Giuseppe Concone
Giuseppe Concone (September 12, 1801 - June 1, 1861 Turin) was an Italian voice teacher and composer.
Also recorded as Paolo Giuseppe Gioacchino Concone
Giuseppe Concone

Marie-Alexandre Alophe · This image is available from the New York Public Library 's Digital Library under the digital ID 1114959: digitalgallery.nypl.org → digitalcollections.nypl.org · Public domain
- Born
- 1801 · Turin.
- Died
- 1861 · Turin.
- Nationality
- Kingdom of Italy
- Occupation
- composer · music educator · teacher · opera singer · organist
- Languages
- German · Italian
VALÉORINE Encyclopedia
VALÉORINE documentary reading
Documentary summary
Giuseppe Concone (September 12, 1801 - June 1, 1861 Turin) was an Italian voice teacher and composer.
Admitted source layer · organised and presented by VALÉORINE
Reference Check
Propose documentary evidence for Giuseppe Concone. A contribution is never written directly as fact: identity, source, rights and evidence gates still decide.
Sign in to contribute
World of VALÉORINE
Documentary connections
Only confirmed graph relationships appear here. Images are shown only when their identity and reuse rights both pass the documentary gate.
Documentary evidence
Documentary basis
Authority files
wikidata · Q709173 · wikipedia · Giuseppe Concone
In this article
Life and career
Life and career
Giuseppe Concone was born in Turin, Italy on September 12, 1801. He had a brief career as singer before devoting himself almost entirely to working as a voice teacher; beginning that work in Turin. He composed the opera Un episodio del San Michele which premiered in Turin on 8 June 1836. He composed a second opera, Graziella, which was never performed. In 1837 Concone went to Paris where he became a celebrated voice instructor. He taught there for eleven years during which time he published several books on vocal training and technique; some of which have remained in use. He became widely known for his vocal exercises—solfeggi and vocalizzi—which are unusually attractive for works of their kind, and at the same time excellent for their special purpose. Thomaidis and MacPherson describe them as 'lively' works in the Italian tradition of those times. While in Paris he wrote three 'oratorios.' One commentator (named Smither) wrote: "These are quite brief, and include no orchestra but only piano accompaniment. They are evidently intended for performance in a private soiree rather than a theatre. No performance of any of the three is known." Concone returned to Italy in 1848, probably due to events resulting from the Revolutions of 1848. He was appointed both organist and maestro di cappella of the Sardinian court in Turn; a position he remained in until his death in Turin on September 12, 1861. Concone also composed some etudes for piano in 25 Melodic Studies, Op. 24., and concert arias and duets.
List of works by Concone
List of works by Concone
• Fifteen Vocalises for Soprano • Twenty-Five Lessons for Medium Voice • Fifty Lessons for High Voice • Fifty Lessons for Medium Voice, see also here • Forty Lessons for Bass or Baritone • Thirty Exercises for the Voice
Citations
References
Each reference names the institution holding it, so a reader may go to the document itself.
reference work
Secondary witnessreference work
Secondary witness
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 18 August 2026.
Elsewhere in Music memorabilia
42,307 published records in this field, each with its sources named.
- Giuseppe CambiniPerson
- Giuseppe CarpaniPerson
- Giuseppe CollaPerson
- Giuseppe ColombiPerson
- Giuseppe CorsiPerson
- Giuseppe De LucaPerson
- Giuseppe de MajoPerson
- Giuseppe Dell'OreficePerson
Best supported in this field
For owners
Own a work by Giuseppe Concone?
A specialist will read what you send and tell you what the house can establish, what it cannot, and whether the object is suited to sale. There is no charge and no obligation. The object stays with you throughout; nothing is shipped to us unless it is arranged in writing beforehand.