting the role of the Fifth Army in liberating Italy. This move gave him practical experience in handling primary sources and enabled him to remain in Vienna, writing, performing and researching. • Illustration — Haydn manuscript (The Seven Last Words of Christ) In 1949 Landon married the harpsichordist and scholar Christa Fuhrmann,Two obituarists state that he had been married before, but other cited sources say that this marriage was his first. completed his military service, and returned to Boston to undertake postgraduate research. While there, he and a group of friends, including Geiringer, founded the Haydn Society. They had two aims: to publish a new complete edition of the composer's works, and to make as many of his works as possible available on record. Their first set of records, issued within the year, was the Harmoniemesse of 1802.The set featured Trude Konrad, soprano; Imgard Dornbach-Ziegler, contralto; Ludwig von Haas, tenor; Heinrich Seebach, bass; Karl Otto Bortzi, organ; and the Munich Cathedral Choir. It was conducted by Ludwig Berberich. It sold out almost immediately. A legacy from an uncle in 1949 enabled him to return to Vienna, where he organized an ambitious program of recording, while continuing to search for forgotten Haydn scores in archives in central Europe. He remained secretary of the Haydn Society, which operated from Vienna rather than Boston after his move. The society issued recordings of symphonies and masses that had previously been unavailable on disc. It also published the first recordings of Mozart's Great Mass in C minor and Idomeneo. Landon travelled through central and eastern Europe in search of Haydn manuscripts. He edited critical editions of Haydn's music, principally the operas and masses, scarcely known at the time. Among his discoveries were the manuscripts of Haydn's opera L'anima del filosofo, that was first performed in 1951. His first book, The Symphonies of Joseph Haydn, appeared in 1955. The book established the chronology of the symphonies, analyzed the scores, and discussed their role in 18th-century music and in Haydn's output as a whole. Landon could turn his scholarship to practical effect. The horn players of the Vienna Philharmonic struggled to reach the high notes in Haydn's unfamiliar Symphony No. 56; Landon established that Haydn's horns had been designed to play in a range an octave higher, and arranged for replicas to be made.

Having made his home at various times in his career in Austria, Italy and Britain, Landon settled in 1984 at the Château de Foncoussières, Rabastens, Tarn, in southern France. Separated from his second wife in 1994, he spent his later years with a companion, Marie-Noelle Raynal-Bechetoille. • Illustration — From top left, clockwise: Monteverdi, Vivaldi, Stravinsky and Britten In 1990 Landon collaborated with the writer and broadcaster John Julius Norwich in presenting a five-part television series about Venice's musical heritage under the title Maestro. They presented episodes on "Venice and the Gabrielis", "The World of Claudio Monteverdi", "Venice and Vivaldi", "Verdi and Venetian Theatre", and "20th-Century Music in Venice", the last of which, including works by Stravinsky and Britten, was far away from Landon's usual musical territory. Landon never formally retired, but in an interview he gave two years before his death, he said that he no longer did any research: "I do a few corrections, that kind of thing. But in effect I'm retired. I'm 81, so I'm allowed to retire." Landon died at Rabastens, at the age of 83.