Fiona Banner

Banner worked across sculptor, video artist, installation artist, conceptual artist and serigrapher and 5 further recorded occupations. This article rests on 5 catalogued photographs, 6 published texts and 15 scholarly references drawn from named institutional registers. Every statement below returns to a source shown in the evidence panel; where the record is silent or divided, the article says so instead of resolving it.

Fiona Banner studied at Goldsmiths, University of London and Kingston University. The recorded working language is English. Places of work recorded in the authority are London. Work by Fiona Banner is recorded in the collections of Museum of Modern Art, Tate, National Gallery of Canada, De Pont and Van Abbemuseum.

• Name — Fiona Banner aka The Vanity Press • Born — 1966 • Birthplace — Merseyside, England • Spouse — Nick Rosen • Training — Kingston University and Goldsmiths College • Movement — Young British Artists • Website — fionabanner.com

• Illustration — 2010 Tate Britain exhibition of an RAF Jaguar installed by Banner. Fiona Banner was born on Merseyside, North West England in 1966. She studied at Kingston University and completed her MA at Goldsmiths College of Art in 1993. The next year she held her first solo exhibition at City Racing. Since graduating from Goldsmiths College of Art, Banner has continued to evolve an important, considered and interrelated practice, rooted in language. Publishing, in the broadest sense, is central to her practice. In 1995, she was included in General Release: Young British Artists held at the XLVI Venice Biennale. Since 1994 Banner has created handwritten and printed texts – 'wordscapes' – that retell in her own words entire feature films, including Point Break (1991) and The Desert (1994), or particular scenarios in detail. Her work took the form of solid single blocks of text, often the same shape and size as a cinema screen. She also investigates the formal components of written language, giving significance to the symbols that punctuate sentences. In 1997, when she published THE NAM, she started working under the imprint of The Vanity Press, and has since published an extensive archive of books, objects and performances, many questioning the notion of authorship and copyright. For Banner, the act of publishing is itself a performative one. Consequently, her work resits traditional notions of grandeur and exclusivity, instead deploying a pseudo formality that is playful and provocative. THE NAM is a 1,000-page book which describes the plots of six Vietnam films in their entirety: the films are Apocalypse Now, Born on the Fourth of July, The Deer Hunter, Full Metal Jacket, Hamburger Hill and Platoon. Following her shows at the Neuer Aachener Kunstverein, and Dundee Contemporary Arts, Banner was nominated for the Turner Prize in 2002. Since early 2000, Banner has been working with pornographic film as a basis for an exploration of our obsession with sex, and the extreme limits of written communication. In large, densely filled works she transcribe the varied sexual activities taking place in Asswoman in Wonderland, starring Tiffany Minx, who also directed this X-rated version of Alice's fictional adventures. Banner's own Arsewoman in Wonderland (2001), presented in the Turner Prize exhibition, is a 4 × 6 m printed description of the film pasted and layered sheet after sheet onto the wall like and overladen billboard. 'I wanted to make some work about sex but I couldn't describe it. I was too close to it and I did not have the words that close to hand. I looked again at ports as a way of investigating my own taboo. Just as with the war films I enjoyed it but found it hard to grasp; it was intimate yet distant, seductive yet sometimes repulsive. My response to the film was very emotional.' The Guardian asked, "It's art. But is it porn?" calling in "Britain's biggest porn star", Ben Dover, to comment. The prize was won that year by Lancastrian artist Keith Tyson. In 2009 she issued herself an International Standard Book Number, and registered herself as a publication under her own name. She was then photographed with the ISBN tattooed on her lower back. In 2010, she was selected to create the 10th Duveen Hall commission at Tate Britain for which she transformed and displayed two decommissioned Royal Air Force fighter jets. On 1 October 2010, in an open letter to the British government's culture secretary Jeremy Hunt—co-signed by a further 27 previous Turner prize nominees, and 19 winners—Banner opposed any future cuts in public funding for the arts. In the letter the cosignatories described the arts in Britain as a "remarkable and fertile landscape of culture and creativity." Banner’s work includes sculpture, drawing and installation; text is the core of her oeuvre. She is one of the "key names", along with Jake and Dinos Chapman, Gary Hume, Sam Taylor-Wood, Tacita Dean and Douglas Gordon, of the Young British Artists.

