Freda Swain
Freda Swain (31 October 190229 January 1985) was a British composer, pianist and music educator.
Freda Swain
- Born
- 1902 · Portsmouth.
- Nationality
- United Kingdom · United Kingdom of Great Britain and Ireland
- Occupation
- composer · music educator · pianist · musician
- Education
- Royal Academy of Music
- Languages
- English
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wikidata · Q5496661 · wikipedia · Freda Swain
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The documentary record
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Institutions cited
Deutsche Nationalbibliothek
Not stated by the sources cited: nationality
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Biography
Biography
Freda Swain was born in Portsmouth, England, the daughter of Thomas and Gertrude (née Allen) Swain. Her first piano lessons (from age 11) were at the Tobias Matthay Piano School in London, given by Matthay's sister Dora. Three years later she went to study composition with Charles Villiers Stanford and piano with Arthur Alexander at the Royal College of Music, earning awards including the Sullivan Prize in 1921. Swain married Arthur Alexander in 1921, and before World War II the couple toured South Africa and Australia, lecturing, broadcasting and performing recitals. In 1924 she began teaching at the Royal College and in 1936 she founded the British Music Movement to help promote the efforts of young composers and artists. With her husband she was on the founding board of the Surrey College of Music from the mid-1940s. From 1942 they lived in a bungalow on Chinnor Hill in Oxfordshire. Alexander died in 1969. Freda Swain died on 29 January 1985.
Documentary record
Freda Swain (31 October 1902 – 29 January 1985) was a composer, pianist and musician. Both events are recorded by the Deutsche Nationalbibliothek.
Chamber
Chamber
• Dance Forms from an Unknown Country, for flute, oboe, clarinet and piano (1958) • Festival Suite for horn, piano and percussion (1967) • Lamentations, for 2 cellos and piano (1960) • Piano Quartet in G minor, The Sea (1950) • '* Sextet (with horn and clarinet) • Solemn Salutation for brass ensemble (1951) • String Quartet No. 1 in E minor Norfolk (1924) • String Quartet No. 2 in G minor (1949) • Suite for Six Trumpets (1952) • Tercet for violin, viola and cello
Instrumental
Instrumental
• Ballade for violin and piano (1956) • Berceuse for violin and piano (1919) • By the Loch for cello and piano (1960) • Cello Sonata in C minor (1923) • Contrasts (1953) for clarinet and piano ('Heather Hill' and 'Derry Down') • A Country Pastoral for organ (1957) • Danse Barbare for violin and cello • English Reel for viola and piano (1958) • English Pastoral for organ (1958) • Fantasy Suite for oboe and piano • Highland Hills for violin and piano (1951) • Hornpipe, Air, Jig and Finale, (also known as Movements) for violin and piano (1955) • Imitation and Reversion for violin and piano (1955) • Laburnum Tree for clarinet and piano (1960) • Lento con espressione for violin and piano • Lento e teneramente for violin and piano • Nocturne for violin and piano (1957) • Pastoral Reflection for violin and piano (1953) • Pipe Tunes for clarinet and piano • Rhapsody for clarinet and piano (for Frederick Thurston) • Sonata for violin in C minor?? (no traces of that one) • Sonata for violin in B minor, The River 1925 (Lost) • Sonata for violin in G minor (1947) • Song at Evening for viola and piano (1958) • Summer Rhapsody No. 1 for viola and piano (performed 1936) • Vielle Chanson Triste for violin and piano • Waving Grass for clarinet and piano (1960) • The Willow Tree for clarinet and piano (1948)
Orchestral
Orchestral
• The Harp of Angus (1925), tone poem for violin and orchestra • Lumine naturi, Concertino for clarinet, horn and strings • Miniature Suite for string orchestra (1952) • A Pastoral Fantasy (1936–37) • Piano Concerto 'Airmail' (1939) • Piano Concerto • Walking and Dream Tide for string orchestra (or cello and piano)
Opera
Opera
• Second Chance, premiered at Bath in 1955, libretto Swain and M. Rodd • The Shadowy Waters (operatic setting, based on Yeats) • The Spell (incomplete)
Piano
Piano
• The Croon of the Sea (1920) • Crossbow Castle (suite, four pieces) • An English Idyll (1942) • Humoresque • Mountain Ash (1931) • Prelude and Toccata (1955) • The Red Flower • Scherzo for three pianos • Sonata Saga in F minor (1924, rev. 1929 and 1930) • Sonata No. 1 in A minor, The Skerries (1936–37, rev. 1945) • Sonata No. 2 in F-sharp minor (1950) • Sonatina • Two South Africa Impressions: 'Mimosa' and 'The Lonely Dove' • Spring Mood • Waltz Charming • The Windmill
Songs
Songs
• April (text: A. E. Coppard) • Blessing (text: Austin Clarke) • The Chevalier's Lament (text: Robert Burns) • Experience (Chinese text: translated Arthur Waley) • The Green Lad From Donegal • The Indwelling, song cycle for voices, strings, piano and drum (fp. 1961) • The Lark on Portsdown Hill (text: composer) • Sweet Content (text: Robert Greene) • Sympathy (text: Emily Brontë) • Three Sonnets by Shakespeare (1936) (with non-vocal prelude, Summer Rhapsody) • Winter Field • over 100 songs, including settings of Bridges, A. E. Housman and Shakespeare
Choral
Choral
• Bells of Heaven (Christmas carol, text: Mary Brandon) • Breathe on Me, Breath of God, anthem • Cantata In Memoriam • A Gaelic Prayer, anthem • Now Rest We All Content (wedding anthem, text: Mary Brandon) • Psalm 150 (1973) • Rejoice in the Lord (1961) • Unseen Heralds (text: Mary Brandon)
Places
Named by the record
Places
Only places the record itself states, plotted where the house gazetteer settles their coordinates. Nothing is inferred from a name or a nationality.
