Gu Hengbo
Gu Hengbo was famous for both her beauty and her talent in painting and poetry. She was admired for her paintings of orchids, and published a collection of poems which gained good critical reviews (although few of her works have survived). She was one of the Eight Beauties of Qinhuai described by late Qing officials.
Also recorded as Gu Mei · Zhizhu · Hengbo · Meisheng
Gu Hengbo

Jin, Lüxiang 1232-1303 · https: Gallery · Public domain
- Name
- Gu Hengbo
- Birth Name
- Gu Mei
- Born
- 1619
- Died
- 1664
- Occupation
- Gējì, painter, Poet
- Spouse
- Gong Dingzi Gu Mei (1619–1664), better known by her art name Gu Hengbo - also known as Xu Shanchi (徐善持) and Xu Zhizhu (徐智珠) after her marriage - was a Chinese Gējì, poet and painter.
- Nationality
- Qing dynasty
- Fields
- poetry
- Languages
- Chinese
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Gu Hengbo was famous for both her beauty and her talent in painting and poetry. She was admired for her paintings of orchids, and published a collection of poems which gained good critical reviews (although few of her works have survived). She was one of the Eight Beauties of Qinhuai described by late Qing officials.
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Authority files
getty · 500488527 · wikidata · Q8249439 · wikipedia · Gu Hengbo
In this article
Biography
Biography
The other famed gejis of this group are Ma Xianglan, Bian Yujing, Li Xiangjun, Dong Xiaowan, Liu Rushi, Kou Baimen, and Chen Yuanyuan.
![Secluded Orchids Gu Mei (1619-1663/64), Qing dynasty Handscroll, ink on paper, 22.5 x 551.8 cm Inscriptions by other notable ladies of talent at the time, including Huang Yuanjie (1614/20-before 1669), Cai Runshi (1616-1698), Jiang Jixi (active from the Kangxi to Yongzheng period [1662 to 1735]), and Jiang Gui (?-1762).](https://upload.wikimedia.org/wikipedia/commons/thumb/9/95/Secluded_Orchids_-_Gu_Mei.jpg/800px-Secluded_Orchids_-_Gu_Mei.jpg)
Secluded Orchids Gu Mei (1619-1663/64), Qing dynasty Handscroll, ink on paper, 22.5 x 551.8 cm Inscriptions by other notable ladies of talent at the time, including Huang Yuanjie (1614/20-before 1669), Cai Runshi (1616-1698), Jiang Jixi (active from the Kangxi to Yongzheng period [1662 to 1735]), and Jiang Gui (?-1762).
Gu Mei · http: theme.npm.edu.tw/exh104/womanspainting/en/en01.html

Gu Hengbo, 顾眉兰花图扇页
Gu Hengbo
Key facts
Key facts
• Name — Gu Hengbo • Birth Name — Gu Mei • Born — 1619 • Died — 1664 • Other Names — Xu Shanchi Xu Zhizhu • Occupation — Gējì, painter, Poet • Title — Lady Hengbo • Spouse — Gong Dingzi Gu Mei (1619–1664), better known by her art name Gu Hengbo - also known as Xu Shanchi (徐善持) and Xu Zhizhu (徐智珠) after her marriage - was a Chinese Gējì, poet and painter. She received the title "Lady" (furen) from the early Qing court, and is often addressed as "Lady Hengbo" in Qing writings. Gu Hengbo was famous for both her beauty and her talent in painting and poetry. As such, she was considered an elite geji, alongside names like Dong Xiaowan, Bian Yujing, and Liu Rushi. She was admired for her paintings of orchids, and published a collection of poems which gained good critical reviews (although few of her works have survived). She was one of the Eight Beauties of Qinhuai described by late Qing officials. The other famed gejis of this group are Ma Xianglan, Bian Yujing, Li Xiangjun, Dong Xiaowan, Liu Rushi, Kou Baimen, and Chen Yuanyuan.
