Floris van Dyck
Illustration — Portrait of "Florentius Dikius Harlemens", by Hendrik Hondius I for his Pictorum, 1610 Floris van Dyck, also called Floris van Dijck or Floris Claesz. Van Dyck (c.1575 – before 26 April 1651) was a Dutch Golden Age still life painter.
Also recorded as Floris Claesz. van Dijck · Floris Claesz. Van Dyck · Mr. Floris van Dijck · Flooris van Dijck
Floris van Dyck

Floris van Dyck · The Yorck Project (2002) 10.000 Meisterwerke der Malerei (DVD-ROM), distributed by DIRECTMEDIA Publishing GmbH. ISBN: 3936122202. · Public domain
- Born
- 1575 · Delft.
- Died
- 1651 · Haarlem.
- Nationality
- Dutch Republic
- Occupation
- painter
- Known for
- A Banquet Still Life · Still Life with Cheese
- Languages
- Dutch
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Documentary summary
Illustration — Portrait of "Florentius Dikius Harlemens", by Hendrik Hondius I for his Pictorum, 1610 Floris van Dyck, also called Floris van Dijck or Floris Claesz. Van Dyck (c.1575 – before 26 April 1651) was a Dutch Golden Age still life painter.
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Authority files
wikidata · Q576222 · wikipedia · Floris van Dyck
In this article
Biography
Biography
The recorded working language is Dutch. Places of work recorded in the authority are Italy and Haarlem. Works named in the authority record are A Banquet Still Life and Still Life with Cheese. Work by Floris van Dyck is recorded in the collections of Rijksmuseum, Frans Hals Museum, Montreal Museum of Fine Arts, Museum of Fine Arts, Budapest and National Gallery.
Van Dyck lived in Haarlem for most of his life, but he was born in Delft. He was a cousin of Pieter Cornelisz van Rijck, whose father, Cornelis, first had a brewery in Delft before moving to the "De Olyphant" brewery in Haarlem. In 1600 he was documented as being in Rome, where he was a good friend of Joseph van Arpino and witnessed him being cured of an ailment with Olio del gran Duco, an oil given to him by the Pope's personal physician, with which he smeared himself all over his body. Thanks to this miracle cure, Arpino could finish an altarpiece in the Archbasilica of St. John Lateran. In 1606, he returned to the Netherlands, where he settled in Haarlem and became one of Karel van Mander's sources on modern Italian painters for his Schilder-boeck. He probably lived with or near his uncle, the brewer Cornelis van Rijck. Like the young Frans Hals and other assistants to Karel van Mander, Floris is not listed with his own entry in that book, though he was already an established painter on his return from Italy. After Karel van Mander's death, Floris joined the Haarlem Guild of St. Luke in 1610 and became dean in 1637. On 11 September 1625, he married for the second time to Cornelia Jansdr. Vlasman and the wealthy Gijsbert Claesz van Campen were his only witnesses. He was influenced by Osias Beert and Clara Peeters and is considered the inventor of the banketje (banquet still life genre similar to breakfasts, or ontbijtjes), together with Nicolaes Gillis. Besides Nicolaes Gilles, he influenced the painters Floris van Schooten, Pieter Claesz, and Roelof Koets. He died in Haarlem. • Illustration — Dutch banquet with cheese, bread, nuts and fruit • Illustration — Ontbijtje still life from 1610 at the Frans Hals Museum, showing a Dutch breakfast with cheese, bread, nuts and fruit, served on a fine white linen napkin protecting the tablecloth, which is a red or karmozijn example of a kind popular in 17th-century Haarlem • Illustration — Still life with pewter jug, fruit, and cheese • Illustration — Transcription from 1877 of the proposed Haarlem painters' guild hierarchy in 1631. Floris van Dyck was one of the signatories, along with Pieter de Molijn, Outgert Ariss Akersloot, Willem Claesz Heda, Salomon de Bray, Cornelis Cornelisz, Cornelis Claesz van Wieringen, and Isaak Halinck. • Illustration — The former "De Olyphant" brewery, where Cornelis van Rijck lived and worked, and where he and his cousin Pieter probably kept a studio.
