Ewa Demarczyk

In the 1960s, she drew comparisons with Édith Piaf. In Poland, she was often referred to as "the Dark Angel".

Ewa Demarczyk studied at AST National Academy of Theatre Arts in Kraków. the recorded working language is Polish. The field of work recorded is singing, acting and poetry. Subjects and genres recorded for the work are sung poetry. Places of work recorded in the authority are Kraków. Distinctions recorded are Commander with Star of the Order of Polonia Restituta, Commander of the Order of Polonia Restituta, Knight of the Order of Polonia Restituta and Gold Cross of Merit.

• Name — Ewa Demarczyk • Born — 16 January 1941 • Died — 14 August 2020 • Origin — Kraków, Poland • Genre — sung poetry • Occupation — singer • Instrument — vocals • Label — Polskie Nagrania Muza, Wifon, Decca Records, Melodiya • Years Active — 1961–2000 • Associated Acts — Piwnica pod Baranami

She started her career in 1961, when she joined Jagiellonian University Medical College's student cabaret Cyrulik. After a year she left Cyrulik for Piwnica pod Baranami, where she met Zygmunt Konieczny, with whom she would work for the next four years. Her first big success was a performance at the 1963 National Festival of Polish Song in Opole, where she received an award for the songs "Karuzela z madonnami", "Taki pejzaż" and "Czarne anioły". Later the same year, she sang at the Sopot International Song Festival and was named the best artist of 1963 by Polish journalists. In 1964 she took second place in Sopot for "Grande Valse Brillante". She went on to perform at Olympia in Paris, at Bruno Coquatrix's invitation, as well as at a ceremony celebrating the 20th anniversary of United Nations. In 1966, Demarczyk graduated from the Ludwik Solski Academy for the Dramatic Arts (however, she never had any film roles). The same year she teamed up with another composer, Andrzej Zarycki. 1967 saw the release of her first album, Ewa Demarczyk śpiewa piosenki Zygmunta Koniecznego, which proved to be a major success and was later certified platinum for selling over 100,000 copies. At the turn of the 1960s and 1970s, she travelled extensively around the world to countries such as Italy, France, Germany, Cuba, Brazil, Mexico, United States, Australia, United Kingdom and Finland. She performed in numerous concert halls, including Carnegie Hall in New York and the Chicago Theatre. Demarczyk left the Piwnica pod Baranami in 1972. Two years later her next album was issued, including some new Polish songs and four Russian-language versions of her previous hits. The album was released in Russia by the state-owned label Melodiya and sold several million copies. Later in the 1970s she was awarded an honorary award at Opole Festival and the Order of Polonia Restituta. Her 1982 live album, simply titled Live, turned out to be a big success, achieving gold certification in Poland. In the mid-1980s Demarczyk founded her own theatre in Kraków. In spite of formal difficulties, it was soon shut down, although it generated interest. In the 1990s her albums were re-released on CD and Demarczyk received a number of awards recognising her input to Polish culture. She continued to perform live until the late 1990s. She gave her last concert on 8 November 1999 at the Grand Theatre in Poznań and afterwards she completely withdrew from public life. In 2001 a foundation, Teatr Ewy Demarczyk, was created. She died on 14 August 2020, aged 79.

Demarczyk's repertoire consisted of demanding, not easily accessible interpretations of poems. Since her songs are often based on works by "classical" poets – both Polish such as Julian Tuwim and Krzysztof Kamil Baczyński and international like Goethe, Mandelstam, Rainer Maria Rilke, as well as avant-garde writers such as Miron Białoszewski – the genre that Demarczyk is associated with is called sung poetry. In her performances, she united both dramatic theatrical expression and vocal art (she was a graduate of both a drama school and conservatory, where she studied the piano). The songs she performed were essentially short, intense musical dramas.

