George W. Johnson
George Washington Johnson (October 29, 1846 – January 23, 1914) was an American singer and pioneer sound recording artist. He is known for being the first African American recording star of the phonograph. His most popular songs were "The Whistling Coon" and "The Laughing Song".
George W. Johnson

George W. Johnson · David Giovannoni collection, i78s.org · Public domain
- Name
- George W.
- Birth Name
- George Washington Johnson
- Born
- October 29, 1846
- Birthplace
- Wheatland, Loudoun County, Virginia, U.S.
- Died
- 23 January 1914
- Place of death
- New York City, U.S.
- Occupation
- Singer, valet
- Full name
- George Washington Johnson.
- Nationality
- United States
- Fields
- vaudeville · street performance
VALÉORINE Encyclopedia
VALÉORINE documentary reading
Documentary summary
George Washington Johnson (October 29, 1846 – January 23, 1914) was an American singer and pioneer sound recording artist. He is known for being the first African American recording star of the phonograph. His most popular songs were "The Whistling Coon" and "The Laughing Song".
Admitted source layer · organised and presented by VALÉORINE
Note VALÉORINE
George W. Johnson (1846–1914) was an American composer and singer. Born George Washington Johnson in Virginia, the composer died in Kew Gardens. Genres include street performance and vaudeville.
Composed from admitted, traceable facts · 01 October 2026
VALÉORINE
Reference Check
Propose documentary evidence for George W. Johnson. A contribution is never written directly as fact: identity, source, rights and evidence gates still decide.
Sign in to contribute
World of VALÉORINE
Documentary connections
Only confirmed graph relationships appear here. Images are shown only when their identity and reuse rights both pass the documentary gate.
Documentary evidence
Documentary basis
Authority files
wikidata · Q1372290
In this article
Key facts
Key facts
• Name — George W. Johnson • Landscape — Yes • Birth Name — George Washington Johnson • Born — October 29, 1846 • Birthplace — Wheatland, Loudoun County, Virginia, U.S. • Died — 23 January 1914 • Place of death — New York City, U.S. • Instrument — Vocals, whistling • Genre — Vaudeville • Occupation — Singer, valet • Years Active — 1890–1910 • Label — Berliner Gramophone, Edison, Columbia, Victor Talking Machine Company • Associated Acts — Len Spencer George Washington Johnson (October 29, 1846 – January 23, 1914) was an American singer and pioneer sound recording artist. He is known for being the first African American recording star of the phonograph. His most popular songs were "The Whistling Coon" and "The Laughing Song".
Early life
Early life
Johnson was born in Virginia, either in Fluvanna County or near Wheatland in Loudoun County. His father was a slave, and he was likely freed in 1853. From an early age, Johnson was raised near Wheatland as the companion and servant of a white farmer's son. During his time with this family, he developed his musical ability and even learned to read and write, which was illegal for a black child in Virginia before the American Civil War. Johnson later worked as a laborer, and in his late twenties he moved to New York City. By the late 1870s he was making his living as a street entertainer in New York, specializing in whistling.
Musical career
Musical career
• Illustration — An 1890's-early 1900s recording of The Laughing Song, one of his most popular songs Some time between January and May 1890, Johnson was recruited by two different regional phonograph distributors who were looking for recording artists for their coin-operated machines. Charles Marshall of the New York Phonograph Company and Victor Emerson of the New Jersey Phonograph Company both heard Johnson performing in Manhattan, probably at the ferry terminals on the Hudson River. Both of them invited Johnson to record his loud raggy whistling on wax phonograph cylinders for a fee of twenty cents per two-minute performance. Although Johnson could whistle all the tunes of the day, one of his first recordings for both companies was a popular vaudeville novelty song called "The Whistling Coon". Johnson sang as well as whistled, and also was able to give a boisterous laugh in musical pitch. From this he developed the second performance that made him famous, "The Laughing Song". Although he recorded other material, including whistling the song "Listen to the Mockingbird" and some short minstrel show performances done with other performers, it was these two songs that Johnson would perform and record over and over for years. • Illustration — George W. Johnson recording on multiple phonographs at once. In the earliest days of the recording industry, every record was a "master". A singer with a strong voice could make three or four usable recordings at once, with as many machines running simultaneously with their recording horns pointed towards the singer's mouth. Johnson would sometimes sing the same song over and over again in the recording studio fifty or more times a day. By 1895, Johnson's two tunes "The Whistling Coon" and "The Laughing Song" were the best-selling recordings in the United States. "The Laughing Song" was number one for ten weeks from April to June 1891, while "The Whistling Coon" was number one for five weeks in July and August 1891. Johnson was the first African American to appear on the pop chart, and his song on the chart was the first to have been written by an African American. The total sales of his wax cylinders between 1890 and 1895 have been estimated at 25,000 to 50,000, each one recorded individually by Johnson. Remarkably, the New Jersey record company marketed Johnson as a black man, during an era when much of American life was strongly segregated by race. "The Whistling Coon" was characterized by a light-hearted tune and lyrics which would be unacceptable today, in which a black man is compared to a baboon. • Illustration — Engraving of Johnson from record catalogue (c.1900) Johnson continued recording for the New York and New Jersey companies, and in 1891 also started recording for their parent company, the North American Phonograph Company. At least one of his 1891 recording sessions was held at Thomas Edison's laboratory in West Orange, New Jersey. Johnson also made appearances in Vaudeville. His repertory on stage was pretty much limited to his two famous songs, but this was sufficient to get him bookings on bills. In 1894, Johnson began recording with Len Spencer, a Vaudeville star of the era, and the two would remain friends until the end of Johnson's life. In 1895, Johnson made his first recordings on the new disc technology for Berliner Gramophone. In addition to Berliner, Johnson recorded for Edison Records, Columbia, the Victor Talking Machine Company, the Chicago Talking Machine Company, Bettini and numerous other small cylinder and disc companies through the 1890s and up to 1909 or 1910. In 1897, Johnson recorded two new songs, "The Laughing Coon" and "The Whistling Girl". They remained in the Edison and Columbia catalogs for years, although neither was as popular as his two original tunes.
