Friedrich Schorr

He was celebrated, too, for his appearances as Don Pizarro in Beethoven's Fidelio. His voice was powerful, steady, and rich-toned, with a beautiful mezza voce. He placed a special emphasis on maintaining a smooth, legato line in his singing, with no trace of Sprechgesang. Towards the end of Schorr's career, his extreme top notes became somewhat 'wooden', however, as the result of many years of strenuous usage.

The son of a cantor (hazzan) Mayer Schorr, who reportedly had a fine voice himself, Schorr was born in Oradea [Nagyvarad at the time]. He studied in Brno and Vienna with Adolf Robinson. He made his stage debut in Graz, singing there in 1912-1916. Afterwards he worked in Prague (1916–1918), Cologne (1918–1923), Berlin (State Opera Unter den Linden, 1923–1931). He also made acclaimed appearances in London at Covent Garden (1924–1931), at New York's Metropolitan Opera (1924–1943) and the Bayreuth Festival (1925–1933). Schorr emigrated to the United States in 1931. He lived in New York City and performed regularly at the Metropolitan Opera until 1943. Some of the Wagnerian singers that he appeared with during his career included Frida Leider, Lotte Lehmann, Elisabeth Rethberg, Lauritz Melchior, Kirsten Flagstad, and Helen Traubel. After his retirement from performance he worked as a director and gave concerts. He also taught singing privately. One of his students was mezzo-soprano Nell Tangeman. He died in Farmington, Connecticut.