Portsmouth.
Birth place
Chinnor.
Death place
Composition
Swain wrote some 450 pieces, piano and chamber music as well as many songs, but also opera and orchestral works, including two piano concertos and a clarinet concertino intended for Frederick Thurston. Few were performed aside from a series featured in the NEMO Series of concerts that Swain herself founded after the war. Her first major success was The Harp of Aengus for violin and orchestra (after the Yeats poem), with soloist Achille Rivarde at Queen's Hall in January 1925. The solo Violin Sonata was premiered by May Harrison at Wigmore Hall on 8 December 1933. Her "Airmail" Piano Concerto, mailed in instalments to her husband Arthur Alexander while he was stuck in South Africa during World War II, was performed by Alexander in Cape Town. She composed a one-act opera Second Chance, but left two other operas incomplete. Her piano compositions include three large scale piano sonatas and 40 or so other works for solo piano, including many educational pieces. There is also a substantial cello sonata, two violin sonatas (one with piano, the other unaccompanied), two string quartets, a piano quartet, a sextet with horn and clarinet, a Suite for Six Trumpets and many other chamber and instrumental pieces. Swain's surviving manuscripts were handed down to her pupil and friend David Stevens, founder of the Swain-Alexander Trust. In turn they were passed on to Swiss pianist Timon Altwegg in 2005, who has begun recording the piano works for Toccata Classics. Dutton Vocalion issued a CD of her chamber music in 2024 and another of her music for violin and piano in 2025, including her large scale Violin Sonata of 1947. In June 2024 the Henschel Quartet revived her first string quartet, the Norfolk, at the Aldeburgh Festival. A recording of her Concertino for clarinet was issued in 2026.
Text attribution
Licensing
Text attribution
Part of the biographical narrative on this page reuses licensed material. Its origin, revision and licence are recorded here.
The biographical narrative on this page is based on the Wikipedia article Freda Swain, revision 1358374323 (EN edition), by its contributors. VALÉORINE has edited that text and built its own documentary record around it. The reused material is available under CC BY-SA 4.0, and this page's reuse of it is offered under the same licence. Everything else on this page — the chronology, the holdings, the evidence, the plates and the connections — is VALÉORINE's own record. Sources and licences.
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Altwegg, Timon. Freda Swain: an Introduction (notes to Toccata CD TOCC0579 (2022)
- 2.Blom, Eric. Swain, Freda (Mary). 2001.
- 3.P. L. Scowcroft. The Distaff Side: Some British Women Composers. March 1994.
- 4.Leach, Gerald. British Composer Profiles: Freda Swain (1902–1985). British Music Society. 2012.
- 5.Blom, Eric. "The Younger English Composers, 8: Freda Swain", Monthly Musical Record No. 59 (1929), pp. 257–258
- 6."Freda Swain's New Violin Sonata", Daily Telegraph, 9 December 1933, p. 8
- 7.D. Francke: "Obituary", The Times (4 February 1985)
- 8."Discovering Freda Swain – A research behind-the-scenes" by Leah Broad, 5 November 2023
- 9.Dutton Epoch CDLX7412 (2024)
- 10.Dutton Epoch CDLX7419 (2025)
- 11.'The Henschel Quartet: Music will never let you down’, in The Strad, 11 June 2024
- 12."New Quartet by Woman Composer", The Daily Telegraph, 12 May 1949, p. 6
- 13.Recorded by Peter Cigleris with the London Mozart Players, SOMM CD 0722 (2026)
- 14."Young Singers' Spirit of Man", The Daily Telegraph, 7 June 1961, p. 17
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The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 29 August 2026.
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