George Fuller
George Fuller (disambiguation)George Fuller
Also recorded as George F. Fuller · fuller geo. · geo fuller · geo. fuller
George Fuller

http: id=3889 q=aaa_macbgall_4695 or · Public domain
- Name
- George Fuller
- Born
- 17 January 1822
- Birthplace
- Deerfield, Massachusetts
- Died
- 21 March 1884
- Place of death
- Brookline, Massachusetts
- Known for
- Painting
- Nationality
- United States
- Occupation
- painter
- Education
- Deerfield Academy
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Documentary summary
George Fuller (disambiguation)George Fuller
Admitted source layer · organised and presented by VALÉORINE
Note VALÉORINE
George Fuller (1822–1884) was an American painter. The painter was born in Deerfield.
George Fuller studied at Deerfield Academy. The painter was active in painting.
Genres include portrait. Works by George Fuller are held at Art Institute of Chicago, Fine Arts Museums of San Francisco and Los Angeles County Museum of Art, among others.
Composed from admitted, traceable facts · 01 October 2026
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In this article
Biography
Biography
George Fuller studied at Deerfield Academy. The field of work recorded is painting. Subjects and genres recorded for the work are portrait. Work by George Fuller is recorded in the collections of The Nelson-Atkins Museum of Art, Metropolitan Museum of Art, Fine Arts Museums of San Francisco, Art Institute of Chicago and Smithsonian American Art Museum.
Key facts
Key facts
• Name — George Fuller • Born — 17 January 1822 • Birthplace — Deerfield, Massachusetts • Died — 21 March 1884 • Place of death — Brookline, Massachusetts • Known for — Painting • Children — Henry Brown Fuller George Fuller (January 17, 1822 – March 21, 1884) was an American figure and portrait painter.
Biography
Biography
Fuller was born in Deerfield, Massachusetts. His father, Aaron Fuller, was a farmer. His mother was Aaron's second wife, Fanny Negus of Petersham, Massachusetts. His parents were not in favor of Fuller becoming a painter. At age thirteen, he went to Boston, Massachusetts to work for a grocer, then tried selling shoes before giving up on this also and returning home. A year or so later, he went to Illinois with a survey team for the railroad, and continued working with the survey team for a couple of years. Fuller then returned home once again, entered Deerfield Academy, and began to paint in his spare time. In 1841, his desire to paint overcame his parents' opposition. He joined his half-brother Augustus as an itinerant painter, and enjoyed some success painting portraits in northern New York. That winter he went to Albany where he studied painting with Henry Kirke Brown for nine months. The next two winters, he studied painting with the Boston Artists' Association, working on the family farm in the summers. In 1846 he sold A Nun at Confession for six dollars. In 1847, he enrolled in the National Academy of Design in New York. He spent most of the next ten years in New York. Some winters he spent in the southern United States painting portraits and scenes about local life. Friends included painter E.T. Billings, with whom he travelled in the south. In 1857, he was elected an associate of the National Academy of Design. • Illustration — The Quadroon (study) by Fuller His father died in 1859, and he became aware that he would eventually need to return to the family farm to support his family. In January 1860 he began five month a tour of Europe with friends during which they visited London, Paris, Florence, Rome, and Venice. He married Agnes Higginson of Cambridge, Massachusetts in 1861 and brought her home to the Deerfield farm. For the next fifteen years, he worked the farm and painted in his spare time in a studio converted from a carriage house. His farm failed in 1875, and he turned to painting for his livelihood. In the spring of 1876, the opening of his first art exhibition relaunched his career as a painter. In 1878 the National Academy exhibition included his Turkey Pasture in Kentucky and By the Wayside. The following year he sent to the Academy And She Was a Witch and The Romany Girl. He sent more pictures to the Academy in 1881 as his reputation and commercial success grew. In 1878, Fuller showed the oil painting, Reapers Resting, as his first exhibit at the Boston Art Club. Subsequently, at the Boston Art Club, he exhibited one oil painting, Head, in 1880; one oil painting, Portrait of Miss A___ in 1881; three oil paintings: Study Head, Portrait of Miss F., and Maidenhood, at the 1882 Boston Art Club exhibition; and the final oil painting he exhibited at the Club, Portrait of Miss C., was January 19–February 16, 1884. His work continued to enjoy success until his death at his home in Brookline, Massachusetts on March 21, 1884, of kidney disease. A memorial exhibition of his works was held at the Boston Museum of Fine Arts in 1884. Examples of Fuller's work reside in the collections of the Museum of Fine Arts in Boston and the Metropolitan Museum of Art in New York. • Illustration — Winifred Dysart (1881)
