Eva Herrmann
Eva Herrmann (February 8, 1901 in Munich - September 7, 1978 in Santa Barbara, California) was a German-American painter, illustrator, draftsperson, and caricaturist.
Eva Herrmann

Alfred Stieglitz · CC0
- Born
- 1901. · Munich.
- Died
- 1978. · Santa Barbara.
- Nationality
- Germany.
- Occupation
- draftsperson, painter, photographer and artist.
- Languages
- German.
VALÉORINE Encyclopedia
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Documentary summary
Eva Herrmann (February 8, 1901 in Munich - September 7, 1978 in Santa Barbara, California) was a German-American painter, illustrator, draftsperson, and caricaturist.
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wikidata · Q1379214 · wikipedia · Eva Herrmann
In this article
Biography
Biography
Eva Herrmann was born the third of five children to Frank S. Herrmann (1866–1942), an American painter with German-Jewish origins who had studied at the Munich Art Academy at the end of the 19th century, and Anna (née Schlesinger, 1875–1944), a Romanian Jew who was later murdered at Auschwitz. In 1919 she accompanied her father to live in New York City, however returning to Europe intermittently. Although she originally wanted to become known as a painter, her artistic work also included book covers, drawings, and caricatures. During the 1920s, Alfred Stieglitz took photographic portraits of Herrmann, which are today part of the Getty Museum collection. Her breakthrough as an artist occurred in 1929 with the release of On Parade: Caricatures by Eva Hermann. During this period she became acquainted with Klaus and Erika Mann, and their friend, artist Ricki Hallgarten. Between 1932 and 1939 Herrmann traveled extensively throughout Europe to portray the most famous faces of the day, including those of George Bernard Shaw, Aldous Huxley, and Bertolt Brecht whose portraits were then sent to their respective editorial offices within the United States. From 1933 onward (while not travelling), Herrmann frequently stayed in Sanary-sur-Mer with the exiled Mann family and maintained close friendships with a circle of local emigrants, including writer Sybille Bedford. Commissioned by the publishing house Querido in Amsterdam, she developed cover designs for the German, Russian, and English editions of Lion Feuchtwanger's novel Exil in 1939. Herrmann moved to Hollywood in the 1940s, again living among the local emigrant community. During this period, her caricatures were stylistically characterized by clear lines and austerity. Subsequently, moving to Santa Barbara, Eva Herrmann's house became a meeting locale for a number of exiled German writers.
Identity
Identity
Eva Herrmann is recorded with the occupation draftsperson. Recorded with the occupation photographer. Recorded with the occupation painter. Recorded with the occupation artist. Recorded as draftsperson, painter, photographer and artist.
Life and career
Dated record
Life and career
The full dated record · 2 entries
1901
Eva Herrmann was born on 8 February 1901.
1978
Eva Herrmann died on 7 September 1978.
Places
Named by the record
Places
Only places the record itself states, plotted where the house gazetteer settles their coordinates. Nothing is inferred from a name or a nationality.
Munich.
Birth place
Santa Barbara.
Death place
Primary material
Documents and archives
reference work
- Wikidata, structured authority record Q1379214: Eva Herrmann
Reputable secondary · Wikidata
- “Eva Herrmann”, English Wikipedia, consulted as further reading
Reputable secondary · Wikipedia
scholarly publication
- Eva Herrmann, Zeugin des Exils, Sanary-Sur-Mer, 1996
Scholarly · Crossref registry · 1996
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Manfred Flügge: Muse des Exils – Das Leben der Malerin Eva Herrmann. Insel, Berlin 2012, S. 21, S. 414.
- 2.Stephen D. Becker: Comic art in America: a social history of the funnies, the political cartoons, magazine humor, sporting cartoons, and animated cartoons. Simon and Schuster, 1959, S. 149.
- 3.Sybille Bedford. Rückkehr nach Sanry. 2009. 978-3-86555-062-0.
- 4.4. Kapitel: „Des Menschen Bestes sind Ahnungen. Und sie hat solch Profil, Gemme, streng und edel und einen kleinen Fehler am Auge und aschblond.“
- 5.Armin Strohmeyr: Klaus Mann. dtv, München 2000, ISBN 3-423-31031-6, S. 122.
- 6.Manfred Flügge: Muse des Exils. Das Leben der Malerin Eva Herrmann, Insel Verlag, Berlin 2012, S. 287 ff.
- 7.Andreas Rossmann: Die sanfte Unverschämtheit der Eva Herrmann Ein formidabler Fund: Karikaturen aus der Zeit des Exils. In: Frankfurter Allgemeine Zeitung. 23. September 1995, S. B 6.
References
Citations
References
Each reference names the institution holding it, so a reader may go to the document itself.
scholarly publication
Eva Herrmann, Zeugin des Exils, Sanary-Sur-Mer, 1996Crossref registry
Institutional witnessreference work
Secondary witnessreference work
Secondary witness
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 17 August 2026.
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