Fidelia Bridges

She was the only woman among a group of seven artists in the early years of the American Watercolor Society. Her watercolor paintings of nature scenes were displayed in homes across the country, published as illustrations in books and magazines and on greeting cards. Bridges created a successful business from what was usually a hobby.

Fidelia Bridges studied at Pennsylvania Academy of the Fine Arts. The recorded working language is English. The field of work recorded is painting. William Trost Richards is recorded as an influence. Work by Fidelia Bridges is recorded in the collections of The Nelson-Atkins Museum of Art, Metropolitan Museum of Art, Art Institute of Chicago, Smithsonian American Art Museum and New Britain Museum of American Art.

• Name — Fidelia Bridges • Born — 19 May 1834 • Birthplace — Salem, Massachusetts, U.S. • Died — 14 May 1923 • Place of death — Canaan, Connecticut, U.S. • Known for — Painting • Training — William Trost Richards, Pennsylvania Academy of the Fine Arts • Movement — Pre-Raphaelite • Patrons — Mark Twain

• Illustration — Calla Lilly, c. 1875, Brooklyn Museum of Art • Illustration — Fidelia Bridges, May one of a series of twelve color print illustrations, 1876, collection of the Boston Public Library. Fidelia Bridges was born in Salem, Massachusetts, to Henry Gardiner Bridges (1789–1849), a sea captain, and Eliza (Chadwick) Bridges. (1791–1850). She was orphaned at the age of fifteen when her mother and father died within months of each other, in 1849, Henry Bridges fell ill and was taken to Portuguese Macau, where he died in December, while Eliza died in March 1850, just three hours before the news of her husband's death arrived in Salem. The couple left four children, Eliza, Elizabeth, Fidelia, and Henry. They then lived at 100 Essex Street, now known as the Fidelia Bridges Guest House, but moved to a more affordable home on the same street after their parents' death. Fidelia's older sister, Eliza, was a school teacher and became the guardian of her younger siblings. Fidelia was badly affected by her parents' deaths. She stayed with family friends in the country to recover. While there, she spent hours drawing in bed. When Fidelia recovered, she returned to Salem, where she befriended the artist and art school owner, Anne Whitney. After she regained her health, Fidelia became a live-in mother's helper in the household of William Augustus Brown, a Quaker who had been a Salem ship-holder before moving to Brooklyn, New York, where he became a successful wholesale produce merchant. The Bridges moved to Brooklyn, too, and in 1854 Eliza established a school there. Eliza died in 1856 of tuberculosis, and Fidelia and her older sister Elizabeth then ran the school.

Bridges soon abandoned teaching in order to concentrate on her drawing lessons. In 1860, after being inspired by her friend Anne Whitney, she enrolled at the Pennsylvania Academy of the Fine Arts in Philadelphia with William Trost Richards and became very close to his family. By 1862, she had her own studio in downtown Philadelphia. Having remained friends with the Richards family, she accompanied them to Lake George and Lehigh Valley of Pennsylvania and New Jersey on sketching trips. He was a Pre-Raphaelite advocate and her style was greatly influenced by him. Richards said of her work that it was "the unaffected expression of a great joy in the beauty of nature— a joy which is after all the fountain of all that is finest in art; and one could not see the rich treasures of Miss Bridge's portfolios of studies without feeling this." Through Richards, Bridges met museum curators and patrons of the arts, several of whom became collectors of her paintings. She exhibited her works at the Pennsylvania Academy of the Fine Arts. In 1865, Bridges left Philadelphia and established a studio on the top floor of the Brown's house in Brooklyn, where Anne Whitney also worked and lived with her companion Adeline Manning, a painter from Boston.

