Gaspard Duchange

Training under Guillaume Vallet and Jean Audran is recorded. Charles Dupuis is recorded as having studied under Gaspard Duchange. The recorded working language is French. Places of work recorded in the authority are Paris. Work by Gaspard Duchange is recorded in the collections of Museum Boijmans Van Beuningen, Minneapolis Institute of Art, Art Institute of Chicago, Finnish National Gallery and Nationalmuseum.

• Illustration — Charles de La Fosse, after La Fosse's self-portrait Duchange was born in Paris in 1662. He was a pupil of Guillaume Vallet and then of Jean Audran. He was received into the Academy in 1707 and died in Paris in 1757.

According to Joseph Strutt in his Biographical Dictionary of Engravers (1786), Duchange's style was similar to that of his teacher, Audran, but in general neater, with the use of etching not so predominant. Strutt did not think that Duchange's drawing was as good as Audran's, but concluded that his prints "though mannered, and often rather laboured, have much to recommend them to the connoisseur, especially such as are pleased with agreeable management of the graver."

Duchange engraved a considerable number of plates. They include:

• François Girardon; after Rigaud; presented for Duchange's reception into the Academy in 1707. • Charles de La Fosse, painter; after a self-portrait; presented upon the same occasion. • Antoine Coypel, with his Son; after a self-portrait.

After Correggio: • Jupiter and Io • Jupiter and Danae • Jupiter and Ledas After Paolo Veronese: • The Entombment of Christ After Jouvenet: • Mary Magdalen washing the Feet of Christ • Christ driving the Buyers and Sellers from the Temple After Antoine Coypel: • The Sacrifice of Jephtha. • Tobit recovering his Sight • Venus sleeping, with three Loves and a Satyr • The Death of Dido • The Bath of Diana After Noël-Nicolas Coypel: • Solon explaining his Laws to the Athenians; • Trajan dispensing Justice to the People After Desormeaux: • Diana disarming Cupid After Rubens: • The Birth of Mary de' Medici; • The Landing of Mary de' Medici at Marseilles • The Marriage of Henry IV. and Mary de' Medici • The Apotheosis of Henry IV. and Regency of Mary de' Medici • The Interview of Mary de' Medici and her son, Louis XIII These five last plates were engraved for the Luxembourg Gallery.