Giovanni Battista Pescetti
Giovanni Battista Pescetti (c. 170420 March 1766) was an organist, harpsichordist, and composer known primarily for his operas and keyboard sonatas. Musicologist and University of California, Santa Barbara professor John E. Gillespie wrote that Pescetti "stylistically stands as a bridge between Alberti and Domenico Scarlatti".
Giovanni Battista Pescetti
- Name
- Giovanni Battista Pescetti
- Born
- c. 1704
- Birthplace
- Venice
- Died
- 20 March 1766
- Occupation
- * Harpsichordist
- Nationality
- Republic of Venice
- Fields
- opera · classical
- Movements
- Baroque music
- Teachers
- Antonio Lotti
- Languages
- Italian
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Giovanni Battista Pescetti (c. 170420 March 1766) was an organist, harpsichordist, and composer known primarily for his operas and keyboard sonatas. Musicologist and University of California, Santa Barbara professor John E. Gillespie wrote that Pescetti "stylistically stands as a bridge between Alberti and Domenico Scarlatti".
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Giovanni Battista Pescetti (1704–1766) was a composer, harpsichordist and organist and a national of the Republic of Venice. The composer was born and died in Venice. Giovanni Battista Pescetti was associated with Baroque music.
Genres include classical and opera. Languages used include Italian.
Composed from admitted, traceable facts · 01 October 2026
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wikidata · Q1526310 · wikipedia · Giovanni Battista Pescetti
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Key facts
• Name — Giovanni Battista Pescetti • Born — c. 1704 • Birthplace — Venice • Died — 20 March 1766 • Occupation — * Harpsichordist • Composer • Opera general manager • Organizations — Opera of the Nobility
Life
Life
Born in Venice, Pescetti was the son of organ builder Giacinto Pescetti. His mother, Giulia Pescetti (née Pollarolo), was the daughter of opera composer and organist Carlo Francesco Pollarolo and the sister of composer and organist Antonio Pollarolo. He studied in his native city under the organist and opera composer Antonio Lotti. He developed a friendship with Baldassare Galuppi, a fellow pupil of Lotti's, with whom he collaborated in creating and revising operas. From 1725 to 1732 he wrote operas for various theatres in Venice, sometimes in collaboration with Galuppi. Pescetti left Italy for London in 1736, where he initially worked as a harpsichordist. He replaced Nicola Porpora as director of the Opera of the Nobility in 1737. In London, the opera singer Giovanni Manzuoli championed his music and became a close friend of his. In 1739 he published a set of ten keyboard sonatas entitled Sonate per gravicembalo in London. This work included arrangements of the overture and arias in his opera La conquista del velo d’oro. While stylistically his work exists in between that of Alberti and Scarlatti, some of his music displayed the influence of his London contemporary George Frideric Handel. Pescetti probably left London around 1745 when hostility against Catholic Italians arose because of the Jacobite rebellion of Prince Charles and the Highland clans. He returned to Venice in 1747 and in 1762 was appointed second organist at St Mark's Basilica. He died in Venice on March 20, 1766. Pescetti was active as a teacher of composition in Venice, his most famous students being Josef Mysliveček (1737–1781) and Antonio Salieri (1750–1825).
Life and career
Dated record
Life and career
The full dated record · 2 entries
1704
Giovanni Battista Pescetti was born on 16 October 1704.
1766
Giovanni Battista Pescetti died on 20 March 1766.
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- “Giovanni Battista Pescetti”, English Wikipedia, consulted as further reading
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- Wikidata, structured authority record Q1526310: Giovanni Battista Pescetti
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Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.John Gillespie. Five Centuries of Keyboard Music. Dover Publications. 75. 2013. 9780486318790.
- 2.Termini, Olga. Pollarolo, Carlo Francesco. Grove Music Online. 2001. 10.1093/gmo/9781561592630.article.22025.
- 3.Hill, John Walter. Pescetti, Giovanni Battista. Grove Music Online. 2001. 10.1093/gmo/9781561592630.article.21408.
- 4.Charles Burney. School of Venice. The Quarterly Musical Magazine and Review. Baldwin, Craddock, and Joy. 7. 34. 1825.
- 5.William S. Newman. A History of the Sonata Idea, Volume 2: The Sonata in the Classic Era. University of North Carolina Press. 684. 2018. 9781469643731.
- 6.John A. Rice. Antonio Salieri and Viennese Opera. University of Chicago Press. 15. 1998. 9780226711256.
- 7.Scott Pfitzinger. Composer Genealogies: A Compendium of Composers, Their Teachers, and Their Students. Rowman & Littlefield Publishers. 416. 2017. 9781442272255.
Bibliography printed in the source article · 3
- Degrada, Francesco. 1966. "Le sonate per cembalo e per organo di Giovanni Battista Pescetti". Chigiana (new series) 3:89–108.
- Hill, John Walter. 2001. "Pescetti, Giovanni Battista". The New Grove Dictionary of Music and Musicians, second edition, edited by Stanley Sadie and John Tyrrell. London: Macmillan.
- Taylor, Carole M. 1987. "From Losses to Lawsuit: Patronage of the Italian Opera in London by Lord Middlesex, 1739–45". Music & Letters 68:1–25.
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Formation and teaching. He trained under Antonio Lotti. Each of those relationships is stated by the authority record rather than inferred from style.
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