Fernando Fernán Gómez

He would later use her surname for his stage name when he moved to Spain in 1924. Fernán Gómez was regarded as one of Spain's most beloved and respected entertainers, winning two Silver Bears for Best Actor at the Berlin International Film Festival for his roles in The Anchorite in 1977 and Stico in 1985. He was also the recipient of the Prince of Asturias Award for the Arts, the National Theater Award, the Gold Medal of Merit in the Fine Arts, the Gold Medal of the Spanish Film Academy, and six Goya Awards. He starred in 200 films between 1943 and 2006, working with directors including Carlos Saura (Ana and the Wolves, Mama Turns 100), Víctor Erice (The Spirit of the Beehive), Fernando Trueba (Belle Époque), José Luis Garci (The Grandfather), José Luis Cuerda (Butterfly's Tongue) and Pedro Almodóvar (All About My Mother). He directed over 25 films, among them El extraño viaje (1964), and Life Goes On (1965), both great classics of the Spanish cinema that were very limited distribution due to Franco's censorship and made him a cursed filmmaker in his country. His film Voyage to Nowhere (1986), which is based on his own novel, earned critical acclaim and became the most awarded Spanish film at the 1st Goya Awards ceremony.

The recorded working language is Spanish. Subjects and genres recorded for the work are dramaturgy. Positions recorded include Member of the Royal Spanish Academy and Fastenrath Award. Works named in the authority record are El ascensor de los borrachos and Mi hija Hildegart. Distinctions recorded are Donostia Award, Princess of Asturias Award for the Arts, Goya Award for Best Supporting Actor and Mariano de Cavia' Price.

• Honorific Prefix — The Most Excellent • Name — Fernando Fernán Gómez • Honorific Suffix — OAXS • Birth Name — Fernando Fernández Gómez • Born — 28 August 1921 • Birthplace — Lima, Peru • Died — 21 November 2007 • Place of death — Madrid, Spain • Resting Place — Cementerio de la Almudena, Madrid • Citizenship — * Argentina • Spain • Occupation — * Actor • director • writer • Years Active — 1943–2006 • Father — Fernando Díaz de Mendoza y Guerrero • Mother — Carola Fernán-Gómez • Relatives — Fernando Díaz de Mendoza (grandfather) María Guerrero (grandmother) • Children — 2 Fernando Fernández Gómez (28 August 1921 – 21 November 2007), better known as Fernando Fernán Gómez, was a Spanish actor, screenwriter, film director, theater director, novelist, and playwright. Prolific in all these fields, he was elected member of the Royal Spanish Academy in 1998. He was born in Lima, Peru while his mother, Spanish actress Carola Fernán-Gómez, was making a tour in Latin America. He would later use her surname for his stage name when he moved to Spain in 1924. Fernán Gómez was regarded as one of Spain's most beloved and respected entertainers, winning two Silver Bears for Best Actor at the Berlin International Film Festival for his roles in The Anchorite in 1977 and Stico in 1985. He was also the recipient of the Prince of Asturias Award for the Arts, the National Theater Award, the Gold Medal of Merit in the Fine Arts, the Gold Medal of the Spanish Film Academy, and six Goya Awards. He starred in 200 films between 1943 and 2006, working with directors including Carlos Saura (Ana and the Wolves, Mama Turns 100), Víctor Erice (The Spirit of the Beehive), Fernando Trueba (Belle Époque), José Luis Garci (The Grandfather), José Luis Cuerda (Butterfly's Tongue) and Pedro Almodóvar (All About My Mother). He directed over 25 films, among them El extraño viaje (1964), and Life Goes On (1965), both great classics of the Spanish cinema that were very limited distribution due to Franco's censorship and made him a cursed filmmaker in his country. His film Voyage to Nowhere (1986), which is based on his own novel, earned critical acclaim and became the most awarded Spanish film at the 1st Goya Awards ceremony.