Works
Works
• Hannah, 1879, oil on canvas, The Nelson-Atkins Museum of Art, Kansas City, Missouri • The Plains Between "The Bars" and South Deerfield, c. 1836-1838, oil on canvas, Addison Gallery of American Art, Andover, Massachusetts • Cupid, 1854 • "The Birdcatcher", 1880, oil on canvas The University of Arizona Museum of Art, Tucson, Arizona • Negro Nurse with Child, 1861 • At the Bars, 1865 • Ideal Head of a Boy (George Spencer Fuller), c. 1867–1873, oil on canvas, Metropolitan Museum of Art New York City • By the Wayside, 1877, Museum of Fine Arts, Boston • The Romany Girl, 1877-1879, oil on canvas, Addison Gallery of American Art, Andover, Massachusetts • Shearing the Donkey, 1877-1879 • And She Was a Witch, 1877–1884, oil on canvas, Metropolitan Museum of Art New York City • Turkey Pasture in Kentucky, 1878 • The Dandelion Girl, 1879 • The Quadroon, 1880, oil on canvas, Metropolitan Museum of Art New York City • The Gathering of Simples, 1880 • Sketch of the Deerfield Valley, c. 1880-1884, chalk on blue-grey wove paper, Addison Gallery of American Art, Andover, Massachusetts • Portrait of Mary C. Hardy as a Child, 1881, oil on canvas, Addison Gallery of American Art, Andover, Massachusetts • Winifred Dysart, 1881, Worcester Art Museum, Worcester, Massachusetts • Hoeing Tobacco, Worcester Art Museum, Worcester, Massachusetts • Nydia, 1882, oil on canvas, Metropolitan Museum of Art New York City • Priscilla Fauntleroy, 1882 • Psyche, 1882 • November, 1882-1884 • Fedalma, 1883-1884, oil on canvas, Smithsonian American Art Museum, Washington, D.C. • Arethusa, 1884, Museum of Fine Arts, Boston • A Nun at Confession • Boy and Bird • Girl with a Calf • Ideal Head, oil on canvas, Smithsonian American Art Museum, Washington, D.C. • Reapers Resting
Early life and training
Early life and training
George Fuller was born on 17 January 1822 in Deerfield. Fuller held the nationality of United States. Fuller was educated at Deerfield Academy. Married to: Agnes Gordon Higginson. Recorded father: Aaron Fuller. Recorded mother: Fanny Negus Fuller. Recorded child: Robert H. Fuller, George Spencer Fuller, Henry Brown Fuller, Agnes Gordon Fuller Tack and Arthur Negus Fuller.
Life and career
Dated record
Life and career
The full dated record · 2 entries
1822
George Fuller born at Deerfield.
1884
George Fuller died.
Catalogued output
Writings and published texts
These are catalogued publications carrying the name — editions and printings, distinct from the works they contain and from writing about the subject. The 1990s are the densest part of the run, with 9 titles, and that concentration is a fact about what the registers have catalogued rather than a judgement on the work itself.
27 editions carry dates between 1754 and 2021
The run opens with The review and closes with Life Compass Living
The entries follow Open Library
The review
1754
Adam & Eve, etc
1981
Preparing for Paradise
1985
Supervisors Portable Instant Answer Book
1989
The supervisor's portable answer book
1989
Two moons in may
1989
Hawaii Golf
1991
The Negotiator's Handbook
1991
The supervisor's big book of lists
1994
The complete catalogue · 30
27 editions carry dates between 1754 and 2021
The run opens with The review and closes with Life Compass Living
The entries follow Open Library
The review
1754
Adam & Eve, etc
1981
Preparing for Paradise
1985
Supervisors Portable Instant Answer Book
1989
The supervisor's portable answer book
1989
Two moons in may
1989
Hawaii Golf
1991
The Negotiator's Handbook
1991
The supervisor's big book of lists
1994
The first-time supervisor's survival guide
1995
Manager's negotiating answer book
1995
Manager's portable answer book
1996
Winning Supervisory Techniques for the New Workplace
1997
Respuestas Rapidas Para Los Gerentes
1997
Adventures in Nature Hawaii
1999
Win- Win- Management - Führen mit Gewinn
2000
Foghorn Outdoors
2002
California Golf
2004
Open Issues in Core Collapse Supernova Theory
2005
Golf Courses 2006 Calendar
2005
Win Win Management
2007
Golf Courses 2008 Square Wall Calendar
2007
Messages Of The Governors Of Michigan
2007
I Golf Therefore I Am--Nuts!