The list presents the songs sung by Ewa Demarczyk arranged in alphabetical order: • Title — Author — Composer • Am Sonntagnachmittag — Stanisław Baliński — Leszek Długosz • Babuni — Marina Tsvetaeva — Andrzej Zarycki • Ballada o cudownych narodzinach Bolesława Krzywoustego — Gallus Anonymus — Andrzej Zarycki • Biegnie dziewczyna lasem — Bolesław Leśmian — Andrzej Zarycki • Canción de las voces serenas — Jaime Torres Bodet — Andrzej Zarycki • Cyganka — Osip Mandelstam — Andrzej Zarycki • Czarne anioły ("Black Angels") — Wiesław Dymny — Zygmunt Konieczny • Czerwonym blaskiem otoczona — Stanisław Ratold — Andrzej Zarycki • Dans bien longtemps — Robert Desnos — Andrzej Zarycki • Der Herbst des Einsamen — Georg Trakl — Andrzej Zarycki • Deszcze ("Rains") — Krzysztof Kamil Baczynski — Zygmunt Konieczny • Don Juan — Marina Tsvetaeva — Andrzej Zarycki • Folguj szczątkom swej młodości — Wisława Szymborska — Andrzej Zarycki • Garbus — Bolesław Leśmian — Zygmunt Konieczny • Grande Valse Brillante — Julian Tuwim — Zygmunt Konieczny • Groszki i róże — Julian Kacper — Zygmunt Konieczny • Il était une feuille — Robert Desnos — Andrzej Zarycki • Imię Twoje ("Your Name") — Marina Tsvetaeva — Andrzej Zarycki • Jaki śmieszny — Wincenty Faber — Zygmunt Konieczny • Karuzela z madonnami — Miron Białoszewski — Zygmunt Konieczny • Kląskały słodko słowiki — Joanna Olczak-Ronikier — Andrzej Zarycki • Kupcie szczeniaka — Tadeusz Śliwiak — Julian Kaszycki • Musik im Mirabell — Georg Trakl — Andrzej Zarycki • Nähe des Geliebten — Johann Wolfgang von Goethe — Andrzej Zarycki • Nie ma nas — Leszek Długosz — Andrzej Zarycki • Nieśmiertelniki — Bronisława Ostrowska — Andrzej Zarycki • O czemu pan — Agnieszka Osiecka — Zygmunt Konieczny • Opuszczony dom ("The Abandoned Home") — Wiesław Dymny — Adam Nowak • Osjan — Bolesław Leśmian — Zygmunt Konieczny • Palma sola — Nicolás Guillén — Andrzej Zarycki • Panna Śnieżna — Andrei Bely — Andrzej Zarycki • Pieśń nad Pieśniami — Solomon — Andrzej Zarycki • Piosenka pod choinkę — Leszek Długosz — Andrzej Zarycki • Pocałunki ("Kisses") — Maria Pawlikowska-Jasnorzewska — Zygmunt Konieczny • Pokochaj mnie ("Love Me") — Emanuel Schlechter — Robert Stolz • Przychodzimy, odchodzimy — Janusz Jęczmyk — Zygmunt Konieczny • Psalmen für den Hausgebrauch — Tadeusz Nowak — Andrzej Zarycki • Psalmy Dawida — David — Stanisław Radwan • Puchowy śniegu tren — Andrzej Włast — P. Arezzo • Purpurowe ciepłe słońce — Tadeusz Miciński — Andrzej Zarycki • Rebeka — Andrzej Włast — Zygmunt Białostocki • Ronda del fuego — Gabriela Mistral — Andrzej Zarycki • Samotność ("Loneliness") — Bolesław Leśmian — Andrzej Zarycki • Schattengetränk — Bolewsław Leśmian — Andrzej Zarycki • Skrzypek Hercowicz — Osip Mandelstam — Andrzej Zarycki • Słowiki ("Nightingales") — Joanna Olczak-Ronikier — Andrzej Zarycki • Smutna, niedokończona historia – Laura i on — Mikhail Lermontov — Krzysztof Litwin • Stary Cygan — J. Wima — Andrzej Zarycki • Sur le pont d’Avignon — Krzysztof Kamil Baczyński — Andrzej Zarycki • Szewczyk — Bolesław Leśmian — Jerzy Wysocki • Taki pejzaż — Andrzej Szmidt — Zygmunt Konieczny • Time long past — Percy Bysshe Shelley — Andrzej Zarycki • Tomaszów — Julian Tuwim — Zygmunt Konieczny • Wiersze wojenne ("War Poems") — Krzysztof Kamil Baczyński — Zygmunt Konieczny • Wiosenna noc w Starym Krakowie — Franciszek Serwatka — Franciszek Serwatka • Z ręką na gardle — Jerzy Skolimowski — Krzysztof Komeda • Zbyt młodam — Robert Burns — Andrzej Zarycki • Zmory wiosenne — Bolesław Leśmian — Andrzej Zarycki • Życie szare — Anna Akhmatova — Andrzej Zarycki