Giovanni Battista Magnani
Giovanni Battista Magnani (21 September 1571 – 1653) was an Italian architect working entirely in Parma in the first half of the 17th century. He was the most successful of a family of masons and architects that included his father Nicostrato and his son Carlo. He completed Aleotti's indoor theatre for Ranuccio Farnese, the first theatre with changeable scenery.
Also recorded as Giovan Battista Magnani
Giovanni Battista Magnani
- Born
- Giovanni Battista Magnani was born on 21 September 1571. · Parma.
- Nationality
- Italy.
- Occupation
- architect.
- Teachers
- Giovan Battista Aleotti.
VALÉORINE Encyclopedia
VALÉORINE documentary reading
Documentary summary
Giovanni Battista Magnani (21 September 1571 – 1653) was an Italian architect working entirely in Parma in the first half of the 17th century. He was the most successful of a family of masons and architects that included his father Nicostrato and his son Carlo. He completed Aleotti's indoor theatre for Ranuccio Farnese, the first theatre with changeable scenery.
Admitted source layer · organised and presented by VALÉORINE
Reference Check
Propose documentary evidence for Giovanni Battista Magnani. A contribution is never written directly as fact: identity, source, rights and evidence gates still decide.
Sign in to contribute
World of VALÉORINE
Documentary connections
Only confirmed graph relationships appear here. Images are shown only when their identity and reuse rights both pass the documentary gate.
Documentary evidence
Documentary basis
Authority files
wikidata · Q3766697 · wikipedia · Giovanni Battista Magnani
In this article
Biography
Biography
Among his early works on his own are the monument erected in the Duomo to his friend, the painter Agostino Carracci (died 1602), the altar to Saint Joseph in the Sanctuary of Santa Maria della Steccata (1608) and, in fulfilment of a vow, that for the Carmelites in Santa Maria Maddalena de' Pazzi (1611). In 1622 he was nominated architect to the city, in the service of the Farnese dukes. In this capacity he was responsible for four temporary triumphal arches, one of which was engraved in Milan by Carlo Bianchi, was intended for the festive and solemn first entrata into Parma of Margherita de' Medici following her wedding in Florence to Duke Odoardo I Farnese, 11 October 1628. One of the remaining arches is the Arch of San Lazzaro, Parma. Among his works are the fountain in the Benedictine monastery of San Paolo (1613–1624); the interior reconstruction and campanile of Sant'Alessandro (1622–1624); the arcaded municipal palazzo (1627–1629). He collaborated in the construction of the courtyard and grand staircase of the Palazzo della Pilotta. Among designs attributed to him are that for the church of Santa Maria delle Grazie (1617), in the Oltretorrente district of Parma. Design of the conservative façade of the church of San Giovanni Evangelista, still Mannerist in its handling, which has sometimes been attributed to him, was entrusted to Simone Moschino, and carried out by Giambattista Carra da Bissone, who also realized the sculptures.
Life and career
Dated record
Life and career
The full dated record · 2 entries
1571
Giovanni Battista Magnani was born on 21 September 1571.
1653
Giovanni Battista Magnani died on 1 January 1653.
Places
Named by the record
Places
Only places the record itself states, plotted where the house gazetteer settles their coordinates. Nothing is inferred from a name or a nationality.
Giovanni Battista Magnani was born at Parma.
Birthplace
Giovanni Battista Magnani died at Parma.
Deathplace
Parma.
Birth place
Primary material
Documents and archives
reference work
- “Giovanni Battista Magnani”, English Wikipedia, consulted as further reading
Reputable secondary · Wikipedia
authority record
- Wikidata, structured authority record Q3766697: Giovanni Battista Magnani
General reference · Wikidata
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Piazza Duomo Parma.
- 2.His collaborator, according to the inscription, was Giuseppe Guidetti of Bologna.
- 3.Simon Jervis, "A Seventeenth-Century Book of Engraved Ornament", The Burlington Magazine 128 No. 1005 (December 1986:893-903), illustrated p. 895, fig. 44, described p. 897; Irving Lavin, "On the Unity of the Arts and the Early Baroque Opera House", Perspecta 26 Theater, Theatricality, and Architecture (1990:1-20), p. 10, describing the festivities at length.
Bibliography printed in the source article · 3
- A. Pezzana, Memorie degli scrittori e letterati parmigiani, III, 1827, 921–923
- Dizionario enciclopedico di architettura e urbanistica, III, 1969, 464
- B. Adorni, L'architettura farnesiana, 1974, 193
References
Citations
References
Each reference names the institution holding it, so a reader may go to the document itself.
reference work
Secondary witnessauthority record
General reference
Further particulars
Held on the record
Further particulars
Open the remaining particulars
Within the Encyclopedia. Connected to 2 other published records in the VALÉORINE Encyclopedia.
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 17 August 2026.
Elsewhere in Design
11,558 published records in this field, each with its sources named.
- Giovanni Battista da SangalloDesigner
- Giovanni Battista del TassoDesigner
- Giovanni Battista di QuadroDesigner
- Giovanni Battista ErcoleDesigner
- Giovanni Battista MedunaDesigner
- Giovanni Battista MilaniDesigner
- Giovanni Battista NauclerioDesigner
- Giovanni Battista PiattiDesigner
Best supported in this field
For owners
Own a work by Giovanni Battista Magnani?
A specialist will read what you send and tell you what the house can establish, what it cannot, and whether the object is suited to sale. There is no charge and no obligation. The object stays with you throughout; nothing is shipped to us unless it is arranged in writing beforehand.