According to his memoir, he was probably born in Lima on 28 August 1921, even though his birth certificate indicates that he was born in the Argentine capital, Buenos Aires. His mother, the theater actress Carola Fernán Gómez, was touring South America when he was born in Lima, and his birth certificate was issued days later in Argentina, a country whose nationality he retained, in addition to Spanish nationality, which was granted to him in 1984. He was an extramarital son, his father was also the actor Luis Fernando Díaz de Mendoza y Guerrero, whose mother, the prominent theater actress María Guerrero, prevented the marriage between Fernando Fernán Gómez's parents.

In addition to his extensive career in front and behind the screen, Fernán Gómez wrote numerous stage plays, novels, memoirs, articles, and poems. The most successful was the play Las bicicletas son para el verano (Bicycles Are for the Summer) in 1977, showing the sufferings of a family and their neighbours in besieged Madrid during the Civil War. He won the Lope de Vega Prize for that work in 1978, and it has been adapted into a popular film in 1984, directed by Jaime Chávarri. As theater director he staged plays such as Dear Liar (1962), by Bernard Shaw; The Kreutzer Sonata (1963), by Leo Tolstoy; Thought (1963), by Leonid Andreyev; and Juan José Alonso Millán's comedies Gravemente peligrosa (1962), Mayores con reparos (1965) and La vil seducción (1967). He was runner up of the Premio Planeta de Novela for his 1987 historical novel El mal amor. In 1993 he won the Premio de Novela Espasa-Humor for his comedy novel El ascensor de los borrachos. In 1990 he published his memoirs, El Tiempo Amarillo (The Yellow Time), which he later expanded in a second edition in 1998 named El Tiempo Amarillo: memorias ampliadas (1921-1997). The work has 700 pages and was presented at the Círculo de Bellas Artes in Madrid. On October 27, 1995, he received the Prince of Asturias Award for the Arts from the hands of Prince Felipe. On January 30, 2000, he entered the Royal Spanish Academy for his artistic accomplishments, where he took possession of Seat B with the speech titled "Aventura de la palabra en el siglo xx".

• Illustration — Entrance to the Fernán Gómez Theater. Madrid He married the Spanish actress and singer María Dolores Pradera in 1945, with whom he had a daughter, the actress Helena Fernán Gómez, and a son, Fernando. They divorced in 1957. Later then, he had a long relationship with actress Emma Cohen, marrying in 2000. Fernando Fernán Gómez died in Madrid on 21 November 2007 from a heart failure aggravated by pneumonia and colon cancer. On 19 November 2007, he was admitted to the Oncology area of the Madrid University Hospital La Paz to be treated for pneumonia. Carmen Caffarel, head of the Instituto Cervantes, said "We've lost the great man of Spanish theater and film of the second half of the 20th century". • Illustration — Emma Cohen received the Grand Cross of the Civil Order of Alfonso X the Wise in 2008 awarded to Fernando Fernán Gómez posthumously. Pedro Almodóvar highlighted him as "an artist who represents the history of Spanish cinema from its beginnings to the present day." The "excellence" in all his work, Almodóvar noted, was felt in his work as an actor: "He made the difficult as easy as possible, thanks to limitless versatility". That made him capable of "going from Don Mendo's Revenge on Bertolt Brecht". But he was also an "essential director in both film and theater", to the point of being "a complete and irreplaceable artist." "With delightful comedies such as La vida por delante and La vida alrededor, or the very scathing and masterpiece El extraño viaje". Concluding "I will always remember him, and I will continue watching his films". After the President of the Government José Luis Rodríguez Zapatero announced the death of the actor, the Government of Spain posthumously awarded Fernán Gómez the Grand Cross of the Civil Order of Alfonso X, the Wise on 23 November. The mayor of Madrid, Alberto Ruiz-Gallardón, also announced that the Cultural Center of the Villa de Madrid would be renamed the Fernán Gómez Theater. As he was a lifelong anarchist, his coffin was covered in a black and red anarchist flag and was later cremated in the Almudena Cemetery in Madrid. • Illustration — Fernando Fernán Gómez exhibition at the Jerez Campus, University of Cádiz in 2017. In 2017, in commemoration of the 10 years since his death, the exhibition Fernando Fernán Gómez "El Ilustrado" was inaugurated by the graphic artists of the Association of Cadiz Illustrators at the University of Cádiz. On 3 March 2022, the Instituto Cervantes received the "in memoriam" legacy of Fernán Gómez: his 1938 CNT card and the pen that was given to him when he entered the Royal Spanish Academy in 2000. The legacy was introduced into Box number 1003 of the Caja de las Letras by Fernán-Gómez's granddaughter, Helena de Llanos. In 2023, the Spanish Government acquired the archive of Fernando Fernán Gómez and his wife Emma Cohen, which is made up of 250 boxes and other objects that are already kept in the facilities of the Filmoteca Española, entity dependent on the Institute of Cinematography and Audiovisual Arts (ICAA).

