Gerrit Adriaenszoon Berckheyde

Training under Frans Hals and Job Adriaenszoon Berckheyde is recorded. Gaspar van Wittel is recorded as having studied under Gerrit Adriaenszoon Berckheyde. The recorded working language is Dutch. Works named in the authority record are A hunting party near the Hofvijver and Binnenhof in The Hague, seen from the South, A hunting party near the Hofvijver in The Hague, seen from the South and The ‘Golden Bend’ in the Herengracht, Amsterdam, Seen from the East. Work by Gerrit Adriaenszoon Berckheyde is recorded in the collections of Museum Boijmans Van Beuningen, Städel Museum, The Nelson-Atkins Museum of Art, Thyssen-Bornemisza Museum and National Gallery of Victoria.

• Name — Gerrit Adriaenszoon Berckheyde • Born — 1638 • Birthplace — Haarlem • Died — 10 June 1698 • Place of death — Haarlem

Berckheyde was born and died in Haarlem. Christened as an infant 6 June 1638, he was the younger brother (by eleven years) and student of the painter Job Adriaenszoon Berckheyde. Golden-age historian Arnold Houbraken claimed that Job had been trained as a bookbinder by his father, and could not discover who taught him to paint. Gerrit, in turn, learned from his older brother. Job's teacher must have been a Haarlem master, and some claim it was Frans Hals, but Houbraken claimed he travelled as a journeyman between Leiden and Utrecht, offering his services as a portrait painter and learned by doing. During the 1650s the two brothers made an extended trip along the Rhine to Germany, stopping off at Cologne, Bonn, Mannheim and finally Heidelberg. The brothers worked in Heidelberg for Charles I Louis, Elector Palatine, where they were both awarded a golden medal for their efforts, but were ultimately unable to adapt to court life and so returned to Haarlem, where they shared a house and studio. Gerrit became a member of the Haarlem Guild of Saint Luke on 27 July 1660. He was followed by the painter Adriaen Oudendijck.

According to the Netherlands Institute for Art History (RKD), he was a painter known for his Italianate landscapes as well as portraits and cavalry pieces. His influences include Pieter Saenredam's style (for church interiors), refined draughtsmanship and dispassionate attitude—in short, the qualities of "Dutch Classicism", akin to Vermeer. Berckheyde favoured views of monuments on large open squares, rather than giving up clarity for the sake of pictorial effect by painting views along canals as the other great Dutch cityscape painter, Jan van der Heyden, did. • Illustration — The Grote Markt and Grote Kerk, Haarlem, in 1696, by Gerrit Adriaenszoon Berckheyde • Illustration — The new City Hall of Amsterdam, 1670s • Illustration — Interior of the Grote Kerk, Haarlem, 1673 • Illustration — The Nieuwezijds Voorburgwal with the Flower Market, Amsterdam, 1686 • Illustration — Church of Saint Cecilia, Cologne (c.1685), Oil on canvas, 20 3/8 x 24 1/4 in. (51.8 x 61.6 cm), Clark Art Institute • Illustration — The Castle of Emden (Emderburg) in East Frisia (Nationalmuseum in Stockholm)

Works recorded as notable number 3: A hunting party near the Hofvijver and Binnenhof in The Hague, seen from the South, A hunting party near the Hofvijver in The Hague, seen from the South and The ‘Golden Bend’ in the Herengracht, Amsterdam, Seen from the East.