After the American Civil War she studied for a year in Rome and lived and traveled with Adeline Manning and Anne Whitney. She maintained her style of intricate botanical works in oil. Bridges returned to the United States in the fall of 1868. Her works were then exhibited at the National Academy of Design. In 1871, watercolor was a respected medium and she quickly gained popularity with her watercolor depictions of flowers and birds. Her pictures, however, were not mere photographic reproductions of what she saw; with the imagination of the true artist, she infused her subjects with a deep poetic meaning. Bridges "combined the temper of romanticism with the technique of a scientist," according to Frederick Sharf's biography of her. • Illustration — Fidelia Bridges, September, illustration of Twelve Months series, published by Prang, 1876 • Illustration — Fidelia Bridges, A Garden in Bloom, watercolor and gouache, 1897 • Illustration — Fidelia Bridges, Irises Along the River, before 1923 Bridges was considered a specialist in her field and focused on the beauty and serenity of small details in nature. One of her favored sites was Stratford, Connecticut, where she enjoyed the wildflowers and other subject matter in the area's flats and meadows. The birds found in the green salt grass lined banks of the Housatonic River were also of interest. She made some of her best paintings of the scenes from her summer visits from 1871 to 1888 with Oliver Ingraham Lay and his family. Paintings such as Daisies and Clover and Thrush in Wild Flowers are examples of her works during this period. She lived in Stratford by 1890 when she ministered to the ailing Lay who died that year. She was elected as a National Academy of Design associate in 1873 and one year later became the only woman of seven artists in the American Society of Painters in Watercolor (now the American Watercolor Society). She exhibited her work sporadically from 1863 until 1908. Henry James, in his review of Bridges's paintings at the American Watercolor Society's 1875 exhibition for The Galaxy, stated that her work was "infinitely finer and more intellectual" than Winslow Homer's, who was one of the best known American painters of the time. In 1876, she exhibited three paintings at the Philadelphia Centennial Exposition. That year, many of her paintings were reproduced and sold by publisher and lithographer Louis Prang. St. Nicholas Magazine and the August 1876 edition of Scribner's Monthly contained her illustrations. She illustrated John Burrough's Bird and Birds published by Scribner's Monthly by 1877. This success eventually led to a job as a designer for Prang's firm. For this job Bridges designed Christmas cards and she kept the job until 1899. Bridges visited England between 1879 and 1880. During that time she visited her brother Henry, who worked there as a tea-taster and traveled to China in the commission of his work. Her works, which reflected an Oriental aesthetic with plain background and asymmetrical compositions, were exhibited at the Royal Academy of Arts. Some of her compositions are similar to that of the Flower and Bird series of Japanese woodblock print artist, Hiroshige. After her extended visit to England, Bridges returned to the Brown's home, where she continued to work and live much of the time. She spent a year working as a governess to Mark Twain's three daughters starting in 1883; Twain was also a collector of her work. In collaboration with the illustrator and book editor Susie Barstow Skelding, she created several books of poetry with her bird illustrations, including Winged Flower Lovers, and Songsters of the Branches during the 1880s. Her illustrations of birds were published in an 1888 book of poems, What the Poets Sing of Them and the book Favorite Birds. Bridges exhibited her work at the Palace of Fine Arts at the 1893 World's Columbian Exposition in Chicago, Illinois.

• Illustration — Fidelia Bridges, c. 1864 Bridges never married, but had good friends and relationships throughout her life. She moved to Canaan, Connecticut in 1892 and lived in a cottage on a hill, overlooking a stream and with a beautiful flower garden that attracted birds and became the subject of many paintings.William T. Richards made a painting of her garden in 1901 entitled Fidelia Bridge's Garden in Canann, Connecticut, 1901. She led a quiet life, and occasionally traveled to Europe and New York. She continued to exhibit her works, including the American Society of Painters, the Pennsylvania Academy of the Fine Arts and the National Academy of Design. Along with artist Howard Pyle, Bridges became a sustaining member of the American Forestry Association, which was founded to protect forests in the United States following "an eloquent plea" from President Theodore Roosevelt. Bridges died following a stroke just a few days before turning 89, on May 14, 1923, in Canaan. A service was held for Bridges in her home on May 16, 1923.

• Illustration — Still Life with Robin's Nest, 1863 • Illustration — Thistle in a Field, 1875 • Illustration — Fidelia Bridges, Bird's Nest in Cattails, 1875, Metropolitan Museum of Art • Illustration — Pink Cyclamen, c. 1870s • Illustration — Thrushes' Nest, 1878 • Illustration — Grass and Poison Ivy, c. 1880

Fidelia Bridges was born on 19 May 1834 in Salem. Bridges held the nationality of United States. Bridges was educated at Pennsylvania Academy of the Fine Arts. Bridges worked as painter and artist. Bridges worked in English. Bridges is placed by the collections within Pre-Raphaelite Brotherhood. Bridges died on 14 May 1923 in Canaan. Bridges is buried at Mountain View Cemetery.