Fermín Arango
Fermín Arango Barcia (April 9, 1874 – October 5, 1962) was a Spanish-Argentine painter. He produced over sixty works in his career, which were predominantly landscapes. His work has been described as part of Impressionism and Symbolism, and was influenced by French painting.
Fermín Arango

(6 February 1905). " República Argentina.— Buenos Aires: Exposición de pinturas de Fermín Arango ". La Ilustración Artística (1.206): 102. ISSN 1889-853X. · Public domain
- Name
- Fermín Arango
- Born
- April 9, 1874
- Died
- October 5, 1962
- Movement
- Impressionism, Symbolism (arts)
- Spouse
- Géneviève Yrat Hubert
- Birthplace
- Santa Eulalia de Oscos, Asturias, Spain
- Place of death
- Ham, Somme, France
- Nationality
- Spain · Argentina
- Occupation
- painter · artist · illustrator
- Languages
- Spanish
VALÉORINE Encyclopedia
VALÉORINE documentary reading
Documentary summary
Fermín Arango Barcia (April 9, 1874 – October 5, 1962) was a Spanish-Argentine painter. He produced over sixty works in his career, which were predominantly landscapes. His work has been described as part of Impressionism and Symbolism, and was influenced by French painting.
Admitted source layer · organised and presented by VALÉORINE
Reference Check
Propose documentary evidence for Fermín Arango. A contribution is never written directly as fact: identity, source, rights and evidence gates still decide.
Sign in to contribute
World of VALÉORINE
Documentary connections
Only confirmed graph relationships appear here. Images are shown only when their identity and reuse rights both pass the documentary gate.
Documentary evidence
Documentary basis
Authority files
wikidata · Q18116510 · wikipedia · Fermín Arango
In this article
Key facts
Key facts
• Name — Fermín Arango • Born — April 9, 1874 • Died — October 5, 1962 • Movement — Impressionism, Symbolism (arts) • Spouse — Géneviève Yrat Hubert • Birthplace — Santa Eulalia de Oscos, Asturias, Spain • Place of death — Ham, Somme, France
Biography
Biography
Born in the Asturian town of Santa Eulalia de Oscos, Arango emigrated to Buenos Aires with his family when he was very young. There he completed his artistic training at the Association for the Promotion of Fine Arts of Buenos Aires. He had his first exhibition there in 1904 at the Witcomb Gallery, where he displayed paintings including El embarcadero del lago, La trancera y puerto Hauret, Nocturno, Idilio, Femme, La toillete, and Paisaje del Sena. During this time, he worked as an illustrator for La Nación and Caras y Caretas (Argentina). In 1905, he moved to Paris, France, where he was in frequent contact with Pablo Picasso, Ignacio Zuloaga, Juan Gris, Guillaume Apolinaire, and Hermenegildo Camarasa. Between 1910 and 1913, he exhibited paintings several times at the "Autumn Salon" of the Grand Palais. In 1914, his work was exhibited in the salon of La Libre Esthétique in Brussels, in honor of Darío de Regoyos, who had died the previous year. In 1919, he participated in the Exposition of Spanish Painting at the Beaux-Arts de Paris, along with works from several of the aforementioned artists. • Illustration — Ignacio Zuloaga's portrait of Juan Sebastián Elcano (1921–1922) was among the first Arango engraved for reproduction. He returned to Spain periodically, including in 1914, 1919, and 1952. During this time, we was in high demand as an engraver for the creation of reproductions of oil paintings; which he did most notably for his friend, Ignacio Zuloaga as well as for the governments of Spain, the city of San Sebastian, and L'Estampe Moderne publishing house. Zuloaga rendered him in a notable portrait in 1934, which is currently on display at the Museum of Fine Arts of Asturias. Later in life, he retreated from most of his artistic activities and retired to his house in Ham, near Paris. He died there on October 5, 1962.
Gallery
Gallery
• Illustration — alt=Self-Portrait by Fermin Arango (1925) Oil painting of a man with a thick mustache and beard wearing a white collared shirt and tie. Self-Portrait by Fermin Arango (1925) • Illustration — alt=Portrait of an old man by Fermin Arango (1900). It is inscribed "to my dear brother Francisco". Discolored portrait of a bearded olf man gazing downwards. Portrait of an old man by Fermin Arango (1900). It is inscribed "to my dear brother Francisco, December 1900".
Life and career
Dated record
Life and career
The full dated record · 2 entries
1874
Fermín Arango born at Santa Eulalia de Oscos.
1962
Fermín Arango died at Paris.
Places
Named by the record
Places
Only places the record itself states, plotted where the house gazetteer settles their coordinates. Nothing is inferred from a name or a nationality.
Santa Eulalia de Oscos.
Birth place
Paris.
Death place
Primary material
Documents and archives
authority record
- Wikidata, structured authority record Q18116510: Fermín Arango
General reference · Wikidata
reference work
- “Fermín Arango”, English Wikipedia, consulted as further reading
Reputable secondary · Wikipedia
Literature
Scholarly footprint
A count of publications is evidence of attention, not of standing, and is given here only as a measure.
References
Citations
References
Each reference names the institution holding it, so a reader may go to the document itself.
authority record
Secondary witnessreference work
Secondary witness
People, houses and institutions
Knowledge graph
People, houses and institutions
Teachers, collaborators, publishers and institutions recorded against this person, each on a stated basis.
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 16 August 2026.
Elsewhere in Illustration
5,224 published records in this field, each with its sources named.
- Ferdinand von RayskiIllustrator
- Ferdinand von ŘezníčekIllustrator
- Ferdinando SordelliIllustrator
- Ferenc CakóIllustrator
- Fermin RockerIllustrator
- Fernand LégerIllustrator
- Fernand MaillaudIllustrator
- Fernanda FragateiroIllustrator
Best supported in this field
For owners
Own a work by Fermín Arango?
A specialist will read what you send and tell you what the house can establish, what it cannot, and whether the object is suited to sale. There is no charge and no obligation. The object stays with you throughout; nothing is shipped to us unless it is arranged in writing beforehand.