Guido Sutermeister Museum

• Name — Guido Sutermeister Museum • Native Name — Museo civico Guido Sutermeister • Established — 1928 • Location — Legnano • Type — Archaeological museum • Collections — archaeological artifacts found in the Legnano area and collections resulting from donations from private individuals • Visitors — 4,104 (2022) • Founder — Guido Sutermeister • Director — Teresa D'Antona • Website — http: cultura.legnano.org/musei/

• Illustration — The Maniero Lampugnani during its demolition (1927) The building hosting the museum reflects the architectural style of the Maniero Lampugnani, a 15th century residence of one of the noble families of the area, the Lampugnani. This noble palace, located between the modern Sempione state road and the Olona river, roughly near Largo Franco Tosi, was demolished in 1927. The museum, which stands further north than the ancient Maniero Lampugnani, was built near the Convent of Sant'Angelo, now no longer existing. • Illustration — The portico of the building hosting the museum. The wooden coffered ceiling and columns, originating from the Maniero Lampugnani, are visible For the construction of the museum complex, some original remnants of the Maniero Lampugnani recovered during its demolition were used: wooden coffered ceilings, columns, and fireplaces. A corbel in terracotta depicting a putto was also saved from the demolition. This corbel, part of a window of the Maniero Lampugnani and bearing the carved year 1420, is housed inside the museum.

• Illustration — View of the building hosting the museum The architectural complex, which has an "L" shape and was built in 1928, is divided into two levels and is enriched by a square turret rising above the second floor. The first floor includes a portico with five arcades formed by some columns recovered from the Maniero Lampugnani; this open space occupies the wing of the building extending towards the entrance of Corso Garibaldi. The turret is located at the intersection of the two wings, where the stairs connecting the various floors were also created. The building's body is made of bricks, while the ceilings are wooden coffered. Some wooden floors, as previously mentioned, belonged to the ancient Lampugnani noble residence. The internal floors, made of stone, are covered with parquet and carpet. The geometric patterns incised as graffiti on the museum's external walls are inspired by the frescoes once present on the walls of the Maniero Lampugnani; these paintings, saved from the destruction of the palace that housed them, are now preserved at the Torre Colombera, an ancient Renaissance building in Legnano that serves as a detached section of the museum. The Guido Sutermeister Civic Museum is set within a small garden; detached from the exhibition building is the caretaker's residence, built in the same architectural style as the main building. The museum complex has five internal exhibition rooms: the turret room, the study, the hall of honor, the loggia room, and the exhibition room. The portico is also used as an exhibition space.

• Illustration — The lekanis preserved inside the "study"

The portico houses stone artifacts found in the area. The collection includes, among other things, altars and steles funerary, millstones, a burial in a stone coffin, ossuaries, and a lead anchor, all dating to the Roman era; from the Roman late imperial period are some sarcophagi. To the artifacts of classical antiquity are added, among others, the remains of some fireplaces that once adorned Legnano's Renaissance residences; these were demolished in the early decades of the 20th century, around the same time the museum was founded. Regarding the stone material from classical antiquity, some inscriptions are particularly significant: the altars bear their dedications, while the burials are carved with the names of the Roman gens to which the tombs belonged.

In the study, the collection, once privately owned by Emilio Sala – a well-known local collector of archaeological artifacts – is preserved. After the owner's death, it was purchased by the local association Famiglia Legnanese, which donated it to the museum. The collection consists of archaeological material dating to the centuries before the Roman conquest of Italy. More precisely, the 57 artifacts preserved in the study date to the Greek civilization of southern Italy, the Etruscan civilization, and the pre-Roman civilizations of northern Italy; they are thus attributable to a historical period between the 9th century BC and the 3rd century BC. Noteworthy are a fibula in bronze from the 9th century BC found in Lazio, an ornamental breastplate in bronze discovered in northern Italy and dating between the 7th century BC and the 6th century BC, an alabastron produced in Attica in the 7th century BC (but belonging to Etruscan lords), a patera made in Magna Graecia and dating between the 4th century BC and the 3rd century BC, and a lekanis, produced in Centuripe, in Sicily, characterized by plastic and painted decorations and datable to the 3rd century BC. The collection is completed by fine ceramics dating between the 7th and 3rd centuries BC.

• Illustration — Part of the numismatic collection preserved in the turret room In the turret room, the museum's numismatic collection is preserved. This collection includes ancient coins (from ancient Greece to the medieval Lombard period) and modern coins (from the Middle Ages to the Austrian Empire). The collection consists of gold coins, silver, bronze, and copper coins found in the area. Some coins come from private donations, while others were found during archaeological excavations in the territory. Very often, the ancient coins found in the area during excavations have allowed the dating of the entire archaeological site. This has happened particularly with Roman coins, which were mainly found within necropolises: according to the beliefs of the time, being buried with the deceased, they enabled passage to the afterlife by paying the "obol of Charon", the toll for the ferryman of Hades to transport the soul to the beyond. For many other coins, primarily those from donations, the provenance is unknown.