• Year — Title — Role — Director — Notes • 1943 — Cristina Guzmán — Bob — Gonzalo Delgrás • Autumn Roses — Adolfo Barona — Juan de Orduña and Eduardo Morera • Fantastic Night — Enamorado — Luis Marquina • La chica del gato — Paco — Ramón Quadreny • Viviendo al revés — Ignacio F. Iquino • A Palace for Sale — Ladislao Vajda • Fin de curso — Himself (uncredited) — Ignacio F. Iquino • 1944 — Turbante blanco — Ignacio F. Iquino • Una chica de opereta — Salvador Viana — Ramón Quadreny • Mi enemigo y yo — Antonio Aguilar 'Tony' — Ramón Quadreny • Empezó en boda — Raffaello Matarazzo • 1945 — El destino se disculpa — Teófilo Dueñas — José Luis Sáenz de Heredia • The Road to Babel — Marcelino Pastor — Jerónimo Mihura • Espronceda — Mister Wilde — Fernando Alonso Casares • Bambú — Antonio — José Luis Sáenz de Heredia • Domingo de carnaval — Matías — Edgar Neville • Se le fue el novio — Miguel Novak — Julio Salvador • 1946 — Es peligroso asomarse al exterior — Silvio — Alejandro Ulloa, Arthur Duarte • Eres un caso — Inocencio — Ramón Quadreny • Los habitantes de la casa deshabitada — Gregorio — Gonzalo Delgrás • 1947 — Noche sin cielo — Emilio — Ignacio F. Iquino • 1948 — Botón de ancla — Enrique Tejada y Sandoval — Ramón Torrado • Embrujo — Mentor — Carlos Serrano de Osma • La muralla feliz — Don Fulgencio Ríos — Enrique Herreros • The Black Siren — Gaspar de Montenegro — Carlos Serrano de Osma • La próxima vez que vivamos — Pablo — Enrique Gómez • Pototo, Boliche y compañía — Ramón Barreiro • Hoy no pasamos lista — Don Manuel — Raúl Alfonso, Rafael Alonso • Encrucijada — Pedro Lazaga — Short • La mies es mucha — Padre Santiago Hernández — José Luis Sáenz de Heredia • 1949 — Vida en sombras — Carlos — Lorenzo Llobet Gracia • Rosas de otoño — Adolfo Barona — Eduardo Morera and Juan de Orduña • Wings of Youth — Rodrigo — Antonio del Amo • 1950 — Saturday Night — Carlos — Rafael Gil • Ninety Minutes — Sr. Marchand — Antonio del Amo • Tiempos felices — Enrique Gómez • El último caballo — Fernando — Edgar Neville • La noche del sábado — Director de orquesta (uncredited) — Rafael Gil • 1951 — Balarrasa — Javier Mendoza 'Balarrasa' — José Antonio Nieves Conde • I Want to Marry You — Ramón — Jerónimo Mihura • La trinca del aire — Zanahoria — Ramón Torrado • Captain Poison — Jorge de Córdoba — Luis Marquina • 1952 — The Pelegrín System — Héctor Pelegrín — Ignacio F. Iquino • Facultad de letras — Fernando — Pío Ballesteros • The Eyes Leave a Trace — Agente Díaz — José Luis Sáenz de Heredia • Cincuenta años del Real Madrid — Himself — Rafael Gil • 1953 — La voce del silenzio — Fernando Layer - assistante spirituale — Georg Wilhelm Pabst • Esa pareja feliz — Juan Granados Muñoz — Juan Antonio Bardem, Luis García Berlanga • Airport — Luis — Luis Lucia Mingarro • Nadie lo sabrá — Pedro Gutiérrez — Ramón Torrado • Manicomio — Carlos — Fernando Fernán Gómez, Luis María Delgado • 1954 — Rebellion — Federico Lanuza — José Antonio Nieves Conde • El mensaje • Morena Clara — Ramsés 45 / Don Lope de Baena y Carrasco / Don Enrique de Baena Rodríguez — Luis Lucia Mingarro • 1955 — The Other Life of Captain Contreras — Alonso Contreras — Rafael Gil • El guardián del paraíso — Manuel — Arturo Ruiz Castillo • Congress in Seville — Dr. Guillermo Kroll — Antonio Román • Lo scapolo (El soltero) — Armando — Antonio Pietrangeli • 1956 — La gran mentira — Fernando Fernán Gómez (uncredited) — Rafael Gil • El fenómeno — Claudio Henkel — José María Elorrieta • Viaje de novios — Juan Torregrosa Orózco — León Klimovsky • El malvado Carabel — Amaro Carabel • 1957 — La ironía del dinero — Frasquito (segment "Sevilla") — Edgar Neville and Guy Lefranc • Un marido de ida y vuelta — Ramírez (uncredited) — Luis Lucia Mingarro • Faustina — Mogon — José Luis Sáenz de Heredia • Un marido de ida y vuelta — Pepe López Garcerán • Los ángeles del volante — Juanito — Ignacio F. Iquino • Las muchachas de azul — Juan Ferrandis — Pedro Lazaga • 1958 — The Tenant — Evaristo González — José Antonio Nieves Conde • La vida por delante — Antonio Redondo — Fernando Fernán Gómez and José Luis de la Torre • Ana dice sí — Juan — Pedro Lazaga • 1959 — Luna de verano — Juan — Pedro Lazaga • Soledad — Manuel — Mario Craveri • Bombas para la paz — Alfredo — Antonio Román • La vida alrededor — Antonio Redondo • 1960 — Crimen para recién casados — Antonio Menéndez — Pedro Luis Ramírez • Les Trois etc. du Colonel (Los tres etc. del coronel) — Le guérillo Lorenzo — Claude Boissol • Sólo para hombres — Pablo Meléndez • 1961 — Adiós, Mimí Pompón — Heriberto Promenade — Luis Marquina • La vida privada de Fulano de Tal — José María Forn • Fantasmas en la casa — Pedro Luis Ramírez • 1962 — La venganza de Don Mendo — Don Mendo Salazar - Marqués de Cabra • ¿Dónde pongo este muerto? — Manuel Carrasco — Pedro Luis Ramírez • 1963 — La becerrada — Francisco Rodríguez 'Juncal' — José María Forqué • Rififi in the City — Sargento Detective Miguel Mora — Jesús Franco • Benigno, hermano mío — Arturo González hijo • 1965 — El mundo sigue — Faustino • Un vampiro para dos — Baron de Rosenthal — Pedro Lazaga • 1966 — Ninette y un señor de Murcia — Andrés Martínez Segura • La Mujer de tu prójimo — Enrique Carreras • Mayores con reparos — Fernando/ Miguel/ Manuel • 1968 — La vil seducción — Ismael Bolante — José María Forqué • 1969 — Carola de día, Carola de noche — Hombre del motocarro — Jaime de Armiñán • Un adulterio decente — Dr. Leopoldo Cumberri — Rafael Gil • Estudio amueblado 2.P. — Miguel Aguirrezabala — José María Forqué • Las panteras se comen a los ricos — José — Ramón Fernández • 1970 — De profesión, sus labores — Federico — Javier Aguirre • ¿Por qué pecamos a los cuarenta? — Dr. Alejandro Quesada — Pedro Lazaga • Crimen imperfecto — Salomón • Growing Leg, Diminishing Skirt — Amadeo - Duque de Daroca — Javier Aguirre • 1971 — Cómo casarse en 7 días — Uncredited • Las Ibéricas F.C. — Federico — Pedro Masó • Los gallos de la madrugada — Afilador — José Luis Sáenz de Heredia • 1972 — El triangulito — Lázaro López — José María Forqué • 1973 — Don Quijote cabalga de nuevo — Don Quijote / Alonso Quixano — Roberto Gavaldón • La leyenda del alcalde de Zalamea — Don Lope — Mario Camus • Ana y los lobos — Fernando — Carlos Saura • The Spirit of the Beehive — Fernando — Víctor Erice • 1974 — Vera, un cuento cruel — Roger — Josefina Molina • Yo la vi primero — Doctor • El amor del capitán Brando — Fernando — Jaime de Armiñán • 1975 — Pim, pam, pum... ¡fuego! — Julio — Pedro Olea • Yo soy Fulana de Tal — Rodolfo Pellejo — Pedro Lazaga • Jó, papá — Julio — Jaime de Armiñán • Sensualidad — Carlos Baena — Germán Lorente • 1976 — Imposible para una solterona — Manuel — Rafael Romero Marchent • La querida — Eduardo • El anacoreta — Fernando Tobajas — Juan Estelrich • 1977 — Más fina que las gallinas — Don Enrique — Jesús Yagüe • Parranda — Escribiente — Gonzalo Suárez • Bruja, más que bruja — Tío Justino • Las cuatro novias de Augusto Pérez — Augusto Pérez — José Jara • Gulliver — Martín — Alfonso Ungría • Chely — Nicolás — Ramón Fernández • Reina Zanahoria — J. J — Gonzalo Suárez • The Pyjama Girl Case (La ragazza dal pigiama