Gaganendranath Tagore
Gaganendranath Tagore (18 September 1867 – 14 February 1938) was an Indian painter and cartoonist of the Bengal school. Along with his brother Abanindranath Tagore, he was counted as one of the earliest modern artists in India.
Also recorded as Gaganendranātha Ṭhākura
Gaganendranath Tagore

Gaganendranath Tagore (1867 - 1938) (Indian) Details on Google Art Project · WwHDpXH3H7YbWQ at Google Cultural Institute maximum zoom level · Public domain
- Born
- 1867.
- Died
- 1938.
- Nationality
- British Raj.
- Occupation
- painter, cartoonist and short story writer.
- Fields
- cubism.
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Gaganendranath Tagore (18 September 1867 – 14 February 1938) was an Indian painter and cartoonist of the Bengal school. Along with his brother Abanindranath Tagore, he was counted as one of the earliest modern artists in India.
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In this article
Life and career
Life and career
Gaganendranath Tagore was born at Jorasanko into the Tagore family, whose creative contributions defined Bengal's cultural history. Gaganendranath was the eldest son of Gunendranath Tagore, grandson of Girindranath Tagore and a great-grandson of Prince Dwarkanath Tagore. His brother Abanindranath was a pioneer and leading exponent of the Bengal School of Art. He was a nephew of the poet Rabindranath Tagore and the paternal great-grandfather of actress Sharmila Tagore. Gaganendranath received no formal education but trained under the watercolourist Harinarayan Bandopadhyay. In 1907, along with his brother Abanindranath, he founded the Indian Society of Oriental Art which later published the influential journal Rupam. Between 1906 and 1910, the artist studied and assimilated Japanese brush techniques and the influence of Far Eastern art into his own work, as demonstrated by his illustrations for Rabindranath Tagore's autobiography Jeevansmriti (1912). He went on to develop his own approach in his Chaitanya and Pilgrim series. Gaganendranath eventually abandoned the revivalism of the Bengal School and took up caricature. The Modern Review published many of his cartoons in 1917. From 1917 onwards, his satirical lithographs appeared in a series of books, including Play of Opposites, Realm of the Absurd and Reform Screams. Between 1920 and 1925, Gaganendranath pioneered experiments in modernist painting. Partha Mitter describes him as "the only Indian painter before the 1940s who made use of the language and syntax of Cubism in his painting". From 1925 onwards, the artist developed a complex post-cubist style. Gaganendranath also took a keen interest in theatre, and wrote a children's book in the manner of Lewis Carroll, Bhodor Bahadur ('Otter the Great').
Works
Works
Adbhut Lok: realm of the absurd, 1917, Calcutta: Vichitra Press, a portfolio of thirteen satirical pictures. Naba Hullod: Reform screams; a pictorial review at the close of the year 1921, 1921, Calcutta: Thacker, Spink & Co. Birupa bajra (Play of Opposites), 1930, Calcutta: Preonath Das Gupta for the Indian Publishing House. Bhondor bahadur, Kolkata: Shishu Sahitya Samsad, 1998, classic children's book

Gaganendranath Tagore - River View - Google Art Project
Gaganendranath Tagore (1867 - 1938) (Indian) Details on Google Art Project · jQFbZoxtOaOd0Q at Google Cultural Institute maximum zoom level

Gaganendranath Tagore - Shaded Flame
Gaganendranath Tagore · Google Arts Culture — shaded-flame-gaganendranath-tagore/wAEj1b4vj_TkVA
Life and career
Dated record
Life and career
The full dated record · 2 entries
1867
Gaganendranath Tagore was born in 1867.
1938
Gaganendranath Tagore died at Kolkata.
Primary material
Documents and archives
Institutional database
- Wikidata, structured authority record Q3351097: Gaganendranath Tagore
Scholarly · Wikimedia Foundation
reference work
- “Gaganendranath Tagore”, English Wikipedia, consulted as further reading
Reputable secondary · Wikipedia
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Sengupta. Saṃsada bāṅāli caritābhidhāna. Sahitya Samsad. 1. 124. 1988.
- 2.Twentieth Century Bengali Society through Gaganendranath Tagore’s Cartoons. Global Journal of Arts and Social Sciences. 2. 1. 1–3. 2020-05-11. 10.36266/gjass/120.
- 3.Terracciano, Emilia. Bengal School Painting from the Collection of L.T.P Manjusri (1902-82). Oliver Forge Brendan Lynch.
- 4.Kasturbhai Lalbhai Museum, Ahmenabad
- 5.Mitter, Partha. The Triumph of Modernism: India's Artists and the Avant-Garde, 1922-1947. Reaktion Books. 18. 2007. 978-1-86189-318-5.
Bibliography printed in the source article · 4
- Anand, Mulk Raj. Gaganendranath Tagore's Realm of the Absurd. Journal of the Indian Society of Oriental Art, 1972.
- Roy, Kshitis. Gaganendranath Tagore. Lalit Kalā Akademi. 1964.
- Mitter, Partha, The Triumph of Modernism: India's artists and the avant-garde 1922-1947, London, 2007
- Pūrṇimā Debī. Thākurabāṛīra Gaganaṭhākura. Rāmāyaṇī Prakaśa Bhabana. 1975. 20137196.
References
Citations
References
Each reference names the institution holding it, so a reader may go to the document itself.
Institutional database
Wikidata, structured authority record Q3351097: Gaganendranath TagoreWikimedia Foundation
Institutional witnessreference work
Secondary witness
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