George Cattermole

Work by George Cattermole is held by Art Institute of Chicago, Tate, Yale Center for British Art and Northampton Museum and Art Gallery.

What the record establishes about George Cattermole.

A young knight in full armour receiving extreme unction from a priest surrounded by his grieving family. Line engraving with stipple by J. Goodyear after G. Cattermole. is catalogued and held by Wellcome Collection. Russell Institution, Great Coram Street, London: the facade, above, floor plan, below, with a scale of feet. Engraving by J. Le Keux after G. Cattermole, 1824. is dated 1 March 1824 and held by Wellcome Collection. Scene from Sir Walter Scott's "Anne of Geierstein": Hermione takes refuge in the chemical laboratory of Sir Herman, an Austrian alchemist. Oil painting. is catalogued and held by Wellcome Collection. Members of a family listen to a sermon from a private space in a church. Etching by F. Engleheart after G. Cattermole. is catalogued and held by Wellcome Collection. Children, Woman with Infant and Three Soldiers Sitting Among Ruins by Lake is dated n.d. and held by The Art Institute of Chicago (inventory 1922.1135). Bald Man Seated on Belongings (recto); Lady in a Yellow Gown (verso) is dated n.d. and held by The Art Institute of Chicago (inventory 1993.248.874).

Thirteen men pray before celebrating the last supper. Chromolithograph after G. Cattermole. is catalogued and held by Wellcome Collection. The Lady Blanche at prayer in Bolton Abbey. Engraving by C. Heath after G. Cattermole. is dated [1834] and held by Wellcome Collection. Scene of Three Witches from Shakespeare's Macbeth is dated 1840 and held by Yale Center for British Art (inventory B1975.4.1056). George Cattermole is recorded with the citizenship of United Kingdom of Great Britain and Ireland and Kingdom of Great Britain. Maiden on Deathbed with Attendant Figures is dated n.d. and held by The Art Institute of Chicago (inventory 1993.248.1344). Adare Abbey-with Castle in Distance is dated n.d. and held by The Art Institute of Chicago (inventory 1993.248.1656).

A Conference at the Monastery is catalogued and held by Sheffield Galleries and Museums Trust (inventory VIS.277). Hunting Party with Falcons is catalogued and held by Northampton Museum and Art Gallery (inventory 2000.155.11). Crypt of Canterbury Cathedral is dated n.d. and held by The Art Institute of Chicago (inventory 1993.248.1135). The Monastery Door is dated 1862 and held by Leicester Museum & Art Gallery (inventory L.F5.1882.0.0). Evenings at Haddon Hall is dated 1865 and held by The Metropolitan Museum of Art (inventory 45.98.1). Rosslyn Chapel is catalogued and held by Sheffield Galleries and Museums Trust (inventory VIS.550).

Glamis Castle by T. Picken after G. Cattermole is dated 1847 and held by University of Edinburgh. A Monastery Mill is catalogued and held by Yale Center for British Art (inventory B1977.14.6466). View of Library is dated n.d. and held by The Art Institute of Chicago (inventory 1993.248.21). Sheffield Galleries and Museums Trust records 2 objects associated with this heading. Northampton Museum and Art Gallery records 1 object associated with this heading.

What George Cattermole produced.

The Metropolitan Museum of Art catalogues 1 work under this heading. The Art Institute of Chicago catalogues 6 works under this heading. Wikidata Query Service catalogues 13 works under this heading. Wellcome Collection catalogues 6 works under this heading. Open Library catalogues 8 works under this heading.

Heath's Historical Annual; Or, The Great Civil War of Charles I.: And the ... (1841) is digitised and catalogued by Internet Archive. Master Humphrey's Clock (1841) is digitised and catalogued by Internet Archive.

The identifiers under which George Cattermole may be traced in institutional catalogues.

George Cattermole is established in the international name authorities as Wikidata Q5537759.

33 works under this name are catalogued by Wikidata Query Service, Open Library, The Art Institute of Chicago and Wellcome Collection. Their recorded dates run from 1824 to 1867.

