geometric abstraction
Illustration — František Kupka, Amorpha, Fugue en deux couleurs (Fugue in Two Colors), 1912, oil on canvas, 210 x 200 cm, National Gallery in Prague • Illustration — Kazimir Malevich, Black Square, 1915, oil on linen, 79.5 x 79.5 cm, Tretyakov Gallery, Moscow Geometric abstraction is a form of abstract art based on the use of geometric forms sometimes, though not always, placed in non-illusionistic space and combined into non-objective (non-representational) compositions. Although the genre was popularized by avant-garde artists in the early twentieth century, similar motifs have been used in art since ancient times.
Also recorded as Abstraction Geometry Painting
geometric abstraction

Raimundo Pastor · CC BY-SA 4.0
- Field
- abstract art
VALÉORINE Encyclopedia
VALÉORINE documentary reading
Documentary summary
Illustration — František Kupka, Amorpha, Fugue en deux couleurs (Fugue in Two Colors), 1912, oil on canvas, 210 x 200 cm, National Gallery in Prague • Illustration — Kazimir Malevich, Black Square, 1915, oil on linen, 79.5 x 79.5 cm, Tretyakov Gallery, Moscow Geometric abstraction is a form of abstract art based on the use of geometric forms sometimes, though not always, placed in non-illusionistic space and combined into non-objective (non-representational) compositions. Although the genre was popularized by avant-garde artists in the early twentieth century, similar motifs have been used in art since ancient times.
Admitted source layer · organised and presented by VALÉORINE
Note VALÉORINE
No house-authored Note is published until its assertions and sources pass the VALÉORINE evidence contract. The documentary article remains available in full while that enrichment is being consolidated.
Documentary enrichment in progress · no unsupported statement published
Reference Check
Propose documentary evidence for geometric abstraction. A contribution is never written directly as fact: identity, source, rights and evidence gates still decide.
Sign in to contribute
World of VALÉORINE
Documentary connections
Only confirmed graph relationships appear here. Images are shown only when their identity and reuse rights both pass the documentary gate.

Broader Term · outgoing
abstract art
Movement
Transferred from en.wikipedia to Commons. The original uploader was P. S. Burton at English Wikipedia .

Associated With · incoming
Francis Pellerin
Artist
Own work

Associated With · incoming
Max Bill
Artist
ETH-Bibliothek Zürich, Bildarchiv / Com_L19-0188-0203A / http://doi.org/10.3932/ethz-a-000253670
Documentary evidence
Evidence Panel
not yet certified
- Identity
- resolved
- Independent source families
- 0
- Admitted assertions
- 0
- Open conflicts
- 0
Authority files
wikidata · Q2316866 · wikipedia · Geometric abstraction
In this article
History
History
Geometric abstraction is present among many cultures throughout history both as decorative motifs and as art pieces themselves. Islamic art, in its prohibition of depicting religious figures, is a prime example of this geometric pattern-based art, which existed centuries before the movement in Europe and in many ways influenced this Western school. Aligned with and often used in the architecture of Islamic civilations spanning the 7th century-20th century, geometric patterns were used to visually connect spirituality with science and art, both of which were key to Islamic thought of the time.
Relationship with music
Relationship with music
Abstract art has also historically been likened to music in its ability to convey emotional or expressive feelings and ideas without reliance upon or reference to recognizable objective forms already existent in reality. Wassily Kandinsky has discussed this connection between music and painting, as well as how the practice of classical composition had influenced his work, at length in his seminal essay Concerning the Spiritual in Art. (1912)
Selected artists
Selected artists
section Artists who have worked extensively in geometric abstraction include: • Nadir Afonso • Josef Albers • Amadour • Richard Anuszkiewicz • Mino Argento • Hans Arp • Rudolf Bauer • Willi Baumeister • Karl Benjamin • Max Bill • Ilya Bolotowsky • Patrick Henry Bruce • Kenneth Wayne Bushnell • Norman Carlberg • Ilya Chashnik • Joseph Csaky • Nassos Daphnis • Ronald Davis • Robert Delaunay • Sonia Delaunay • Tony DeLap • Jean Dewasne • Burgoyne Diller • David Diao • Ding Yi • Thomas Downing • Lorser Feitelson • María Freire • Günter Fruhtrunk • Albert Gleizes • Frederick Hammersley • Erwin Hauer • Mary Henry • Gottfried Honegger • Bryce Hudson • Al Held • Auguste Herbin • Carmen Herrera • Hans Hofmann • Budd Hopkins • Wassily Kandinsky • Ellsworth Kelly • Hilma af Klint • Ivan Kliun • František Kupka • Ronnie Landfield • Pat Lipsky • El Lissitzky • Michael Loew • Peter Lowe • Kazimir Malevich • Robert Mangold • Agnes Martin • Kenneth Martin • John McLaughlin • Peter Hugo McClure • László Moholy-Nagy • Vera Molnár • Piet Mondrian • François Morellet • Aurélie Nemours • Barnett Newman • Ben Nicholson • Marion Nicoll • Kenneth Noland • Alejandro Otero • Rinaldo Paluzzi • I. Rice Pereira • Francis Picabia • Harvey Quaytman • Ad Reinhardt • Jack Reilly • Bridget Riley • Ivo Ringe • Dorothea Rockburne • Alexander Rodchenko • Morgan Russell • Sean Scully • Victor Servranckx • Leon Polk Smith • Julian Stanczak • Henryk Stażewski • Jeffrey Steele • Frank Stella • Sophie Taeuber-Arp • Leo Valledor • Theo van Doesburg • Georges Vantongerloo • Victor Vasarely • Friedrich Vordemberge-Gildewart • Charmion von Wiegand • Zanis Waldheims • Gordon Walters • Neil Williams • Stanton Macdonald-Wright • Peter Young • Larry Zox