Life
Life
Gu Hengbo was born near Nanjing in 1619. Before her marriage to Gong Dingzi, Gu was a Gējì in Nanjing during the reign of Chongzhen. She was well versed in literature and history, and was good at poetry, being known as "the best in Nan Qu" (南曲第一). Gu Hengbo painted both orchids and landscapes in her own style, and did not follow the painting methods of previous generations. When she was eighteen years old, she joined Li Xiangjun, Wang Yue, and others in the "Lan Society", founded by Yangzhou celebrity Zheng Yuanxun in Nanjing. In her Tower Meilou in the Qinhuai district, she hosted a famous literary salon, which counted Chen Liang, Qian Lucan and Mao Xiang among its guests. Yu Huai described Meilou (literally house of bewitchment) as lavish and extravagant. Gu Hengbo also acted in kunqu as a male (sheng) impersonator. One of her roles was Zhou Yu (周羽) in Disciplining the Son (教子). The writer Yu Huai (余懷) recounted how, after he had helped her when she ran afoul of the law, she offered to perform a stage drama for him on his birthday. She fell in love with one of her patrons, Liu Fang (劉芳), promised to marry him and to end her career as a Geji. When she later changed her mind, Liu Fang committed suicide. One of her patrons, the career official Gong Dingzi, paid 1,000 ounces of silver for her services. In 1643, she left her profession to become a concubine to Gong, and settled with him in the capital. His openly demonstrated love for her attracted much attention during their time, as it offended the norms of Confucian ideals, and her influence over him became legendary. She is known to have saved the poet Yan Ermei from execution, and to have been the benefactor of the artist Zhu Yizun. In 1659, Gu Hengbo gave birth to a daughter. Anxious to have a son, Gong Dingzi built a private Buddhist temple where the couple could pray for a son.
Identity and origins
Identity and origins
The authorities additionally record the headings Gu Mei, Zhizhu, Hengbo, Meisheng and Mei. Her recorded language was Chinese. She married Gong Dingzi.
Life and career
Dated record
Life and career
The full dated record · 2 entries
1619
Gu Hengbo born at Nanjing.
1663
Gu Hengbo died at Beijing.
Places
Named by the record
Places
Only places the record itself states, plotted where the house gazetteer settles their coordinates. Nothing is inferred from a name or a nationality.
Nanjing.
Birth place
Beijing.
Death place
Primary material
Documents and archives
reference work
- Wikidata, structured authority record Q8249439: Gu Hengbo
Reputable secondary · Wikidata
- “Gu Hengbo”, English Wikipedia, consulted as further reading
Reputable secondary · Wikipedia
authority file
- Getty Union List of Artist Names 500488527, Gu Hengbo.
Unverified · The Getty Research Institute
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Xu, Sufeng. Lotus Flowers Rising from the Dark Mud: Late Ming Yijis and Their Poetry. core.ac.uk. McGill University. February 2007.
- 2.Xie 谢, Yongfang 永芳. 像传题咏与经典重构———以《秦淮八艳图咏》为中心. Zhongguo Wenhua Yanjiu. 2. 180–188. 2014.
- 3.Smithsonian Institution. Panel from Orchids and Rocks, Gu Mei, ca. 1644. www.smithsonianofi.com.
- 4.Wang Ning ( ). 晚明金陵名妓度曲考.
Bibliography printed in the source article · 6
- Berg, Daria. Women and the Literary World in Early Modern China, 1580-1700. Routledge. 2013. 9781136290220.
- Berg, Daria. The Quest for Gentility in China: Negotiations Beyond Gender and Class. Routledge. 2007. 9781134077045.
- Lee, Lily Xiao Hong. Biographical Dictionary of Chinese Women: v. 1: The Qing Period, 1644-1911. Routledge. 2015. 9781317475873.
- Mann, Susan. Precious Records: Women in China's Long Eighteenth Century. Stanford University Press. 1997. 9780804727440.
- Wang, Dewei. Dynastic Crisis and Cultural Innovation: From the Late Ming to the Late Qing and Beyond. Harvard University Asia Center. 2005. 9780674017818.
- Zhang, Hongsheng [張宏生] (2002). "Gong Dingzi and the Courtesan Gu Mei: Their Romance and the Revival of the Song Lyric in the Ming-Qing Transition", in Hsiang Lectures on Chinese Poetry, Volume 2, Grace S. Fong, editor. (Montreal: Center for East Asian Research, McGill University).
References
Citations
References
Each reference names the institution holding it, so a reader may go to the document itself.
authority file
Getty Union List of Artist Names 500488527, Gu Hengbo.The Getty Research Institute
Partially resolvedreference work
Partially resolvedreference work
Partially resolved
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 14 August 2026.
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