giallo) — Forensics detective — Flavio Mogherini • 1978 — ¡Arriba Hazaña! — Hermano Prefecto — José María Gutiérrez Santos • Los restos del naufragio — Ricardo Franco • 1979 — Madrid al desnudo — Baltasar — Jacinto Molina • Milagro en el circo — Macario — Alejandro Galindo • Mamá cumple cien años — Fernando — Carlos Saura • 1980 — Cuentos eróticos — Don Enrique (segment "Tiempos rotos") (voice) • Yo qué sé — Emma Cohen — Short • 1981 — Maravillas — Fernando — Manuel Gutiérrez Aragón • Apaga... y vámonos — Prof. Benjamín Rodero — Antonio Hernández • 127 millones libres de impuestos — Félix — Pedro Masó • 1982 — Copia cero — Carlos — Eduardo Campoy • Bésame, tonta — Director general — Fernando González de Canales • 1983 — Interior roig (Interior rojo) — Eugenio Anglada • Soldados de plomo — Don Dimas — José Sacristán • Juana la loca... de vez en cuando — Sir Henry — José Ramón Larraz • 1984 — Feroz — Luis — Manuel Gutiérrez Aragón • Los zancos — Ángel — Carlos Saura • La noche más hermosa — Luis — Manuel Gutiérrez Aragón • 1985 — Stico — Don Leopoldo Contreras de Tejada — Jaime de Armiñán • De hombre a hombre — Silvestre — Ramón Fernández • Luces de bohemia — Ministro — Miguel Ángel Díez • Réquiem por un campesino español — Don Valeriano — Francisco Betriú • La corte de Faraón — Roque — José Luis García Sánchez • Marbella, un golpe de cinco estrellas — Germán — Miguel Hermoso • 1986 — Pobre mariposa — Exiliado español — Raúl de la Torre • Mambrú se fue a la guerra — Emiliano • El viaje a ninguna parte — Don Arturo • La mitad del cielo — Don Pedro — Manuel Gutiérrez Aragón • Delirios de amor — Antonio González Vigil, Luis Eduardo Aute, Cristina Andreu and Félix Rotaeta • 1987 — Cara de acelga — Madariaga — José Sacristán • Mi general — General Mario del Pozo — Jaime de Armiñán • Moros y cristianos — Don Fernando — Luis García Berlanga • El gran Serafín — Padre Bellot — José María Ulloque • 1989 — Esquilache — Esquilache — Josefina Molina • El río que nos lleva — Don Ángel — Antonio del Real • El mar y el tiempo — Eusebio • 1991 — Fuera de juego — Don Aníbal • El rey pasmado — Gran Inquisidor — Imanol Uribe • Marcellino (Marcelino, pan y vino) — Il priore — Luigi Comencini • 1992 — Chechu y familia — Don José — Álvaro Sáenz de Heredia • Belle Époque — Manolo — Fernando Trueba • 1993 — Cartas desde Huesca — Mainar — Antonio Artero • 1995 — Así en el cielo como en la tierra — Dios Padre — José Luis Cuerda • 1996 — El sueño de los héroes — Taboada — Sergio Renán • Tranvía a la Malvarrosa — Catedrático — José Luis García Sánchez • Pesadilla para un rico — Presidente • 1997 — La hermana — Don Julián — Juan José Porto • Pintadas — José — Juan Estelrich Jr. • 1998 — El abuelo — Don Rodrigo de Arista Potestad — José Luis Garci • 1999 — Todo sobre mi madre — Padre de Rosa — Pedro Almodóvar • Pepe Guindo — Manuel Iborra • Plenilunio — Padre Orduña — Imanol Uribe • La lengua de las mariposas — Don Gregorio — José Luis Cuerda • 2000 — Voz — Javier Aguirre • 2001 — Visionarios — Gobernador — Manuel Gutiérrez Aragón • 2002 — En la ciudad sin límites — Max — Antonio Hernández • El embrujo de Shanghai — Capitán Blay — Fernando Trueba • 2003 — Variaciones 1/113 — Voice • Bibliofrenia — Professor Arturo Fuentes — Marcos Moreno • 2004 — Tiovivo c. 1950 — Tertuliano — José Luis Garci • ¡Hay motivo! — Self (segment: Epílogo) (voice) — Various • 2005 — Para que no me olvides — Mateo — Patricia Ferreira • Pablo G. del Amo, un montador de ilusiones — Himself — Diego Galán • 2006 — Medea 2 — Mensajero • Mia Sarah — Paul — Gustavo Ron — Final film role