Identity
Identity
Floris van Dyck died in 1651 at Haarlem.

Amsterdam - Rijksmuseum 1885 - The Gallery of Honour (1st Floor) - Still Life with Fruit, Nuts and Cheese 1613 by Floris van Dijck
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Life and career
Dated record
Life and career
The full dated record · 2 entries
1575
Floris van Dyck was born in 1575 at Delft.
1651
Floris van Dyck died in 1651 at Haarlem.
Places
Named by the record
Places
Only places the record itself states, plotted where the house gazetteer settles their coordinates. Nothing is inferred from a name or a nationality.
Delft.
Birth place
Haarlem.
Death place
Primary material
Documents and archives
Institutional database
- Wikidata, structured authority record Q576222: Floris van Dyck
Scholarly · Wikimedia Foundation
reference work
- “Floris van Dyck”, English Wikipedia, consulted as further reading
Reputable secondary · Wikipedia
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.(AKL). Die Bildenden Künstler aller Zeiten und Völker. K. G. Saur, München und Leipzig 1991ff., Band 31, S. 386.
- 2.im Rijksmuseum, Amsterdam.
- 3.Fred G. Meijer & Adriaan van der Willigen: A dictionary of Dutch and Flemish still-life painters working in oils. 1525-1725. Primavera Press, Leiden 2003, S. 73.
- 4.im Rijksbureau voor Kunsthistorische Documentatie.
- 5.Claus Grimm: Stilleben. Die niederländischen und deutschen Meister. Belser, Stuttgart (u. a.) 1988, S. 81.
- 6.Die niederländische Bezeichnung ist uitgestalde stilleven. Vgl.: A.P.A. Vorenkamp: Bijdrage tot de geschiedenis van het Hollandsch stilleven in de 17 eeuw: proefschrift ter verkrijging van den graad van doctor in de letteren en wijsbegeerte aan de Rijks-Universiteit te Leiden. N.V. Leidsche Uitgeversmaatschappij, Leiden 1933, S. 24f & N.R.A. Vroom: De Schilders Van Het Monochrome Banketje. Kosmos, Amsterdam 1945, S. 10. & Claus Grimm: Stilleben. Die niederländischen und deutschen Meister. Belser, Stuttgart (u. a.) 1988, S. 81.
- 7.Martina Brunner-Bulst: Pieter Claesz.: der Hauptmeister des Haarlemer Stillebens im 17. Jahrhundert. Kritischer Œuvrekatalog. Luca-Verlag, Lingen 2004, S. 145.
- 8.N.R.A. Vroom: De Schilders Van Het Monochrome Banketje. Kosmos, Amsterdam 1945, S. 42 & Ingvar Bergström: Dutch still-life painting in the seventeenth century. Aus dem Schwedischen von Christina Hedström und Gerald Taylor. Faber & Faber, London 1956, S. 98ff & Pieter Biesboer (u. a.): Pieter Claesz: (1596/7-1660), Meester van het stilleven in de Gouden Eeuw. (Aust.kat.: Frans-Halsmuseum Haarlem 2005). Uitgeverij Waanders BV, Zwolle 2004, S. 15.
References
Citations
References
Each reference names the institution holding it, so a reader may go to the document itself.
Institutional database
Wikidata, structured authority record Q576222: Floris van DyckWikimedia Foundation
Verifiedreference work
Partially resolved
Further particulars
Held on the record
Further particulars
Open the remaining particulars
The authorities additionally record the headings Floris Claesz. Van Dijck, Floris Claesz. His recorded language was Dutch.
Identity and origins
Van Dyck, Mr
Floris van Dijck, Flooris van Dijck and Florens van Dijck
Recognition and collections
Work by Floris van Dyck is
Rijksmuseum, Frans Hals Museum, Montreal Museum of Fine Arts and Museum of Fine Arts, Budapest
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 14 August 2026.
Elsewhere in Paintings
18,705 published records in this field, each with its sources named.
- Floriano FerramolaArtist
- Florica PrevendaArtist
- Florimond Van AckerArtist
- Florin BalabanArtist
- Floris van SchootenArtist
- Floris VersterArtist
- Fokko TadamaArtist
- Fong Chung-RayArtist
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