Gareth Loy

• Loy, Gareth, Musimathics — The Mathematical Foundations of Music, Vol. 2, Cambridge: MIT Press. 2007. • Loy, Gareth, Musimathics — The Mathematical Foundations of Music, Vol. 1, Cambridge: MIT Press. 2006. • Loy, Gareth, “The CARL System: Premises, History, and Fate,” Computer Music Journal 26(4), Winter 2002. • Loy, Gareth, “The Frox Digital Audio System,” Proceedings of the International Computer Music Conference (San Jose), San Francisco: International Computer Music Association, 1992. • Todd, P. and Loy, Gareth, eds., Music and Connectionism, Cambridge: MIT Press, 1991. • Loy, Gareth, “Composing with computers — a survey of some compositional formalisms and programming languages for music,” Current Directions in Computer Music, Max Mathews, John Pierce, eds., Cambridge: MIT Press, 1990. • Loy, Gareth, “On the scheduling of parallel processors executing synchronously,” Proceedings of the International Computer Music Conference, San Francisco: International Computer Music Association, 1987. • Loy, Gareth, “Whither MIDI,” Computer Music Journal, 11(1): 9–12, 1987. • Loy, Gareth, “Designing a computer music workstation from musical imperatives,” Proceedings of the International Computer Music Conference, San Francisco: International Computer Music Association, 1986. • Loy, Gareth, “Player — an experimental music composition language with real-time capabilities,” Technical Memorandum, UCSD: Center for Music Experiment, 1986. • Loy, Gareth and Abbott, Curtis, “Programming languages for computer music synthesis, performance, and composition,” ACM Computing Surveys, 17(2), June, 1985. • Loy, Gareth, “Programming languages for computer music synthesis, performance, and composition,” ACM Computing Surveys, 17(2), June, 1985. Also published in Japanese by the ACM Computing Surveys in Bit. • Loy, Gareth, “About AUDIUM: an interview with Stanley Shaff,” Computer Music Journal, 9(2): 41–48, 1985. • Loy, Gareth, “Musicians make a standard: the MIDI phenomenon,” Computer Music Journal, 9(4): 8–26, 1985. • Loy, Gareth, “Curtis Roads and John Strawn, editors: Foundations of computer music,” Computer Music Journal, 9(3): 80–81, 1985. • Loy, Gareth, “Designing an operating environment for a real-time performance processing system,” Proceedings of the International Computer Music Conference (Vancouver), San Francisco: International Computer Music Association, 1985. • Loy, Gareth, “MIDI: a critical overview,” Acoustical Society of America, Invited paper for Musical Acoustics III: Real-Time Music Synthesizers, Abst.: JASA Suppl. 77(1): S74, 1985. • Loy, Gareth, “Computer music research using SUN workstations at the Computer Audio Research Laboratory,” SUN Users Group Los Angeles, SUN Users Group, Palo Alto, CA, 1985. • Loy, Gareth, “Player — extensions to the C programming language for parallel processing run-time music synthesis control,” Proceedings, MIDISOFT, San Francisco, 1984. • Loy, Gareth, “Allen Strange: Electronic music — systems, techniques, and controls, 2nd edition,” Computer Music Journal, 7(4): 60–61, 1983. • Loy, Gareth, “An experimental music composition language with real-time capabilities,” Proceedings of the International Computer Music Conference (Rochester), San Francisco: International Computer Music Association, 1983. • Loy, Gareth, “Applications of digital signal processing in computer music,” Acoustical Society of America, Invited paper, Special Plenary Session: Applications of Signal Processing in Acoustics, Abst., JASA Suppl., 74(1): S36, 1983. • Loy, Gareth, “The composer seduced into programming,” Perspectives of New Music, 19(1): 184–198, 1982. • Loy, Gareth, “A sound file system for UNIX,” Proceedings of the International Computer Music Conference (Venice, Italy), San Francisco: International Computer Music Association, 1982. • Loy, Gareth, “System design for computer music at the Computer Audio Research Laboratory, UCSD,” IEEE 1982 Region VI Conference, Invited paper for the session on Computer Systems and Applications, San Diego, 1982. • Loy, Gareth, “Notes on the implementation of MUSBOX, a compiler for the Systems Concepts Digital Synthesizer,” Computer Music Journal, 5(1): 13–33, 1981. • Loy, Gareth, Nekyia, Stanford University Department of Music DMA thesis, Ann Arbor, Michigan: University Microfilms, 1980. • Loy, Gareth, “Systems Concepts Digital Synthesizer operations manual and tutorial,” Stanford University Report STAN-M-6, Stanford University: Department of Music, 1980. • Loy, Gareth, “Sonic landscapes, electronic and computer music by Barry Truax, and Studies for trumpet and computer by Dexter Morrill,” Computer Music Journal, 2(1): 60–61, 1978. • Loy, Gareth, “New directions in music — Significant contemporary works for the computer,” Computer Music Journal, 2(4): 6–8, 1978. • Loy, Gareth, “The Dartmouth digital synthesizer, electronic music by Jon Appleton, Lars-Gunnar Bodin, Russell Pinkston & William Brunson,” Computer Music Journal, 1(2): 61, 1977. • Loy, Gareth, “Studio report, CCRMA, Stanford University,” Proceedings of the International Computer Music Conference (UCSD), San Francisco: International Computer Music Association, 1977. • Loy, Gareth, “The all-digital recording studio at Stanford University,” Proceedings of the International Computer Music Conference (MIT), San Francisco: International Computer Music Association, 1975.

• Fellow, Deutscher Akademischer Austauschdienst (DAAD), Berliner Kunstlerprogramm, Berlin (1986) • Bourges Prize, Digital Electroacoustic Music category (1981) • National Endowment for the Arts (1981) • Bourges Electroacoustic Music Prize (Nekyia, 1980)