• Year — Title — Role — Notes • 1968 — Fábulas — Various — Series • El alcalde de Zalamea — Episodio de "Estudio 1" • 1969 — La última cinta — Episodio de "Hora once" • 1971 — Del dicho al hecho — Series • 1973 — Juan soldado • 1974 — El pícaro — Mini-series • 1978 — Memorias del cine español — Episodio • 1980 — Fortunata y Jacinta — Mini-series • 1981 — El alcalde de Zalamea — Episodio de "Teatro estudio" • 1982 — Ramón y Cajal — Series • 1983 — Los desastres de la guerra — Mini-series • Las pícaras — Episodio • El jardín de Venus — Series • 1984 — Nuevo amanecer — Episodio de "Cuentos imposibles" • 1985-1986 — La noche del cine español — Dos episodios • 1987 — Juncal — Mini-series • 1988 — La mujer de tu vida: La mujer perdida • 1992 — La mujer de tu vida 2: Las mujeres de mi vida • Esta noche es Nochebuena — Episodio de "Farmacia de guardia" • 1993 — Los ladrones van a la oficina — Series • 1993-1995 — Los ladrones van a la oficina • 2001 — Cuéntame cómo pasó

• Pareja para la eternidad (1947) • Marido y medio (1950) • Las bicicletas son para el verano (1977) • Los domingos, bacanal (1980) • Del Rey Ordás y su infamia (1983) • La coartada (1985) • Ojos de bosque (1986) • El Pícaro. Aventuras y desventuras de Lucas Maraña (1992) • Lazarillo de Tormes (Adaptation) (1994) • Los invasores del palacio (2000) • Defensa de Sancho Panza (2002) • Morir cuerdo y vivir loco (2004)

