Giovanni Stradone
Giovanni Stradone or Giovanni Stradóne (10 November 1911, in Nola – 6 February 1981, in Rome) was an Italian painter. He was a figurative painter who worked in a personal expressionist style. His work was part of the painting event in the art competition at the 1948 Summer Olympics, where he won a silver medal.
Giovanni Stradone

Giovanni Stadone · opera di mia proprietà - artista non soggetto ai diritti di seguito e di pubblicazione · CC BY-SA 2.5
- Born
- 1911 · Nola.
- Nationality
- Italy · Kingdom of Italy
- Occupation
- painter
- Languages
- Italian
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Giovanni Stradone or Giovanni Stradóne (10 November 1911, in Nola – 6 February 1981, in Rome) was an Italian painter. He was a figurative painter who worked in a personal expressionist style. His work was part of the painting event in the art competition at the 1948 Summer Olympics, where he won a silver medal.
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wikidata · Q28112294 · wikipedia · Giovanni Stradone
In this article
Life and work
Life and work
He is not to be confused with Giovanni Stradano or Jan Van der Straet (1523–1605), a Flanders-born artist active mainly in 16th-century Florence.
Giovanni Stradone was born in Nola in 1911 as the son of da Luigi Stradone and Carmela Auletta. As a child he moved to Rome with his family. From an early age he studied at the studio of the painter Ferruccio Ferrazzi. He often visited the Galleria Borghese, which was located near his home. Here he copied the works of the old masters such as Raphael. After graduating from high school, he studied law following his parents' wishes but never worked in this field. At the same time he also developed a keen interest in entomology. He frequented the Roman artistic community headed by Mario Mafai, Orfeo Tamburi, Corrado Cagli and Giovanni Omiccioli in the 1930s. His first paintings date back to 1929. A youth friend of the artist is the protagonist in these works. In the 1930s his pictorial taste was in line with that of the so-called Scuola romana (Roman School of painting). His expressionist language gradually developed new and original features in the treatment of chromatic matter. In the 1940s he participated in many exhibitions and confirmed himself as a leading expressionist artist. At the end of the war he founded the group I quattro fuori strada along with the artists Toti Scialoja, Arnoldo Ciarrocchi and Piero Sadun. He submitted to the Venice Biennale of 1950 the painting L'apoteosi di Bartali, which created a scandal. The work represented the meeting, which actually took place, between Pope Pius XII and the famous Italian cyclists Fausto Coppi and Gino Bartali, in the presence of numerous characters represented as caricatures, among whom many recognized Italian president Luigi Einaudi, politicians Giulio Andreotti and Giuseppe Saragat and cardinal Alfredo Ildefonso Schuster. The work was removed from the Biennale on the grounds it had violated the rule that works submitted to the exhibition should not have been exhibited before. The artist was rediscovered as a member of the Roman School. His last major exhibitions were held in between 1978 and 1981, shortly before his sudden death.
Works
Works
Stradone was a figurative painter who worked in a personal expressionist style. From 1930 he approached the Roman school and took his main inspiration from the city of Rome or the hallucinated visions of war. He developed towards a gestural and material expressionism. After the sixties, his works continue to re-elaborate recurrent themes (series of cyclists, harlequins, Roman nocturnes and open up to fantastic and caricatural notations. Works of the artist are in the collections of the Galleria Nazionale d'Arte Moderna in Rome.
Places
Named by the record
Places
Only places the record itself states, plotted where the house gazetteer settles their coordinates. Nothing is inferred from a name or a nationality.
Nola.
Birth place
Rome.
Death place
Primary material
Documents and archives
reference work
- “Giovanni Stradone”, English Wikipedia, consulted as further reading
Reputable secondary · Wikipedia
authority record
- Wikidata, structured authority record Q28112294: Giovanni Stradone
General reference · Wikidata
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Fabrizio D'Amico, Stradone - L'ultimo "Maudit".
- 2.Raffaele De Grada. Mostra del rinnovamento dell'arte in Italia dal 1930 al 1945: Ferrara, Casa Romei, giugno-settembre 1960. Alfa. 1960. 859863694.
- 3."Aderisce alla Scuola romana, figurando fra i protagonisti della pittura dell'antinovecento: è il maggiore esponente del neoespressionismo a Roma nel '40, anticipatore di esperienze informali affermatesi in Italia attorno al '50". In Dino Carlesi, I Pittori italiani dopo il Novecento, Milano, Vangelista Editore, 1970, p. 200.
- 4."Neoespressionismo tonale e metafisico", definizione ripresa da Giorgio De Chirico nel libro dedicato a Stradone. Cfr. Giorgio De Chirico, Giovanni Stradone, De Luca editore 1964.
- 5.Valerio Rivosecchi, Il poeta e i suoi pittori, in AA. VV., Studi su Mario dell'Arco: "C'è un gusto ormai, europeo, un linguaggio pittorico comune,un'internazionale figurativa diremmo, se la parola non fosse solleticante, ad alcuni e invisa agli altri: gusto, e linguaggio a cui gli italiani si sono accostati a tempo debito, per cui, anzi, potrebbero perfino vantare una priorità, perché, fatti i conti delle date, Guttuso fu cubista prima che la nuova generazione francese riprendesse questa che ora s'interpreta come la strada maestra della tradizione francese. E dunque che ci stanno a fare dei simili ritardatari, questi quattro romantici, decadentisti, come qualcuno di loro persino osa chiamarsi nostalgici evidentemente di un teatrale furor sacro o di un'ambascia crepuscolare espressionistici come se ancora l'Espressionismo fosse l'ultimo verbo della pittura ." (Cesare Brandi, Introduzione al catalogo).
- 6.L’opera fu censurata per il contenuto considerato irriguardoso anche se la Biennale, nella richiesta del suo immediato ritiro dalla mostra, la motivò scrivendo che bisognava inviare opere mai esposte in precedenza. L’opera rappresentava l’incontro fra Papa Pio XII e i ciclisti Fausto Coppi e Gino Bartali, alla presenza di personaggi rappresentati in chiave caricaturale. Cfr. Raffaele De Grada, Carlo Ludovico Ragghianti, Università internazionale dell'arte, Arte in Italia 1935-1955, EDIFIR, 1992, p. 445
- 7.Giovanni Stradone, Biografia.
References
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reference work
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General reference
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 18 August 2026.
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