Giovanni Pichler
Giovanni Pichler (Born 10 January 1734 in Naples; died 25 January 1791 in Rome) was a German-Italian artist in engraved gems.
Also recorded as Johann Anton II Pichler · Johann Anton II
Giovanni Pichler

Giovanni Pichler · This file was donated to Wikimedia Commons as part of a project by the Metropolitan Museum of Art. See the Image and Data Resources Open Access Policy · CC0
- Born
- 1734 · Naples.
- Died
- 1791 · Rome.
- Occupation
- engraver · artist
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Giovanni Pichler (Born 10 January 1734 in Naples; died 25 January 1791 in Rome) was a German-Italian artist in engraved gems.
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In this article
Biography
Biography
Giovanni Pichler was born on 10 January 1734 in Naples, where his father, the Tyrolean gem-engraver, Anton Pichler, had settled. He was the brother of Luigi Pichler, who also became a gem-engraver. In 1743 his father moved to Rome. Giovanni was educated by his father in classical methods, and apprenticed to Domenico Corvi He cut, after 15 years, a Hercules in Combat with the Nemean Lions, a generally admired piece. His gems, both recessed and embossed, are of outstanding clarity and sharpness and he was one of the most sought after engravers of his age, leaving him with a prolific 379 pieces to his name. He also worked in pastel painting. In 1790 he produced a catalogue of 200 examples of his work. Johann Joseph (Giuseppe) Pichler, stepbrother of Giovanni and Luigi Pichler, born in 1760 in Rome, was a skillful lapidary. Giovanni Pichler died on 25 January 1791 in Rome. A portrait bust of Pichler by the sculptor, Christopher Hewetson is conserved in the Musei Capitolini, Rome.
Life and career
Dated record
Life and career
The full dated record · 2 entries
1734
Giovanni Pichler was born in 1734 at Naples.
1791
Giovanni Pichler died in 1791 at Rome.
Places
Named by the record
Places
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Naples.
Birth place
Rome.
Death place
Literature
Literature
• I. Bignamini, C. Hornsby, Digging And Dealing In Eighteenth-Century Rome (2010), p. 316-317 • G. Tassinari, 'I ritratti dei viaggiatori del Grand Tour sugli intaglio ed i cammei di Giovanni Pichler', in Bolletino del Centro Interuniversitario di ricerche sul viaggio in Italia; 26:1 (2005), p. 11-79 • G. Seidmann, 'The Grand Tourist's favourite souvenirs: cameos and intaglios', in RSA Journal (1996), p. 63-66 • Hermann Rollett: Die drei Meister der Gemmoglyptik Antonio, Giovanni und Luigi Pichler: eine biographisch-kunstgeschichtliche Darstellung (1884. Vienna) • Catalogo d'impronti cavati da gemme incise dal Cavaliere Giovanni Pichler... (1790)

Italian; Cameo; Lapidary Work-Gems
Giovanni Pichler · This file was donated to Wikimedia Commons as part of a project by the Metropolitan Museum of Art. See the Image and Data Resources Open Access Policy

Italian, Rome; Cameo; Lapidary Work-Gems
Giovanni Pichler · This file was donated to Wikimedia Commons as part of a project by the Metropolitan Museum of Art. See the Image and Data Resources Open Access Policy
Scholarly footprint
Literature
Scholarly footprint
A count of publications is evidence of attention, not of standing, and is given here only as a measure.
Citations
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reference work
Secondary witnessreference work
Secondary witness
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 16 August 2026.
Elsewhere in Prints
4,138 published records in this field, each with its sources named.
- Giovanni Marco PitteriEngraver
- Giovanni Maria VerdizottiEngraver
- Giovanni OrlandiEngraver
- Giovanni Paolo LasinioEngraver
- Giovanni ValesioEngraver
- Giovanni VendraminiEngraver
- Giovenale BoettoEngraver
- Girolamo MocettoEngraver
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