• La vida en un bloc (1953) • Con derecho a fantasma (1958) • Gravemente peligrosa (1962) • Dear Liar (1962) • The Kreutzer Sonata (1963) • Thought (1963) • Mayores con reparos (1965) • La vil seducción (1967) • El alcalde de Zalamea (1979)

• Los ladrones somos gente honrada (1941) • El amor sólo dura 2.000 metros (1941) • Madre (el drama padre) (1941) • Es peligroso asomarse al exterior (1942) • El caso del señor vestido de violeta (1954) • Mayores con reparos (1965) • La vil seducción (1967) • La pereza (1968) • Un enemigo del pueblo (1972) • El alcalde de Zalamea (1979)

• El vendedor de naranjas (1961) • El viaje a ninguna parte (1985) • El mar y el tiempo (1988) • El ascensor de los borrachos (1993) • La Puerta del Sol (1995) • ¡Stop! novela de amor (1997) • El tiempo de los trenes (2004)

• El mal amor (1987) • La cruz y el lirio dorado (1998) • Oro y hambre (1999) • Capa y espada (2001)

• Diario de Cinecittà (1952) (Published by International Film Magazine, No. 6, November 1952 and No. 7, December 1952) • El olvido y la memoria. Autobiografía de Fernando Fernán-Gómez (1981) (Published in Triunfo, No. 3, 6th period, January 1981) • El tiempo amarillo. Memorias. I (1921-1943) (1990) • El tiempo amarillo. Memorias. II (1943-1987) (1990) • El tiempo amarillo: memorias ampliadas (1921-1997) (1998)

• El actor y los demás (1987) • Impresiones y depresiones (1987) • Historias de la picaresca (1989) • Las anécdotas del teatro: ¡aquí sale hasta el apuntador! (1991) • El arte de desear (1992) • Imagen de Madrid (1992) • Tejados de Madrid (1992) • Desde la última fila: cien años de cine (1995) • Nosotros, los mayores (1999) • Puro teatro y algo más (2002)

• A Roma por algo (1954) (First published in the poetry collection "Poesía Española" (1954) and then separately in 1982) • El canto es vuelo (2002) (Complete poetry collection)

• La buena memoria (1997) (Conversation by Fernando Fernán-Gómez & Eduardo Haro Tecglen transcribed by Diego Galán) • Conversaciones con Fernando Fernán-Gómez (2002) (Interview with Fernando Fernán-Gómez by Enrique Brasó)

• Year — Award — Film — Result • 1952 — Best Spanish Movie Performer — Reckless • 1970 — Best TV Performer — La última cinta • 1974 — Best TV Performer — Juan soldado • 1987 — Best Movie Actor — Delirios de amor Mambru Went to War Half of Heaven Voyage to Nowhere • 1998 — Lifetime Achievement Award — Awarded

• Year — Award — Film — Result • 1975 — Best National Actor — El pícaro

• Year — Award — Film — Result • 1973 — Grand Prix for Best Director — Juan soldado

Fernando Fernán Gómez was recorded at birth as Fernando Fernández Gómez. He also worked under the name Fernando Fernán Gómez. His recorded language was Spanish. He was the child of Fernando Díaz de Mendoza y Guerrero and Carola Fernán Gómez. He married María Dolores Pradera and Emma Cohen. One child is recorded: Helena Fernán-Gómez. Other recorded relations include Fernando Díaz de Mendoza y Aguado, María Guerrero, Carlos Díaz de Mendoza and Mari Carmen Díaz de Mendoza.

Fernando Fernán Gómez is recorded as film director, actor, screenwriter, writer and autobiographer.

