Granville Redmond

Granville Redmond studied at Académie Julian, San Francisco School of Design and California School for the Deaf, Berkeley. The recorded working language is English. The field of work recorded is landscape painting. Subjects and genres recorded for the work are landscape. Places of work recorded in the authority are Paris and Los Angeles. Work by Granville Redmond is recorded in the collections of Fine Arts Museums of San Francisco, Los Angeles County Museum of Art and Crocker Art Museum.

• Name — Granville Redmond • Birth Name — Granville Richard Seymour Redmond • Born — 9 March 1871 • Birthplace — Philadelphia, Pennsylvania • Died — 24 May 1935 • Place of death — Los Angeles, California • Field — landscape painting • Training — Impressionism, Tonalism

Redmond was born in Philadelphia, Pennsylvania on March 9, 1871 to a hearing family. Some sources claim he became Deaf as a result of scarlet fever, which he contracted between the ages of 2½ and 3. However, Guilbert Braddock asserts that Redmond was Deaf from infancy. This change may have prompted his family's decision to move from the East Coast to San Jose, California: possibly for his education at the Berkeley School for the Deaf.

• Illustration — Flowers Under the Oaks (Irvine Museum) Granville attended the California School for the Deaf (CSD) in Berkeley from 1879 to 1890 where his artistic talents were recognized and encouraged. There his teacher Theophilus d'Estrella taught him painting, drawing and pantomime. When he graduated from CSD, Redmond enrolled at another CSD: the California School of Design in San Francisco, where he worked for three years with teachers such as Arthur Frank Mathews and Amédée Joullin. He famously won the W.E. Brown Medal of Excellence. He associated with many other artists, including Gottardo Piazzoni and Giuseppe Cadenasso. Piazzoni learned American Sign Language, and he and Redmond became lifelong friends. They lived together in Parkfield, California and Tiburon, California. In 1893 Redmond won a scholarship from the California School of the Deaf, which made it possible for him to study in Paris at the Académie Julian under teachers Jean-Paul Laurens and Jean-Joseph Benjamin-Constant. He roomed with the sculptor Douglas Tilden, another graduate of the California School for the Deaf. "Tilden was a tremendous help to Redmond, teaching him French and how to get around in Paris; they became best friends for the rest of their lives." In 1895, Redmond's painting Matin d'Hiver was accepted for the Paris Salon.

In 1898, he returned to California and settled in Los Angeles. He was married in 1899 to Carrie Ann Jean, a former student of the Illinois School for the Deaf. They had three children.

• Illustration — caption="Chaplin Talking on His Hand to Redmond" While living in Los Angeles, Redmond was introduced to Charles Chaplin by the painter Gottardo Piazzoni. Chaplin admired the natural expressiveness of a deaf person using American Sign Language and asked Redmond to help him develop the techniques Chaplin later used in his silent films. Chaplin, impressed with Redmond's skill, gave Redmond a studio on the movie lot, collected his paintings, and sponsored him in silent acting roles, including the sculptor in City Lights. He told a writer for The Silent Worker of a Redmond painting "I could look at it for hours. It means so many things." Chaplin's famous The Dance of the Oceana Rolls was Redmond-inspired. During this time Redmond did not neglect his painting. Through Chaplin, he met Los Angeles neighbor artists Elmer Wachtel and Norman St. Clair. They showed works at the Spring Exhibition held in San Francisco in 1904. By 1905, Redmond was receiving considerable recognition as a leading landscape painter and bold colorist. He died on May 24, 1935 in Los Angeles.

• Year — Title — Role — Notes • 1918 — A Dog's Life — Dance-hall owner — uncredited • 1919 — Sunnyside — uncredited • 1919 — A Day's Pleasure — Boat Passenger — uncredited • 1921 — The Idle Class — Guest — uncredited • 1921 — The Kid — The Man's Friend — uncredited • 1921 — The Three Musketeers — undetermined — uncredited • 1923 — A Woman of Paris — Man in Nightclub — uncredited • 1925 — A Regular Fellow — unknown — uncredited • 1926 — You'd Be Surprised — Grey, the Butler/Deputy Coroner • 1931 — City Lights — Sculptor — uncredited

He also worked under the name Redmond, Grenville Seymour. His recorded language was English.

Granville Redmond worked in landscape painting. His work is associated with Tonalism and Impressionism. He worked at Paris and Los Angeles.

Granville Redmond is recorded as actor and painter.