Glamis Castle by T. Picken after G. Cattermole, dated 1847, held by University of Edinburgh. Scene of Three Witches from Shakespeare's Macbeth, dated 1840, held by Yale Center for British Art, inventory B1975.4.1056. A Monastery Mill, held by Yale Center for British Art, inventory B1977.14.6466. The grave of little Nell, dated 1867, held by Victoria and Albert Museum. The Monastery Door, dated 1862, held by Leicester Museum & Art Gallery, inventory L.F5.1882.0.0. Interior (Tales from Robin Hood, Featuring Friar Tuck), dated 1850. A Conference at the Monastery, held by Sheffield Galleries and Museums Trust, inventory VIS.277. Hunting Party with Falcons, held by Northampton Museum and Art Gallery, inventory 2000.155.11. The Scribe, held by Cooper Gallery, inventory CP/TR 223. Rosslyn Chapel, held by Sheffield Galleries and Museums Trust, inventory VIS.550. Barnaby Rudge. The Old Curiosity Shop. Master Humphrey's Clock. Selected Short Fiction. Barnaby Rudge : a Tale of the Riots of 'eighty. by : Charles Dickens, Illustraed by : George Cattermole English Painter and Illustrator, and by : Hablot Knight Browne, Was an English Artist. Master Humphrey's Clock . by : Charles Dickens, Illustrated by : George Cattermole and by : Hablot Browne. . Master Humphrey's Clock; Volume 2. Old Curiosity Shop . by : Charles Dickens, Paiting George Cattermole : , and Dedicated Samuel Rogers. Old Curiosity Shop,by Charles Dickens, Paiting George Cattermole. Evenings at Haddon Hall. Old Curiosity Shop. Children, Woman with Infant and Three Soldiers Sitting Among Ruins by Lake, dated n.d., graphite with stumping on ivory wove paper, tipped onto ivory card, held by The Art Institute of Chicago, inventory 1922.1135. Crypt of Canterbury Cathedral, dated n.d., hand colored lithograph heightened with touches of gum arabic, on ivory wove paper, laid down on card, held by The Art Institute of Chicago, inventory 1993.248.1135. Adare Abbey-with Castle in Distance, dated n.d., watercolor with graphite on ivory wove paper, partially laid down on purple wove paper, held by The Art Institute of Chicago, inventory 1993.248.1656. View of Library, dated n.d., pen and brown ink and graphite on off white wove paper, tipped onto buff card, held by The Art Institute of Chicago, inventory 1993.248.21. Bald Man Seated on Belongings (recto); Lady in a Yellow Gown (verso), dated n.d., watercolor over traces of graphite (recto and verso), on ivory wove paper, held by The Art Institute of Chicago, inventory 1993.248.874. Maiden on Deathbed with Attendant Figures, dated n.d., pen and brown ink with brush and watercolor, over graphite, on ivory wove paper, laid down on board, held by The Art Institute of Chicago, inventory 1993.248.1344. Thirteen men pray before celebrating the last supper. Chromolithograph after G. Cattermole., held by Wellcome Collection. The Lady Blanche at prayer in Bolton Abbey. Engraving by C. Heath after G. Cattermole., dated [1834], held by Wellcome Collection. A young knight in full armour receiving extreme unction from a priest surrounded by his grieving family. Line engraving with stipple by J. Goodyear after G. Cattermole., held by Wellcome Collection. Members of a family listen to a sermon from a private space in a church. Etching by F. Engleheart after G. Cattermole., held by Wellcome Collection. Russell Institution, Great Coram Street, London: the facade, above, floor plan, below, with a scale of feet. Engraving by J. Le Keux after G. Cattermole, 1824., dated 1 March 1824, held by Wellcome Collection. Scene from Sir Walter Scott's "Anne of Geierstein": Hermione takes refuge in the chemical laboratory of Sir Herman, an Austrian alchemist. Oil painting., held by Wellcome Collection.

Work associated with this heading is recorded in 9 named public collections.

Yale Center for British Art: 2 recorded objects, read from the institution's own published catalogue. Sheffield Galleries and Museums Trust: 2 recorded objects, read from the institution's own published catalogue. University of Edinburgh: 1 recorded object, read from the institution's own published catalogue. Victoria and Albert Museum: 1 recorded object, read from the institution's own published catalogue. Leicester Museum & Art Gallery: 1 recorded object, read from the institution's own published catalogue. Northampton Museum and Art Gallery: 1 recorded object, read from the institution's own published catalogue. Cooper Gallery: 1 recorded object, read from the institution's own published catalogue. The Art Institute of Chicago: 6 recorded objects, read from the institution's own published catalogue. Wellcome Collection: 6 recorded objects, read from the institution's own published catalogue.

4 scholarly publications naming this subject were located in the registry of record.

Cattermole, George, Benezit Dictionary of Artists, 2011. Cattermole, George, Oxford Art Online, 2003. Cattermole, George (1800–1868), Oxford Dictionary of National Biography, 2017. Cattermole, George, Lexikon des gesamten Buchwesens Online.

Bibliographic registers publish measured figures for this heading: 4 language editions of the general reference literature carrying an article (Wikimedia (language editions)). A count of publications is evidence of attention, not of standing, and is given here only as a measure.

This article draws on 5 independent source lineages. Copies and mirrors of the same underlying record were collapsed into a single witness, so 5 means 5 genuinely separate publishers of record. 13 further registers were consulted and returned nothing for this heading.

the recorded working language is English.

Places of work recorded in the authority are England. Employment is recorded with John Britton.

Work by George Cattermole is recorded in the collections of Art Institute of Chicago, Tate, Yale Center for British Art, Northampton Museum and Art Gallery and Victoria and Albert Museum.