Francesco Antonio Vallotti
Francesco Antonio Vallotti (11 June 1697 – 10 January 1780) was an Italian composer, music theorist, and organist.
Also recorded as Vallotti
Francesco Antonio Vallotti

Heinrich Eduard Winter · This file comes from Gallica Digital Library and is available under the digital ID btv1b8425449s · Public domain
- Name
- Francesco Antonio Vallotti
- Born
- 11 June 1697
- Birthplace
- Vercelli
- Died
- 10 January 1780
- Place of death
- Padua
- Occupation
- Composer, Music theorist, Organist, Priest
- Movements
- Baroque music
- Teachers
- Francesco Antonio Calegari
- Languages
- Italian
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Francesco Antonio Vallotti (11 June 1697 – 10 January 1780) was an Italian composer, music theorist, and organist.
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wikidata · Q1395790 · wikipedia · Francesco Antonio Vallotti
In this article
Biography
Biography
Training under Francesco Antonio Calegari is recorded. Giuseppe Sarti and Georg Joseph Vogler are recorded as having studied under Francesco Antonio Vallotti. The recorded working language is Italian. Work by Francesco Antonio Vallotti is recorded in the collections of Procuratoria di San Marco musical archive.
Key facts
Key facts
• Name — Francesco Antonio Vallotti • Born — 11 June 1697 • Birthplace — Vercelli • Died — 10 January 1780 • Place of death — Padua • Genre — Classical • Occupation — Composer, Music theorist, Organist, Priest • Instrument — Organ • Illustration — Francesco Antonio Vallotti
Life
Life
He was born in Vercelli. He studied with G. A. Bissone at the church of St. Eusebius. Noticed by the Padre Beccaria of Vercelli, he was sent to complete the novitiate in Chamberry circa 1715. He returned to Savoy and joined the Franciscan order in 1716. He studied philosophy in Cuneo and theology in Padua. He was ordained as a priest in 1720. In 1722 he became an organist at the Basilica di Sant'Antonio in Padua, and eventually become maestro there in 1730, succeeding maestro Calegari, and held that position for the next fifty years. Here he met and worked with another theorist and composer named Giuseppe Tartini. Vallotti died in Padua on 10 January 1780.
Work
Work
Vallotti's extant compositions are entirely sacred in nature. They include: • Responsorial for four voices accompanied by harpsichord • Responsorial for sabbato sancto • Responsorial for coena domini Many of his works remain only in manuscript. These include: • 12 Introits for 5 and 8 voices • 24 Kyries, 24 Glorias, and 21 Credos for 4 and 5 voices • 68 Psalms for 2 and 8 voices and instruments • 46 Hymns • 10 Responsorials • 3 Dies Irae for 4 voices and instruments • 2 Pange lingua • 15 Tantum ergo • 2 Te Deum • 2 De profundis • 1 Sepulto domino, vespers and other compositions He also orchestrated 43 sacred pieces by his former master Calegari, and an Introit in 5 voices by Porta.
Life and career
Dated record
Life and career
The full dated record · 1 entries
1780
Francesco Antonio Vallotti died at Padua.
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Vercelli.
Birth place
Padua.
Death place
Theory
Vallotti spent a great deal of thought on the theory of harmony and counterpoint. His theoretical endeavours would culminate in 1779 with the publishing of his 167-page, four-volume work, Della scienza teorica e pratica della moderna musica (On the scientific theory and practice of modern music), just before the end of his life. One of his most frequently cited contributions to theory was his development of a system of Well temperament, known today as Vallotti temperament, which was one of many systems of instrumental tuning for the accommodation of composition in every key. Specifically, the six diatonic fifths F-C-G-D-A-E-B are all tuned 1/6 of a comma flat, while the remaining six-fifths B-F#-C#-G#-D#-A#-F are all tuned pure. This leads to thirds quite close to pure (compared to equal temperament) in the 'home' keys of F, C and G major and in D, A, E and B minor. 1/6 comma extended meantone intonation (the 55-comma system) was the standard intonation ideal in the 18th century. On the other hand, there were very impure Pythagorean thirds in the remote keys of B, F# and C# major and in G#, Eb, Bb and F minor. The keys in between progressed from meantone to Pythagorean as the number of accidentals increased, with Eb and A major (the two 'intermediate' major keys) having thirds the same width as in modern 12-tone equal temperament. In effect, the 'simpler' the key, the closer it is to meantone intonation, and the more remote the key, the closer it is to Pythagorean intonation, and the 'middle' keys are similar to equal temperament. Young temperament (q.v.) No.2 has the same structure as Vallotti's, except that there the split happens at C rather than F: that is, the block of fifths C-G-D-A-E-B-F# are all tuned 1/6 of a comma flat, and F#-C#-G#-D#-A#-F-C are all tuned pure.
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He trained under Francesco Antonio Calegari. Each of those relationships is stated by the authority record rather than inferred from style.
Francesco Antonio Vallotti is recorded with the occupation organist. Recorded as organist, composer, musicologist, music theorist and musician.
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 14 August 2026.
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