Günther Weisenborn

When he returned in 1937, be became a member of a Berlin-based resistance group that was later renamed to the Red Orchestra ("Rote Kapelle") by the Abwehr. Arrested in 1942 and sentenced to several years in prison, he was released in 1945 by Soviet troops.

Weisenborn was born in Velbert and grew up in Opladen. In the early 1920s, he worked freelance for the local newspaper, the Opladener Zeitung. He attended the Universities of Cologne, Bonn and Berlin, studying German studies and medicine. On finishing his education, he began acting in local theaters in 1927 and in 1928, became a dramaturge at the Berlin Volksbühne, where his anti-war play, U-Boot S4 was premiered on 16 October 1928, directed by Leo Reuß. With Robert Adolf Stemmle, he co-wrote the lyrics to Mann im Beton ("Man in Concrete"), the proletarian ballad by Walter Gronostay.

After the Nazis seized power, Weisenborn's books were banned, but he continued writing using the pseudonyms "W. Bohr", "Christian Munk" and "Eberhard Förster"). He emigrated to the U.S. in 1936, but returned to Germany in 1937 and began leading a double life, working with the Nazi cultural establishment, while he worked with the Resistance group, the Red Orchestra. In 1941, he began working as dramaturge at the Schiller Theater and he was married to Margarete "Joy" Schnabel (1914–2004), whom he met in 1939,.when she was living with Libertas and Harro Schulze-Boysen. According to Weisenborn, the Berlin-based Red Orchestra ("Rote Kapelle") had two-hundred and eighty-three members. He was arrested in September 1942 and brought before the Reichskriegsgericht, the Reich's wartime high court that tried both the military and civilians. Weisenborn was charged with high treason and sentenced to death. He later wrote that he didn't see his lawyer until they were in court. The lawyer said to him, "I'm your official defender, I know your files. Don't worry unnecessarily. You know that the worst that can happen is the death sentence. We'll see each other later." The exculpatory testimony of a cellmate led to a reduction in sentence from death to 10 years Zuchthaus. He was liberated by the Red Army from the Zuchthaus (labor prison) in Luckau in April 1945. From 1942 to 1943, Weisenborn was imprisoned at Gestapo headquarters in Berlin-Kreuzberg before he was sent to prison in Luckau. Weisenborn's short story, Die Aussage is dedicated to his experiences there, awaiting execution.

After being released in April 1945, Weisenborn briefly served as acting mayor of Langengrassau, near Luckau. He then returned to West Berlin and founded the Hebbel Theater with Karlheinz Martin. From 1945 until the end of 1947, he was also co-publisher and editor of the satirical magazine, Ulenspiegel, along with Herbert Sandberg, who directed the art. Weisenborn also co-founded Studio 46, which premiered his play, Die Illegalen, a drama about his experiences in the German Resistance. In addition, in 1947, Weisenborn, Adolf Grimme and Greta Kuckhoff filed a lawsuit against the chief prosecutor of the Red Orchestra, Manfred Roeder. The state's attorney in Lüneburg delayed the trial until the end of the 1960s, when it was dropped. From 1951 to 1953, Weisenborn was chief dramaturge at the Hamburg Kammerspiele. In 1953, he published his book, Der lautlose Aufstand (The Silent Rebellion), the first comprehensive report documenting the German Resistance. Lecture tours took him to Asia (Burma, the People's Republic of China, India and the Soviet Union), as well as to London, Paris, Prague and Warsaw. Weisenborn became ever more involved as a pacifist against rearming West Germany and warned of the atomic threat it posed. In 1955, he wrote the screenplay for Falk Harnack's film, Der 20. Juli (The Plot to Assassinate Hitler), for which he received the German Film Prize in silver. In 1955, Weisenborn also created the "Silver Leaf", one of the two prizes awarded by the Dramatiker Union. Given exclusively to non-members, the honorary award is bestowed on individuals who have especially supported and nurtured contemporary dramatic works. His later film work included documentaries about the German Resistance to the Third Reich and the screenplay for Bertolt Brecht's Three Penny Opera. Weisenborn moved to West Berlin in 1964.

U-Boot S4, drama (1928) Barbaren, novel (1931) Die Neuberin, play (1934), with Eberhard Keindorff Das Mädchen von Fanö, novel (1935); film (1941) Die Furie, novel (1937) Ahnung, poem (1942), written in Zuchthaus Moabit Die Illegalen, drama from and about the German Resistance (1946) Die Aussage, short story (1947) Vorrede für die Nachgeborenen (1947) Memorial, autobiography (1948) Zwei Männer (1949, published in Tausend Gramm, edited by Wolfgang Weyrauch Drei ehrenwerte Herren (1951) Der lautlose Aufstand (1953), about the German Resistance, based on materials collected by Ricarda Huch; second duplicated and expanded edition (1954); French edition: Une Allemagne contre Hitler (2000) Der dritte Blick (1956) Der Verfolger (1961) Am Yangtse steht ein Riese auf. Notizbuch aus China (1961) Der gespaltene Horizont. Niederschriften eines Außenseiters (1965) Ein gleichgültiger Mittwoch (1967) Wenn wir endlich frei sind: Briefe, Lieder, Kassiber 1942–1943, written with his wife, Joy Weisenborn (2008)