Ewald Mataré
Ewald Wilhelm Hubert Mataré (25 February 1887 in Burtscheid, Aachen – 28 March 1965 in Büderich) was a German painter and sculptor, who dealt with, among other things, the figures of men and animals in a stylized form. • Illustration — Angel at the Bishop's apartments of the Diocese of Essen
Also recorded as ew. mataré · Ewald Matare · E. Mataré · ew. matare
Ewald Mataré
Perlblau at de.wikipedia · CC BY-SA 3.0
- Born
- Ewald Mataré was born on 25 February 1887.
- Died
- Ewald Mataré died, sources differ on the date (29 March 1965 and 28 March 1965).
- Nationality
- Germany.
- Occupation
- sculptor, painter, university teacher, printmaker and graphic artist.
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Documentary summary
Ewald Wilhelm Hubert Mataré (25 February 1887 in Burtscheid, Aachen – 28 March 1965 in Büderich) was a German painter and sculptor, who dealt with, among other things, the figures of men and animals in a stylized form. • Illustration — Angel at the Bishop's apartments of the Diocese of Essen
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Note VALÉORINE
Ewald Mataré (1887–1965) was a graphic artist, painter and printmaker, among other activities, of German nationality. The graphic artist was born in Burtscheid and died in Büderich.
Ewald Mataré was educated at Couven-Gymnasium and Einhard-Gymnasium (Aachen). The graphic artist worked for Kunstakademie Düsseldorf and worked in Düsseldorf. Activity centred on art of sculpture and painting. Languages used include German.
Composed from admitted, traceable facts · 26 September 2026
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gnd · 3038621-4 · wikidata · Q700094 · wikipedia · Ewald Mataré
In this article
Career
Career
Mataré began his instruction as an artist at the Prussian Academy of Arts in Berlin in 1907. He was a student of Julius Ehrentraut (born 1841), Lovis Corinth (1858–1925), and the history painter Arthur Kampf. In 1918, he joined the November Group. Mataré first dedicated himself to sculpture after finishing his painting studies. A great part of his sculpted work is of animal figures. In 1932 he received a professorship at the Düsseldorf Academy of Fine Arts. After the seizure of control of 1933 however, all cultural and artistic life in Germany was brought into ideological alignment by the Nazis; Mataré was denounced as "degenerate" and expelled from his position. One of his sculptures, Die Katze (The Cat), was placed in the exhibition of shame and derision Entartete Kunst (Degenerate Art) staged by the Nazis in Munich in 1937. Church commissions became his sole source of income. After the war, Mataré was asked to become the director of the Düsseldorf Academy of Fine Arts, but he quickly resigned because he felt there were still too many professors at the Akademie who had been actively teaching there during the Third Reich. Furthermore, no one was interested in his ambitious reform plans, which would have allowed fourteen-year-olds to study at the Akademie. However he was active at the Academy – albeit in an off-site studio – for long enough to teach artists like Günter Haese, Erwin Heerich, Georg Meistermann, Hannes Rosenow, and, most famously, Joseph Beuys. During the post-war era, Mataré took many commissions from the public sector; he also worked on many churches, e.g. he built four doors for the south portal of the Cologne Cathedral. He participated in documenta 1 (1955) and 2 (1959).
Work
Work
Matare's work varies from the simplicity of his animal forms in which he explores shape and line, to the profound spirituality of his religious works. A 2006 exhibition of his work in Salzburg, Austria, demonstrated the heights which his work could achieve.
Personal life
Personal life
In 1922, Mataré married the 31-year-old Hanna Hasenbäumer. Nonetheless, at 37 years old, he entered into a deep depression. They had a daughter, Sonja Beatrice (b. 9 August 1926). Mataré died in 1965 from a pulmonary embolism. His nephew Herbert Franz Mataré (1912–2011) was a German physicist and co-inventor of the "European transistor" in 1948.
Works
Works
Mataré's most famous works include: • Doors of the south portal of Cologne Cathedral • Doors of the Church of Peace in Hiroshima • Altar design in St. Andreas Church in Düsseldorf • The entire interior of St. Rochus Church in Düsseldorf (partially destroyed, lost) • The phoenix in the North Rhine-Westphalia Parliament (Landtag) building • The pigeon fountain in front of Cologne Cathedral • Entrance gate and windows of the Kunstakademie Düsseldorf • Portal of St. Lambertus Basilica in Düsseldorf • Façade as well as Portal and Balcony at the Essen Minster Schatzhaus. • Façade of Haus Atlantis in Bremen • Soldier Memorial in Cleves • His last large project (1965): Entrance doors and décor of the chapel at the Catholic Social Institute (KSI) of the Archdiocese of Cologne in Bad Honnef.
Meerbusch - Büderich:Grab Ewald Mataré und Hanna Mataré
perlblau · perlblau at German Wikipedia · Self-photographed

Tafel über rückwärtigen Eingang der Andreaskirche im Hof der Mühlenstraße 31. „Diese in den Jahren Anno 1622-1623 erbaute und dem Hl. Andreas geweihte Kirche gehörte zum Kolleg der Jesuiten und war Hofkirche der Herzoge und Kurfürsten von Pfalz-Neuburg. 1842 wurde sie Pfarrkirche. Nach schweren Kriegsschäden in den Jahren 1942-1944 erfolgte 1948-60 eine gründliche Restauration durch das Staats-Hoc
Jula2812
Life and career
Dated record
Life and career
Explore 1887–1965
The full dated record · 9 entries
1887
Ewald Mataré was born on 25 February 1887.
1953
Taubenbrunnen is dated 1953.
1956
Stephan-Lochner-Brunnen is dated 1956.
1956
Gürzenichportal is dated 1956.
1957
Memorial (Hagen) is dated 1957.
1958
The Kallendresser is dated 1958.
1964
Mataré is dated 1964.
1964
Fountain (Hagen) is dated 1964.
1965
Ewald Mataré died on 28 March 1965.
Places
Named by the record
Places
Only places the record itself states, plotted where the house gazetteer settles their coordinates. Nothing is inferred from a name or a nationality.
Ewald Mataré was born at Burtscheid.
Birthplace
Ewald Mataré died at Büderich.
Deathplace
Awards
• 1914 Silver Medal at the Prussian Academy of Arts in Berlin. • 1952 Thorn Prikker Prize from the city of Krefeld • 1955 Gold medal at the Milan Triennial • 1957 Stefan Locher Medal from the City of Cologne • 1958 Großes Verdienstkreuz of the Federal Republic of Germany
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Stephanie Baron (ed), Peter Guenther at al. (1992) „Entartete Kunst“ Das Schicksal der Avantgarde im Nazi-Deutschland. Exhibition catalogue, Los Angeles County Museum of Art and German Historic Museum. Hirmer Verlag, Munich, .
- 2.Adriani, Götz, Winfried Konnertz, and Karin Thomas: Joseph Beuys: Life and Works. Trans. Patricia Lech. Woodbury, N.Y.: Barron’s Educational Series, 1979.
References
Citations
References
Each reference names the institution holding it, so a reader may go to the document itself.
reference work
Wikidata, structured authority record Q700094: Ewald MataréWikimedia Foundation
Secondary witnessreference work
Secondary witness
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 14 August 2026.
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