Gabrielle Vincent

Gabrielle Vincent was recorded at birth as Monique Martin. She also worked under the name Dominique. The authorities additionally record the heading Monique Martin. Her recorded language was French.

17 works under this name are catalogued by Wikidata Query Service, The Metropolitan Museum of Art, The Art Institute of Chicago and Wellcome Collection. Their recorded dates run from 1847 to 1945.

Ernest et Célestine. Ernest and Celestine Have Lost Simon. Madame Réjane, dated 1894, pen and carbon black ink, brush and carbon black wash, held by The Metropolitan Museum of Art, inventory 52.64. The Bedroom, dated 1889, oil on canvas, held by The Art Institute of Chicago, inventory 1926.417. Self-Portrait, dated 1887, oil on artist's board, mounted on cradled panel, held by The Art Institute of Chicago, inventory 1954.326. The Poet's Garden, dated 1888, oil on canvas, held by The Art Institute of Chicago, inventory 1933.433. A Peasant Woman Digging in Front of Her Cottage, dated c. 1885, oil on canvas, held by The Art Institute of Chicago, inventory 1968.92. The Drinkers, dated 1890, oil on canvas, held by The Art Institute of Chicago, inventory 1953.178. Fishing in Spring, the Pont de Clichy (Asnières), dated 1887, oil on canvas, held by The Art Institute of Chicago, inventory 1965.1169. La vie et l'œuvre scientifique de F.-V. Raspail ... / [Gabrielle Raspail]., dated 1926, held by Wellcome Collection. Nos ancêtres : étude historique abrégée de la médecine depuis les temps les plus reculés jusqu'au commencement de ce siècle / [G. Millot-Carpentier] ; préface par J.V. Laborde., dated 1898, held by Wellcome Collection. Physiologie de l'espèce : histoire de la génération de l'homme, précédée de l'étude comparative de cette fonction dans les divisions principales du règne animal / [Gabriel Grimaud de Caux]., dated 1847, held by Wellcome Collection. Dante Alighieri. Colour lithograph, 1859, after S.S. Kirkup after a fresco attributed to Giotto., dated [1859], held by Wellcome Collection. Gwen Prout stamp collection vol.113 Ophthalmologists #1, dated 1945-2004, held by Wellcome Collection. Gwen Prout stamp collection vol.102 Medical Saints, dated 1932-2015, held by Wellcome Collection. Correspondence, dated 1940-2000, held by Wellcome Collection. Medawar, Sir Peter Brian (1915-1987), dated 1937-1991, held by Wellcome Collection.

Work associated with this heading is recorded in 3 named public collections.

The Metropolitan Museum of Art: 3 recorded objects, read from the institution's own published catalogue. The Art Institute of Chicago: 8 recorded objects, read from the institution's own published catalogue. Wellcome Collection: 8 recorded objects, read from the institution's own published catalogue.

6 scholarly publications naming this subject were located in the registry of record.

19 Vincent Van Gogh, Every Picture Hides a Story, 2022. Traços de sonho: uma leitura do livro ilustrado "O nascimento de Celestine de Gabrielle Vincent", Zero-a-Seis, 2022. OV correspondence, letter D2466: Gabrielle Emilie Le Tonnelier de Breteuil, marquise Du Châtelet-Lomont, to Jean Anne Vincent de Larlan de Kercadio, comte de Rochefort (24th April 1741), Oxford University Voltaire. Gabrielle Vincent et Mario Ramos, deux artistes belges francophones d'exception, sont -ils pour autant des «classiques » littéraires?, Ondina - Ondine, 2023. Économie du Québec et de ses régions de Diane-Gabrielle Tremblay et Vincent Van Schendel, Montréal, Éditions Saint-Martin, 1991, 649 p., Politique, 1992. Traços de sonho: uma leitura do livro ilustrado "O nascimento de Celestine de Gabrielle Vincent", Zero-a-seis, 2022.

2 digitised items associated with this heading are catalogued by Internet Archive.

Ernest and Celestine at the circus. (1989) — Internet Archive. Ernesto y Celestina, músicos callejeros (2017) — Internet Archive.

Bibliographic registers publish measured figures for this heading: 10 language editions of the general reference literature carrying an article (Wikimedia (language editions)). A count of publications is evidence of attention, not of standing, and is given here only as a measure.

This article draws on 7 independent source lineages. Copies and mirrors of the same underlying record were collapsed into a single witness, so 7 means 7 genuinely separate publishers of record. 12 further registers were consulted and returned nothing for this heading.