Frederic Edwin Church

The authorities additionally record the headings Frederic Church, Frederick Edwin Church, Frederick E. Church, Frederic E. Church and F. E. Church. His recorded language was English.

He was the child of Joseph Church and Eliza Janes. One child is recorded: Louis P. Church.

He trained under Thomas Cole. His recorded influences include Alexander von Humboldt.

As a teacher, Frederic Edwin Church is recorded in connection with Jervis McEntee and Howard Russell Butler. Each of those relationships is stated by the authority record rather than inferred from style.

Frederic Edwin Church worked in landscape painting and visual arts. His work is associated with Hudson River school.

He belonged to American Academy of Arts and Sciences. He worked at Catskill, New York City, Ecuador, Colombia, Hartford and Olana State Historic Site.

Works recorded as notable number 8: Hillside, Storm Over Hudson Valley, Cathedral, Chillo, Ecuador, Mountain Stream, Yemen Valley, Palestine, Catskill Sunset, Wild Sugar Cane, Jamaica, Painting. Study. In the Woods Maine. and The Icebergs. His recorded genres are landscape and luminism.

Work by Frederic Edwin Church is held by Art Institute of Chicago, The Nelson-Atkins Museum of Art, Thyssen-Bornemisza Museum and Smithsonian American Art Museum.

Work associated with this heading is recorded in 14 named public collections.

Cooper Hewitt, Smithsonian Design Museum: 31 recorded objects, read from the institution's own published catalogue. Olana State Historic Site: 8 recorded objects, read from the institution's own published catalogue. Thyssen-Bornemisza Museum: 5 recorded objects, read from the institution's own published catalogue. Q214867: 4 recorded objects, read from the institution's own published catalogue. Fine Arts Museums of San Francisco: 4 recorded objects, read from the institution's own published catalogue. Metropolitan Museum of Art: 3 recorded objects, read from the institution's own published catalogue. Yale University Art Gallery: 3 recorded objects, read from the institution's own published catalogue. Smithsonian American Art Museum: 2 recorded objects, read from the institution's own published catalogue. Corcoran Gallery of Art: 2 recorded objects, read from the institution's own published catalogue. Detroit Institute of Arts: 2 recorded objects, read from the institution's own published catalogue. The Metropolitan Museum of Art: 17 recorded objects, read from the institution's own published catalogue. The Art Institute of Chicago: 1 recorded object, read from the institution's own published catalogue. The Cleveland Museum of Art: 4 recorded objects, read from the institution's own published catalogue. Wellcome Collection: 3 recorded objects, read from the institution's own published catalogue.

11 scholarly publications naming this subject were located in the registry of record.

Church, Frederic Edwin, Benezit Dictionary of Artists, 2011. Church, Frederic Edwin, Oxford Art Online, 2003. Church, Frederic Edwin (1826-1900), landscape painter, American National Biography Online, 2000. <i>Frederic Edwin Church and the National Landscape</i>. Franklin Kelly<i>Frederic Edwin Church</i>. Franklin Kelly , Frederic Edwin Church, Archives of American Art Journal, 1988. Frederic Edwin Church, 1966. Insurance: Beyond Law, Panorama, 2023. Frederic Edwin Church: Humboldt’s Painter in the Andes, Iberoamericana. América Latina - España - Portugal, 2019. Frederic Edwin Church: Catalogue Raisonné of Art at Olana Historic Site, de Gerald L. Carr, Anales del Instituto de Investigaciones Estéticas, 1995. L’Amérique selon Frederic Edwin Church, Transatlantica, 2006. William L. Coleman, Panorama, 2021. From Alexander von Humboldt to Frederic Edwin Church: Voyages of Scientific Exploration and Artistic Creativity, HiN - Alexander von Humboldt im Netz. Internationale Zeitschrift für Humboldt-Studien, 2005.

11 digitised items associated with this heading are catalogued by Internet Archive.

The Parthenon (1871) — Internet Archive. Twilight in the Wilderness (1860) — Internet Archive. Frederic Edwin Church, Rainy Season In The Tropics — Internet Archive. Kotopaksi Yanardağı'na Bakış (1857) (1857) — Internet Archive. Storm in the Mountains (1847) — Internet Archive. The Aegean Sea (1877) — Internet Archive. Niagara (1857) — Internet Archive. The Monastery of San Pedro (Our Lady of the Snows) (2024) — Internet Archive. Heart of the Andes (1859) — Internet Archive. Niagara Falls by Moonlight (1856) — Internet Archive. Tropical Scenery (1873) — Internet Archive.

Bibliographic registers publish measured figures for this heading: 42 language editions of the general reference literature carrying an article (Wikimedia (language editions)). A count of publications is evidence of attention, not of standing, and is given here only as a measure.

This article draws on 8 independent source lineages. Copies and mirrors of the same underlying record were collapsed into a single witness, so 8 means 8 genuinely separate publishers of record. 11 further registers were consulted and returned nothing for this heading.

training under Thomas Cole is recorded. Jervis McEntee and Howard Russell Butler are recorded as having studied under Frederic Edwin Church. the recorded working language is English.

The field of work recorded is landscape painting and visual arts. Subjects and genres recorded for the work are landscape and luminism. The authority associates the name with Hudson River school. Alexander von Humboldt is recorded as an influence.

Places of work recorded in the authority are Catskill, New York City and Ecuador. Residence is recorded at Ecuador and Hartford. Membership is recorded of American Academy of Arts and Sciences.

Works named in the authority record are Hillside, Storm Over Hudson Valley, Cathedral, Chillo, Ecuador, Mountain Stream, Yemen Valley, Palestine, Catskill Sunset and Wild Sugar Cane, Jamaica.

Work by Frederic Edwin Church is recorded in the collections of Art Institute of Chicago, The Nelson-Atkins Museum of Art, Thyssen-Bornemisza Museum, Smithsonian American Art Museum and Metropolitan Museum of Art.