This is a painting by Lance Turner about walking on greenways during the covid pandemic.
LanceTurner85

Hollywood Studio View explores geometric abstraction through light, architecture, and cinematic memory, based on the California Incline Bridge.
DustyLosAngeles
Figures, places and works
Knowledge graph
Figures, places and works
Those recorded within this movement, and the places and works associated with it.
Associated with
1- Max BillArtist
Established from a fact already recorded on a verified source.
Primary material
Documents and archives
reference work
- Wikidata, structured authority record Q2316866: geometric abstraction
Reputable secondary · Wikidata
- “Geometric abstraction”, English Wikipedia, consulted as further reading
Reputable secondary · Wikipedia
scholarly index
- OpenAlex bibliographic index, 12 indexed publications naming geometric abstraction.
Unverified · OpenAlex
Scholarly analysis
• Illustration — Piet Mondrian, Composition No. 10, 1939–1942, oil on canvas Throughout 20th-century art historical discourse, critics and artists working within the reductive or pure strains of abstraction have often suggested that geometric abstraction represents the height of a non-objective art practice, which necessarily stresses or calls attention to the root plasticity and two-dimensionality of painting as an artistic medium. Thus, it has been suggested that geometric abstraction might function as a solution to problems concerning the need for modernist painting to reject the illusionistic practices of the past while addressing the inherently two dimensional nature of the picture plane as well as the canvas functioning as its support. Wassily Kandinsky, one of the forerunners of pure non-objective painting, was among the first modern artists to explore this geometric approach in his abstract work. Other examples of pioneer abstractionists such as Kasimir Malevich and Piet Mondrian have also embraced this approach towards abstract painting. Mondrian's painting "Composition No. 10" (1939–1942) clearly defines his radical but classical approach to the construction of horizontal and vertical lines, as Mondrian wrote, "constructed with awareness, but not with calculation, led by high intuition, and brought to harmony and rhythm." Just as there are both two-dimensional and three-dimensional geometries, the abstract sculpture of the 20th century was of course no less affected than painting by geometricizing tendencies. Georges Vantongerloo and Max Bill, for example, are perhaps best known for their geometric sculpture, although both of them were also painters; and indeed, the ideals of geometric abstraction find nearly perfect expression in their titling (e.g., Vantongerloo's "Construction in the Sphere") and pronouncements (e.g., Bill's statement that "I am of the opinion that it is possible to develop an art largely on the basis of mathematical thinking.") Expressionist abstract painting, as practiced by artists such as Jackson Pollock, Franz Kline, Clyfford Still, and Wols, represents the opposite of geometric abstraction.
Citations
References
Each reference names the institution holding it, so a reader may go to the document itself.
scholarly index
Partially resolvedreference work
Partially resolvedreference work
Partially resolved
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 14 August 2026.
Elsewhere in Terminology
620 published records in this field, each with its sources named.
- Generation of '36Movement
- Generation of '38Movement
- Generation of '50Movement
- Generation of '98Movement
- Ghent-Bruges schoolMovement
- Glasgow SchoolMovement
- golden age hip-hopMovement
- Golden Age of Argentine cinemaMovement
Best supported in this field
For owners
Own an object connected with geometric abstraction?
A specialist will read what you send and tell you what the house can establish, what it cannot, and whether the object is suited to sale. There is no charge and no obligation. The object stays with you throughout; nothing is shipped to us unless it is arranged in writing beforehand.