• Onyx, Bookman, Courier 2018 Full stop inflatables (Installation Breeder, Athens) • SS19 The Walk (and Buoys Boys) 2018 High definition digital film (Installation Breeder, Athens) • SS19 The Walk 2018 Performed at DRAFx: An Evening of Performances (o2 Kentish Town Forum, London) • Buoys Boys 2016, Full Stop inflatables, Sculptural performance (De La Warr Pavilion, Bexhill-on-sea) • Buoys Boys 2016, High definition digital film • STAMP OUT PHOTOGRAPHIE 2014 (V-A-C collection Whitechapel Gallery, London) • 1066 2012 Wall projection (Turner Contemporary, England) • The Exquisite Corpse Will Drink the Young Wine 2012 Musical Performance / Screening (The Welsh Congregational Chapel, Borough, London) • Performance Nude 2010 Performance with David Salas (Claire de Rouen / Other Criteria Book Launch, London) • Mirror 2007 Performance with Samantha Morton (Whitechapel Gallery, London)

• 1994 • Pushing Back The Edge of the Envelope, City Racing, London • 1995 • Viewing Room, Luhring Augustine Gallery, New York • 1997 • The Nam: 1000 page all text flick book, London • Only the Lonely, Frith Street Gallery, London • 1998 • Art Now, Tate Britain, London • LOVE DOUBLE, Barbara Thumm Gallery, Berlin • 1999 • Statements, Basel Art Fair • ASTERISK, Gesellschaft für Aktuelle Kunst, Bremen • Don't Look Back, Brooke Alexander, New York • THE NAM and Related Material, Printed Matter, New York • STOP, Frith Street Gallery, London • 2000 • Soixante-Neuf, Charles H Scott Gallery, Emily Carr Institute, Vancouver • 2001 • ARSEWOMAN, Murray Guy, New York • ARSEWOMAN, Barbara Thumm Gallery, Berlin • Rainbow, 24/7, Hayward Gallery, London • 2002 • My Plinth is Your Lap, Neuer Aachener Kunstverein, Aachen • My Plinth is Your Lap, Dundee Contemporary Arts, Dundee • 2003 • Fiona Banner, 1301PE, Los Angeles, CA • 2006 • Arsenal, Barbara Thumm Gallery, Berlin • Arsewoman in Wonderland, Barbara Thumm Gallery, Berlin • 2007 • Peace on Earth, Tate Britain, London • Every Word Unmade, Barbara Thumm Gallery, Berlin • The Bastard Word, Power Plant, Toronto • 2010 • The Naked Ear, Frith Street Gallery, London • Harrier and Jaguar, Tate Britain Duveens Commission 2010, Tate Britain, London • Tornado, Co-commission by Locus+ and Great North Run Culture, 2010, Newcastle • All the World's Fighter Planes, Musée d'art de Joliette, Québec • 2011 • Snoopy Vs The Red Baron, Barbara Thumm Gallery, Berlin • 2012 • Unboxing, The Greatest Film Never Made, 1301PE, Los Angeles • 2013 • The Vanity Press, Summerhall, Edinburgh (Catalogue) • 2014 • Wp Wp Wp, Yorkshire Sculpture Park, Wakefield • Mistah Kurtz, He Not Dead, PEER, London • 2015 • Scroll Down And Keep Scrolling, Ikon Gallery, Birmingham, UK • FONT, Frith Street Gallery, London • 2016 • Au Cœur des Ténèbres, mfc-Michele Didier, Paris, France • Buoys Boys, De La Warr Pavilion, Bexhill, UK • Fiona Banner, Barbara Thumm Gallery, Berlin • Scroll Down And Keep Scrolling, Kunsthalle Nürnberg, Germany • Fiona Banner, 1301PE, Los Angeles • Study #13. Every Word Unmade, Fiona Banner, David Roberts Art Foundation, London • 2017 • Runway AW17, De Pont Museum, Tilburg, Netherlands • 2018 • Buoys Boys, Mission Gallery, Swansea, Wales • 2019 • Fiona Banner aka The Vanity Press, Libby Leshgold Gallery, Emily Carr University of Art and Design, Vancouver, Canada • Fiona Banner aka The Vanity Press, Independent Art Fair, Barbara Thumm Gallery, New York, USA • Full Sea Stop Scape, Barbara Thumm Gallery, Berlin, Germany • 2020 • PERIOD, Museum Voorlinden, Netherlands • 2021 • Pranayama Typhoon, Barakat Contemporary, Seoul, Korea

Fiona Banner is recorded with the occupation installation artist. Recorded as sculptor, video artist, installation artist, conceptual artist and serigrapher. Established in Bibliothèque nationale de France under 14495280h. Established in Library of Congress under nb97088985. Established in Open Library under OL5435537A. Fiona Banner is established in ISNI under 000000012144504X. Fiona Banner is established in RKDartists under 134318. Established in FAST under 407631.