Later life
Later life
By 1905, Johnson's popularity had declined. New recording technology enabled the pressing of thousands of duplicate records from a single master, and Johnson was no longer needed to record each copy individually. His friend Len Spencer, now a successful artist and booking agent, hired Johnson as an office doorman. Johnson worked for Spencer and lived in his office building for several years, then moved back to Harlem. Johnson died from pneumonia and myocarditis on January 23, 1914 in New York City at the age of 67. He was buried in an unmarked grave in Maple Grove Cemetery in Kew Gardens, Queens, New York.
Personal life and rumors
Personal life and rumors
False rumors have circulated that Johnson died either in a racially motivated lynching, or alternatively that he was hanged after he committed murder. While neither story is true, Johnson did have an 'eventful' personal life. There is no evidence that he ever legally married or had any children, but Johnson did have at least two 'common-law wives', who both died while living with him. The first, an unnamed "German woman", was found dead in their apartment on West 39th Street in late 1894 or early 1895. No charges were filed. The second, Roskin Stuart, was found beaten and unconscious in their apartment on West 41st Street on October 12, 1899. Stuart was taken to the hospital and died a few hours later. Johnson was tried for first-degree murder and found not guilty.
Life and career
Dated record
Life and career
Explore 1898–1914
The full dated record · 3 entries
1898
The Laughing Song by George W. Johnson and Fred Hylands(1898) (1898) is digitised and catalogued by Internet Archive.
1899
The Laughing Coon by George W. Johnson and Fred Hylands(1899) (1899) is digitised and catalogued by Internet Archive.
1914
George W. Johnson died at Kew Gardens.
Places
Named by the record
Places
Only places the record itself states, plotted where the house gazetteer settles their coordinates. Nothing is inferred from a name or a nationality.
Virginia.
Birth place
Kew Gardens.
Death place
Honors
In 2013 the Maple Grove Historical Preservation Society began a campaign to honor Johnson, and received a grant from the MusiCares Foundation to erect a plaque on his grave site. On April 12, 2014, a century after his death, the singer was finally recognized in a ceremony including displays, presentations and a performance by actor Larry Marshall who impersonated Johnson. Also in 2013, his c. 1896 recording of "The Laughing Song" was inducted into the Library of Congress' National Recording Registry.
Literature
Scholarly footprint
A count of publications is evidence of attention, not of standing, and is given here only as a measure.
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.“George W. Johnson, a Pioneer in American Recorded Music.” African American Registry. Accessed July 1, 2025. https://aaregistry.org/story/george-w-johnson-a-pioneer-in-american-recorded-music/
- 2.Possibly George Johnson; 67 years; January 23, 1914; certificate #3164; Manhattan. This would have him born in 1847. The 1900 U.S. Census lists him as being born in May 1850 and should be considered the most reliable, since it was self-reported: Johnson and his wife in the 1900 US Census
- 3.Brooks 2004, p. 17.
- 4.Brooks 2004, p. 18.
- 5.Robert Palmer. Deep Blues. Penguin Books. 105. 1981. 978-0-14-006223-6.
- 6.Brooks 2004, pp. 26–28.
- 7.Brooks 2004, p. 35.
- 8.Salem, James M. African American Songwriters and Performers in the Coon Song Era: Black Innovation and American Popular Music. The Columbia Journal of American Studies.
- 9.Brooks 2004, pp. 40–41.
- 10.“an independent, free and easy, fat and greasy ham, with a cranium like a big baboon.”
- 11.Brooks 2004, p. 32.
- 12.Brooks 2004, p. 40.
- 13.Brooks 2004, p. 43.
- 14.Brooks 2004, p. 63.
- 15.Brooks 2004, p. 67.
- 16.Brooks 2004, p. 46.
- 17.Brooks 2004, pp. 47–57.
- 18.Honoring George W. Johnson - At Last. Arsc-audio.org.
- 19."Don Dahler got a sneak peek at the national treasures" CBS This Morning, aired 2 April 2014
- 20.Barnes, Mike. Everly Brothers, Linda Ronstadt, U2 Recordings Added to Library of Congress. The Hollywood Reporter. 2 April 2014.
References
Citations
References
Each reference names the institution holding it, so a reader may go to the document itself.
reference work
Secondary witness
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 14 August 2026.
Elsewhere in Music memorabilia
42,934 published records in this field, each with its sources named.
- George Toogood SmithPerson
- George TremblayPerson
- George Van EpsPerson
- George VeikosoPerson
- George W. MeyerPerson
- George WallingtonPerson
- George WassoufPerson
- George WeinPerson
Best supported in this field
For owners
Own a work by George W. Johnson?
A specialist will read what you send and tell you what the house can establish, what it cannot, and whether the object is suited to sale. There is no charge and no obligation. The object stays with you throughout; nothing is shipped to us unless it is arranged in writing beforehand.