Félix Galipaux
Illustration — Autochrome portrait by Fernand Cuville, 1917 Félix Galipaux (12 December 1860 – 7 December 1931) was a French actor, playwright, and humorist; known for his comic stage monologues, such as Communication Telephonique (Paris, 1906). A few of these monologues were recorded.
Also recorded as Felix Galipaux
Félix Galipaux

Atelier Nadar. Photographe · Bibliothèque nationale de France · Public domain
- Full name
- Félix-Martin Fénelon-Galipaux.
- Born
- 1860. · Bordeaux.
- Died
- 1931. · 1st arrondissement of Paris.
- Nationality
- France.
- Occupation
- playwright, actor, novelist, comedian, violinist and writer.
- Honours
- Knight of the Legion of Honour.
- Languages
- French.
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Félix Galipaux apparaît dans les notices d'autorité de la Bibliothèque nationale de France et de la Deutsche Nationalbibliothek comme acteur et écrivain (12 décembre 1860 – 7 décembre 1931).
Vie
Félix Galipaux naquit le 12 décembre 1860 à Bordeaux (Gironde) et mourut le 7 décembre 1931 à Paris.
Institutions citées
Bibliothèque nationale de France · Deutsche Nationalbibliothek
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wikidata · Q3092443 · wikipedia · Félix Galipaux
In this article
Biography
Biography
Galipaux was born in Bordeaux, and educated in Bordeaux and Paris. He wrote some forty plays produced in Parisian theatres. He was also a newspaper columnist using the pseudonym Félix Mayran, and collaborated with the writer Henri Pagat under the joint pseudonym Pagalipaux. Galipaux and the actor Coquelin Cadet popularized the genre of music hall monologue acts in the 1880s. He and Gabrielle Réjane, in character as their roles in the play Madame Sans-Gêne, are the subjects of Henri de Toulouse-Lautrec's 1893 lithograph Réjane et Galipaux dans "Madame Sans-Gêne". Galipaux was also one of the founding members of the Cercle Funambulesque and was linked to the Incoherents movement. In 1896 or 1897, the pioneering filmmaker Charles-Émile Reynaud filmed Galipaux performing his popular routine Le Premier Cigare. The film, produced using Reynaud's complex process—requiring a negative to be filmed at 16 frames per second, selected frames of which were then developed and enlarged onto gelatine sheets and stencil-colored to create a sequence running at three or four frames per second—took six months to make. Galipaux later acted in films by Ferdinand Zecca and by Georges Méliès, such as An Adventurous Automobile Trip. The historian Georges Sadoul reported that Pathé Frères featured Galipaux in some of the first French sound films, such as La Lettre and Au Telephone (1905). Galipaux also made several spoken-word recordings for gramophone records. Méliès said that Galipaux was one of the few stage-trained actors who adapted well to the cinema, because "he knows how to make himself understood without speaking, and his movements, even if deliberately exaggerated—which is necessary in pantomime and especially in photographed pantomime—are always appropriate." Méliès also reported that it was the monologues of Galipaux and Coquelin that inspired the comic style of his own productions. Galipaux himself said about the art of comic pantomime: "the mime certain of pleasing the public is the one whose means are simple and varied, his gestures restrained, hardly perceptible, but extraordinarily suggestive!" For his work, Galipaux was awarded the title of Officier de l'Instruction Publique in the Ordre des Palmes Académiques. In private life, Galipaux was an amateur billiards player. He was married to Jeanne Lipmann. Galipaux died in Paris on 7 December 1931. • Illustration — Félix Galipaux in 1910
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Bordeaux.
Birth place
1st arrondissement of Paris.
Death place
Text attribution
Licensing
Text attribution
Part of the biographical narrative on this page reuses licensed material. Its origin, revision and licence are recorded here.
The biographical narrative on this page is based on the Wikipedia article Félix Galipaux, revision 1370608051 (EN edition), by its contributors. VALÉORINE has edited that text and built its own documentary record around it. The reused material is available under CC BY-SA 4.0, and this page's reuse of it is offered under the same licence. Everything else on this page — the chronology, the holdings, the evidence, the plates and the connections — is VALÉORINE's own record. Sources and licences.
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.G. Ruffy. Qui êtes-vous?: Annuaire des contemporains; notices biographiques. 315. 1924.
- 2.Castleman, Riva. Henri de Toulouse-Lautrec: Images of the 1890s. Museum of Modern Art. 130. 1985.
- 3.Hugounet, Paul. Mimes et pierrots: notes et documents inédits pour servir à l'histoire de la pantomime. Fischbacher. 238. 1889.
- 4.Mannoni, Laurent. The Great Art of Light and Shadow: Archaeology of the Cinema. Exeter University Press. 385. 2014. 9780859899185.
- 5.Abel, Richard. French Film Theory and Criticism: A History/Anthology, 1907–1939. Princeton University Press. 43, 47. 1988. 9780691000626.
- 6.Solomon, Matthew. Georges Méliès: Anti-Boulangist Caricature and the Incohérent Movement. Framework. 53. 2. 305–327. Fall 2012. 10.1353/frm.2012.0021.
- 7.Storey, Robert F. Pierrots on the Stage of Desire: Nineteenth-Century French Literary Artists and the Comic Pantomime. Princeton University Press. 288. 1985.
- 8.Bibliothèque nationale de France. Félix Galipaux (1860-1931). data.bnf.fr.
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