Francisco de Rojas Zorrilla
Francisco de Rojas Zorrilla (4 October 1607 – 23 January 1648) was a Spanish dramatist. The main pieces of Rojas Zorrilla are Del rey abajo ninguno and No hay padre siendo rey (both published in the 1640s).
Francisco de Rojas Zorrilla

Tamorlan · Self-photographed · CC BY-SA 3.0
- Born
- 1607 · Toledo.
- Died
- 1648 · Madrid.
- Nationality
- Spain
- Occupation
- playwright · dramaturge · writer
- Fields
- drama
- Education
- University of Salamanca
- Languages
- Spanish
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Documentary summary
Francisco de Rojas Zorrilla (4 October 1607 – 23 January 1648) was a Spanish dramatist. The main pieces of Rojas Zorrilla are Del rey abajo ninguno and No hay padre siendo rey (both published in the 1640s).
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wikidata · Q1442310 · wikipedia · Francisco de Rojas Zorrilla
In this article
Biography
Biography
Rojas Zorrilla was born at Toledo. He became a knight of Santiago in 1644. It is believed that he studied at the University of Toledo and University of Salamanca, and for a time followed a military career. His plays were published between 1640 and 1645; his greatest dramatic composition, Del rey abajo ninguno, was printed separately under the title of García del Castañar. His works were adapted by authors outside Spain. No hay padre siendo rey was borrowed by Jean Rotrou for his Venceslas. Donde hay agravios no hay zelos and the Amo criado were imitated by Paul Scarron in his Jodelet Souffleté and Maître Valet. Entre Bobos anda el juego was the source of Thomas Corneille's Don Bertrand de Cigarral, as well as of Scarron's Don Japhel d'Arménie. Four foreign works derive from Obligados y ofendidos: Les Généreux Ennemis by François le Metel de Boisrobert, Les Illustres Ennemis by Thomas Corneille, Scarron's Écolier de Salamanque, and the story of Count Belflor and Leonor de Cespedes in Alain-René Lesage's novel Le Diable boiteux (1707). La traición busca el castigo is the basis of John Vanbrugh's False Friend and Lesage's Traître puni.
Works in English translation
Works in English translation
• La traición busca el castigo – (a free adaptation) • Los Bandos de Verona ("The Factions in Verona") – in (partial translation) • Del Rey Abajo Ninguno ("None Beneath the King") – in • Los áspides de Cleopatra ("Cleopatra") – in
Identity
Identity
Francisco de Rojas Zorrilla is recorded as playwright, dramaturge and writer.
Calle de Francisco de Rojas, Madrid.
Asqueladd
Aquí vivió y murió Francisco de Rojas Zorrilla, Madrid
Asqueladd
Life and career
Dated record
Life and career
The full dated record · 2 entries
1607
Francisco de Rojas Zorrilla born at Toledo.
1648
Francisco de Rojas Zorrilla died at Madrid.
Places
Named by the record
Places
Only places the record itself states, plotted where the house gazetteer settles their coordinates. Nothing is inferred from a name or a nationality.
Plaza del Ángel
Residences
Toledo.
Birth place
Madrid.
Death place
Literature
Literature
Literature
Edición y estudio de "El más impropio verdugo" de Francisco de Rojas Zorrilla = Edition and study of Francisco de Rojas Zorrilla’s El más impropio verdugo
Francisco de Rojas Zorrilla y Agustin Moreto: Analisis, Hispanic Review, 1997. «Francisco de Rojas Zorrilla
Scholarly footprint
Literature
Scholarly footprint
A count of publications is evidence of attention, not of standing, and is given here only as a measure.
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Calvo, Mariano. «Francisco de Rojas Zorrilla. Ruta del siglo de Oro», en Rutas literarias de Toledo.
- 2.Distintos investigadores confirman la existencia de un autor y actor llamado Francisco de Rojas "el Rapado" cuyo apodo (y apellido) coincide con el de Gregorio de Rojas "el Rapado", más conocido como Juan Bezón, por lo que se supone que este Francisco de Rojas el Rapado, y no Francisco de Rojas Zorrilla, es el que pudo ser hermano de Gregorio. De ser así, la actriz Francisca Bezón, la Bezona, sería la hija ilegítima de Francisco de Rojas "el Rapado", pero llevó el apellido y el apodo feminizado del apellido artístico del tío paterno que la crio, es decir Juan Bezón. Así lo expone en su estudio sobre Apodos de actores del siglo de Oro: procedimientos de transmisión, Mimma de Salvo (Universidad de Valencia, equipo de la doctora Teresa Ferrer). (1993-2008)
- 3.Nuevos documentos sobre Rojas Zorrilla y su teatro.
- 4.Cf. Abraham Madroñal, op. cit.
- 5.https://dialnet.unirioja.es/descarga/articulo/3401899.pdf
- 6.Información extraída de Ferrer, Teresa et al. Base de datos de comedias mencionadas en la documentación teatral (1540-1700). CATCOM. Publicación en web: http://catcom.uv.es
- 7.Más vale maña que fuerza: Los enredos albaneses de una comedia desconocida atribuida a Rojas Zorrilla.
References
Citations
References
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reference work
Wikidata, structured authority record Q1442310: Francisco de Rojas ZorrillaWikimedia Foundation
Secondary witnessreference work
Secondary witness
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 15 August 2026.
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