2008
Spiral Slide Rule
2017
Angels Are Every Where
2018
Life Compass Living
2021
Paintings, drawings and prints, 1840–1883
Catalogued output
Paintings, drawings and prints, 1840–1883
These are objects catalogued as visual works, each held or recorded by the institution named against it. 30 works carry dates between 1840 and 1883. The 1880s are the densest part of the run, with 16 titles, and that concentration is a fact about what the registers have catalogued rather than a judgement on the work itself. They belong to a run of 38 titles in all, from 1840 to 1883. A selection is set out below and the complete run may be opened beneath it.
The run opens with Self Portrait and closes with The Fuller Boy
Self Portrait
1840
Head of a Boy
1867
John Quincy Adams Ward
1868
Portrait of Mrs
Agnes Gordon Cochran Higginson (Mrs
Stephen Higginson)
1876
Agnes Gordon Higginson Fuller (Mrs
Ideal Head
1877
Henry Ware Sr
(1764-1845), after James Frothingham (1786-1864)
1877
The Tomato Patch
1878
The complete catalogue · 28
The run opens with Self Portrait and closes with The Fuller Boy
Self Portrait
1840
Head of a Boy
1867
John Quincy Adams Ward
1868
Portrait of Mrs
Agnes Gordon Cochran Higginson (Mrs
Stephen Higginson)
1876
Agnes Gordon Higginson Fuller (Mrs
Ideal Head
1877
Henry Ware Sr
(1764-1845), after James Frothingham (1786-1864)
1877
The Tomato Patch
1878
Driving Home the Geese
1879
Hannah
1879
The Quadroon
1880
The Gatherer of Simples
1880
Afterglow
1880
Hoeing Tobacco
1880
Harvest Time
1880
Negro Funeral, Alabama
1881
Winifred Dysart
1881
Nydia
1882
Violet
1882
Girl and Calf
1883
Fedalma
1883
Arethusa
1883
Ethel Reynolds Clarke
1883
Mary Chickering (1867-1933)
1883
Paintings, drawings and prints without a settled date
Catalogued output
Paintings, drawings and prints without a settled date
8 further works are catalogued under Fuller's name without a date the collections agree on, which is why they are set apart from the dated run rather than placed in it.
Girl with Turkeys
Girl Tying Her Shoe
Twilight on the Prairie
Girl with Cloak
The Spirit of Autumn
Literature
Further cited scholarship
5 scholarly and reference publications are cited here, each one identified by title and by the publication, publisher or institution that carried it, with its year where the register states one. The cited literature runs from 1923 to 2000, which is a measure of how long Fuller has been a subject of scholarship rather than of how much has been written. The publications represented include American National Biography Online, American Art Journal and The Metropolitan Museum of Art Bulletin. The Encyclopedia cites this literature and does not summarise the arguments of works it has not read in full. Plant sociology; the study of plant communities; authorized English translation of Pflanzensoziologie, by Dr. Translated, revised and edited by George D. Fuller and Henry S. The George Fuller Exhibition, The Metropolitan Museum of Art Bulletin, 1923.
Fuller, George (1822-1884), artist, American National Biography Online, 2000
Fuller, George Warren (1868-1934), sanitary engineer, American National Biography Online, 2000
A Study of the Life and Poetic Vision of George Fuller (1822-1884), American Art Journal, 1981
Authority records
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.George Fuller. Boston Evening Transcript. 4. 1884-03-21.
- 2.Sarah Burns. "A Study of the Life and Poetic Vision of George Fuller (1822-1884)". American Art Journal, Vol. 13, No. 4 (Autumn, 1981)
- 3.Sarah Burns. "Images of Slavery: George Fuller's Depictions of the Antebellum South". American Art Journal, Vol. 15, No. 3 (Summer, 1983)
- 4.Fuller, George.
References
Citations
References
Each reference names the institution holding it, so a reader may go to the document itself.
authority record
Secondary witness
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 18 August 2026.
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