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Gian Maria Volonte

Gian Maria Volonté (ˈdʒam maˈriːa volonˈte; 9 April 1933 – 6 December 1994) was an Italian actor and activist. He is known for his roles in Italian Western films: Ramón Rojo in Sergio Leone's A Fistful of Dollars (1964), El Indio in Leone's For a Few Dollars More (1965), El Chuncho Munoz in Damiano Damiani's A Bullet for the General (1966) and Professor Brad Fletcher in Sergio Sollima's Face to Face (1967) as well as high-profile social dramas depicting the political and social stirrings of Italian and European society in the 1960s and 1970s, including four films directed by Elio Petri – We Still Kill the Old Way (1967), Investigation of a Citizen Above Suspicion (1970), The Working Class Goes to Heaven (1971), and Todo modo (1976). He is also recognized for his performances in Jean-Pierre Melville's Le Cercle Rouge (1970), Giuliano Montaldo's Sacco & Vanzetti (1971) and Giordano Bruno (1973), and Francesco Rosi's Christ Stopped at Eboli (1979).

Gian Maria Volonte

Gian Maria Volontè

Elena Torre from Viareggio, Italia · Gian Maria Volontè · CC BY-SA 2.0

Name
Gian Maria Volonté
Born
9 April 1933
Birthplace
Milan, Kingdom of Italy
Died
6 December 1994
Place of death
Florina, Greece
Occupation
Actor
Nationality
Italy · Kingdom of Italy
Fields
Western · political film
Education
Accademia Nazionale d'Arte Drammatica Silvio D'Amico
Honours
Silver Bear for Best Actor · Leopard of Honour · Cannes Film Festival Award for Best Actor · David di Donatello for Best Actor · Giffoni Film Festival · Nastro d'Argento for Best Actor
Languages
Italian

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Gian Maria Volonté (ˈdʒam maˈriːa volonˈte; 9 April 1933 – 6 December 1994) was an Italian actor and activist. He is known for his roles in Italian Western films: Ramón Rojo in Sergio Leone's A Fistful of Dollars (1964), El Indio in Leone's For a Few Dollars More (1965), El Chuncho Munoz in Damiano Damiani's A Bullet for the General (1966) and Professor Brad Fletcher in Sergio Sollima's Face to Face (1967) as well as high-profile social dramas depicting the political and social stirrings of Italian and European society in the 1960s and 1970s, including four films directed by Elio Petri – We Still Kill the Old Way (1967), Investigation of a Citizen Above Suspicion (1970), The Working Class Goes to Heaven (1971), and Todo modo (1976). He is also recognized for his performances in Jean-Pierre Melville's Le Cercle Rouge (1970), Giuliano Montaldo's Sacco & Vanzetti (1971) and Giordano Bruno (1973), and Francesco Rosi's Christ Stopped at Eboli (1979).

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In this article

  1. 01Biography
  2. 02Reception, influence and legacy
  3. 03Archives and collections
  4. 04Notes, references and evidence

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