Gilles Rousselet

The recorded working language is French and Latin. The field of work recorded is visual arts, copper engraving technique and book illustration. Places of work recorded in the authority are Paris. Work by Gilles Rousselet is recorded in the collections of Nationalmuseum, Finnish National Gallery, National Gallery of Victoria, Musée de la civilisation and Musée des Beaux-Arts de Rennes.

• Name — Gilles Rousselet • Other Names — Aegidius Rousselet, Ægidius Rousselet, Edigious Rousselet • Born — 1610 • Birthplace — Paris, France • Died — 15 July 1686 • Place of death — Paris, France • Years Active — 1634–1678 • Era — Baroque • Spouse — Judith Le Goux • Illustration — Simplice Sicut Columbae, engraved by Gilles Rousselet, after Sébastien Bourdon's "Sainte Famille, sainte Elisabeth et saint Jean-Baptiste dans un paysage" • Illustration — Sibille Tiburtine or Sibylle Tiburtine, from the series Douze Sybilles, engraved by Gilles Rousselet after Abraham Bosse

Gilles Rousselet, born in 1610 in Paris, France. His father was a bookseller and possibly a printmaker. It is unknown with whom he studied engraving under, but his work was inspired by Abraham Bloemaert. Gilles Rousselet married in 1645 to Judith Le Goux in the Saint-Nicolas-des-Champs church, and together they had fourteen children. He was the father of sculptor, Jean Rousselet (1656–1693). A lot of Rousselet's engraving work was a reproduction of works by other artists. During his career he reproduced work by artists, including Grégoire Huret, Claude Vignon, Jacques Stella, Laurent de La Hyre, Raphael, Pietro da Cortona, Guido Reni, Valentin de Boulogne, Nicolas Poussin, and his friend Charles Le Brun. Unlike Rousselet, many of the known engravers of the 17th century created their own original artworks and were held at higher esteem, such as Jacques Callot, Claude Mellan, Robert Nanteuil, and Israel Silvestre. The Académie royale de peinture et de sculpture had always considered printmakers and engravers inferior to painters, and starting in 1663, the first engravers were admitted, starting in April with François Chauveau. On 7 August 1663 Rousselet was the second engraver to enter the Académie royale de peinture et de sculpture. Charles LeBrun had supported Rousselet's entrance to the Académie. He exhibited his works at the Salons exhibition of 1664 and of 1673.

His work is included in the public museum collections at Harvard Art Museums, the Metropolitan Museum of Art, Fine Arts Museums of San Francisco, the National Portrait Gallery, London, Rijksmuseum, National Gallery of Art, the National Gallery of Victoria, Minneapolis Institute of Art, Art Gallery of New South Wales, Victoria and Albert Museum, Philadelphia Museum of Art, National Gallery of Ireland, among others.