• Year — Title — Director — Writer — Notes • 1954 — Manicomio — Co-directed with Luis María Delgado • 1955 — El mensaje • 1956 — El malvado Carabel • 1958 — La vida por delante • 1959 — La vida alrededor • 1960 — Sólo para hombres • 1961 — La venganza de Don Mendo • 1964 — El mundo sigue • Los palomos • El extraño viaje • 1965 — Ninette y un señor de Murcia • 1966 — Mayores con reparos • 1970 — Crimen imperfecto • 1971 — Cómo casarse en 7 días • 1974 — Yo la vi primero • 1976 — La querida • ¡Bruja, más que bruja! • 1977 — Mi hija Hildegart • 1979 — Gulliver • 1980 — Cinco tenedores • 1984 — Los Zancos • 1985 — Stico • 1986 — Mambrú se fue a la guerra • El viaje a ninguna parte — Also based on his novel • 1987 — Mi General • 1989 — El mar y el tiempo — Also based on his novel • 1991 — Fuera de juego • 1994 — Siete mil días juntos • 1997 — Pesadilla para un rico • 2001 — Lázaro de Tormes — Co-directed with José Luis García Sánchez Final film

• Year — Title — Director — Writer — Notes • 1973 — Juan soldado — TV movie • 1974-1975 — El pícaro — TV Miniseries; 13 episodes • 1992 — Cuentos de Burgos — Episode "La Intrusa" • 1994 — La Mujer de tu Vida 2 — Episode "Las Mujeres de mi Vida"

• Pareja para la eternidad (1947) • Las bicicletas son para el verano (1977) • La coartada (1985) (published with "Los domingos, bacanal") • Los domingos, bacanal (1985) (published with "La coartada") • Lazarilo de Tormes (Adaptation) (1994) • Defensa de Sancho Panza (2002) (Published on the magazine "Acotaciones 20")

• Mi querido general (1986) • La Intrusa (1991) (Teleplay for the anthology TV series "Cuentos de Burgos") • Fuera de juego (1991)

• Year — Award — Film — Result • 1977 — Silver Bear for Best Actor — The Anchorite • 1985 — Silver Bear for Best Actor — Stico • 2005 — Honorary Golden Bear — Awarded

• Year — Award — Film — Result • 1984 — Pasinetti Prize for Best Actor — The Stilts

• Year — Award — Film — Result • 1989 — Special Jury Prize — The Sea and Time • 1999 — Donostia Lifetime Achievement Award — Awarded

• Year — Award — Film — Result • 1959 — Best Film — La vida por delante

• Year — Award — Film — Result • 1993 — Golden Kikito for Best Supporting Actor — Belle Époque

• Year — Award — Film — Result • 1999 — Honorary Euro-FIPA — Awarded

• La coartada/Los domingos, bacanal (1985) (two plays published together in one book) • La escena, la calle y las nubes (2000) (short stories collection) • Variedades (2019) (articles recompilation published postmothusly) • Teatro (2019) (plays recopilation published postmothusly)

• Year — Result • 1985

• Year — Result • 1989

• Year — Award — Film — Result • 1987 — Goya Award for Best Actor|Best Actor — Mambru Went to War • 1987 — Best Director — Voyage to Nowhere • 1987 — Best Screenplay — Voyage to Nowhere • 1993 — Best Supporting Actor — Belle Époque • 1999 — Best Actor — The Grandfather • 2001 — Best Adapted Screenplay — Lázaro de Tormes

• Year — Award — Film — Result • 1951 — Best Actor — The Last Horse • 1952 — Best Actor — Reckless • 1959 — Best Original Story — La vida por delante • 1974 — Best Actor — The Spirit of the Beehive Ana and the Wolves • 1979 — Best Actor — The Remains from the Shipwreck • 1992 — Best Original Screenplay — Fuera de juego • 1999 — Best Actor — The Grandfather • 2007 — Best Supporting Actor — Mia Sarah

• Year — Award — Film — Result • 1985 — Best Spanish Actor — Feroz La noche más hermosa Los zancos • 1987 — Best Film — Voyage to Nowhere • 1990 — Best Spanish Film — The Sea and Time

• Year — Award — Film — Result • 2000 — Best Supporting Actor — All About My Mother

• Year — Award — Film — Result • 1992 — Lifetime Achievement Award — Awarded

• Gold Medal of Merit in the Fine Arts (1981) • Prince of Asturias Award for the Arts (1995) • Gold Medal of the Academy of Cinematographic Arts and Sciences of Spain (2001) • Gold Medal of Merit in Labour (2001) • Grand Cross of the Civil Order of Alfonso X, the Wise (2007)