Frances Abington
Frances "Fanny" Abington (Barton; 1737 – 4 March 1815) was an English actress who was also known for her sense of fashion. Writer and politician Horace Walpole described her as one of the finest actors of their time, and Richard Brinsley Sheridan was said to have written the part of Lady Teazle in The School for Scandal for her to perform.
Also recorded as Frances "Fanny" Abington · Fanny Abington
Frances Abington

Joshua Reynolds · Public domain
- Name
- Fanny Abington
- Birth Name
- Frances Barton
- Born
- 1737
- Birthplace
- London, England
- Died
- 4 March 1815
- Occupation
- actress,singer
- Spouse
- James Abington
- Full name
- Frances Barton.
- Nationality
- United Kingdom of Great Britain and Ireland
- Languages
- English
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Frances Abington (1737 – 4 marzo 1815) figura come attrice negli archivi di autorità della Bibliothèque nationale de France e della Deutsche Nationalbibliothek.
Vita
Frances Abington nacque nel 1737 a Londra e morì il 4 marzo 1815 a Londra.
Attività
Luogo di attività registrato dalla Deutsche Nationalbibliothek: Londra.
Istituzioni citate
Bibliothèque nationale de France · Deutsche Nationalbibliothek
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Documentary evidence
Documentary basis
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wikidata · Q2734971 · wikipedia · Frances Abington
In this article
Key facts
Key facts
• Name — Fanny Abington • Birth Name — Frances Barton • Born — 1737 • Birthplace — London, England • Died — 4 March 1815 • Place of death — London, England • Other Names — Nosegay Fan • Occupation — actress,singer • Employer — Haymarket Theatre, Drury Lane, Covent Garden • Notable Works — Lady Teazle in The School for Scandal • Spouse — James Abington
Early life
Early life
She was born Frances Barton (nicknamed "Fanny"), as the daughter of a private soldier. She began her career as a flower girl and a street singer. It was also rumoured that she recited Shakespeare in taverns at the age of 12, along with being a prostitute for a short period to help her family with financial problems. Later, she became a servant to a French milliner. During that time, she learnt about costume and learnt French. Her early nickname, Nosegay Fan, came from her time as a flower girl.
Career
Career
Her first appearance on stage was at Haymarket in 1755 as Miranda in Mrs Centlivre's play, Busybody. She rose to become a principal actor in October 1756 when she was cast as Lady Pliant in The Double Dealerat the Drury Lane. The play's cast also included the stars Hannah Pritchard and Kitty Clive. She also appeared in Ireland, where her Lady Townley (in The Provoked Husband by Vanbrugh and Cibber) was a success. David Garrick convinced her to return to Drury Lane, and they worked together there until his retirement in 1776. From 1759 onwards she appeared in the bills as "Mrs Abington", following her marriage to her music tutor, the royal trumpeter James Abington. They separated shortly after their marriage as he could not cope with her popularity. They lived separately, with Fanny paying James a small annual stipend to stay away from her. She subsequently had affairs with an Irish MP, Needham, who left her a considerable estate, and William Petty, 2nd Earl of Shelburne. The income from her estate and her stage work made her a wealthy woman. She remained at the Drury Lane for 18 years, being the first to play more than 30 important characters, notably Lady Teazle (1777) in The School for Scandal. In April 1772, when James Northcote saw her as Miss Notable in Cibber's The Lady's Last Stake, he remarked to his brother I never saw a part done so excellent in all my life, for in her acting she has all the simplicity of nature and not the least tincture of the theatrical. • Illustration — Mrs Abington as Miss Prue by Sir Joshua Reynolds Her wealth and popularity meant she influenced fashion. The press reported on her hair styles: her low hair in The School for Scandal was praised for changing the fashion. Her performance as Kitty in "High Life Below Stairs" put her in the foremost rank of comic actresses and made the mob cap she wore in the role fashionable. It was soon being referred to as the "Abington Cap" on stage and at hatters' shops across Ireland and England. It was as the last character in Congreve's Love for Love that Sir Joshua Reynolds painted the best-known of his half-dozen or more portraits of her (illustration, left). In 1782 she left Drury Lane for Covent Garden. After an absence from the stage from 1790 until 1797, she reappeared, quitting finally in 1799.
Death
Death
Frances Abington died on 4 March 1815 at her home on Pall Mall, London. She was buried at St James's Church, Piccadilly.
Identity and origins
Identity and origins
Frances Abington was recorded at birth as Frances Barton. The authorities additionally record the headings Frances "Fanny" Abington, Fanny Abington and Frances Abington. Her recorded language was English.
Identity
Identity
Frances Abington is recorded as actress.

Print; Prints
Francesco Bartolozzi / Richard Cosway / William Shakespeare · This file was donated to Wikimedia Commons as part of a project by the Metropolitan Museum of Art. See the Image and Data Resources Open Access Policy

Print; Prints
Francesco Bartolozzi / Richard Cosway / William Shakespeare · This file was donated to Wikimedia Commons as part of a project by the Metropolitan Museum of Art. See the Image and Data Resources Open Access Policy
Life and career
Dated record
Life and career
The full dated record · 1 entries
1815
Frances Abington died in 1815 at London.
Literature
Scholarly footprint
A count of publications is evidence of attention, not of standing, and is given here only as a measure.
Text attribution
Licensing
Text attribution
Part of the biographical narrative on this page reuses licensed material. Its origin, revision and licence are recorded here.
The biographical narrative on this page is based on the Wikipedia article Frances Abington, revision 1369155807 (EN edition), by its contributors. VALÉORINE has edited that text and built its own documentary record around it. The reused material is available under CC BY-SA 4.0, and this page's reuse of it is offered under the same licence. Everything else on this page — the chronology, the holdings, the evidence, the plates and the connections — is VALÉORINE's own record. Sources and licences.
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Encyclopædia Britannica Inc. Abington, Fanny. Encyclopædia Britannica. I: A-ak Bayes. 33. 2010. 978-1-59339-837-8.
- 2.Nussbaum, Felicity. Rival queens : actresses, performance, and the eighteenth-century British theater. University of Pennsylvania Press. 226–264. 2010. 978-0812206890.
- 3.Chambers Biographical Dictionary, , p. 5.
- 4.Reader. The Life of Mrs Abington (formerly Miss Barton) Celebrated Comic Actress. 13–14. 1888.
- 5.Abington, Frances. 64.
- 6.Letter, 8 April 1772, in William T. Whitley, Artists and Their Friends in England 1700–1799 (1928) vol. II, p.289.
- 7.Highfill, Philip H. A biographical dictionary of actors, actresses, musicians, dancers, managers & other stage personnel in London, 1660–1800. Vol. 1, Abaco to Belfille. Southern Illinois University Press. 12–20. 1973. 0809305178.
- 8.Frances Abington (née Barton). National Portrait Gallery.
- 9."Mrs Abington" by Sir Joshua Reynolds Yale Center for British Arts
References
Citations
References
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Secondary witnessreference work
Secondary witness
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