Eugène Farcot

• Name — Henri-Eugène-Adrien Farcot • Born — 20 February 1830 • Birthplace — Sainville, France • Died — 14 March 1896 • Place of death — Saint-Maur-des-Fossés, France • Occupation — Horologist • Known for — Conical pendulum clocks • Spouse — Pauline Le Blond (1836–1899) • Parents — Louis François Désiré Farcot and Emelie Delafoy • Children — Marguerite Farcot (1858–1890) Charles-Louis-Eugène Farcot (1860–1881) • Awards — * Bronze medal, Besançon 1860 International Exposition • Honorable mention, London 1862 International Exhibition • Bronze medal, Paris 1863 Exposition des Beaux-arts appliqués à l'industrie • Bronze medal, Paris 1867 International Exposition • Silver medal, Paris 1878 International Exposition

In 1853, he established the Manufacture d'horlogerie E. Farcot with headquarters, from 1855 (previously in Rue Vieille du Temple, 75, Paris), on Rue des Trois-Bornes, 39, Paris, wherein he worked until his retirement in the late 1880s, succeeded by his son-in-law the Belgian Henri-Charles Wandenberg, or Vandenberg, until December 1903 and Paul Grenon (Wandenberg's nephew) until 1914. Between October 1855 and March 1856 the company's name changed to Farcot et Cie, and in 1887 it was renamed Farcot et Wandenberg, although the partnership was officially constituted in April 1890. • Illustration — Farcot museum in Sainville. Throughout his career, Farcot earned an honorable mention and four medals at the following expositions: Besançon 1860 (bronze), London 1862 (honorable mention), Paris (1863 bronze, 1867 bronze & 1878 silver), as well as did Henri Wandenberg, both with a silver medal in Paris 1889 and a gold medal in Paris 1900. In addition to clockmaking, Farcot was a member of the Société aérostatique et météorologique de France and the defunct Chambre syndicale d'horlogerie de Paris. The Musée Farcot in Sainville showcases his life, travels, and work.

Of the nineteen patents registered to his name between 1855 and 1886, sixteen are linked to horology. In chronological order, they are: • 22637, 03/03/1855 – Mouvement de pendule • 37159, 23/06/1858 – Perfectionnements apportés à l'horlogerie • 41812, 11/08/1859 – Perfectionnements apportés à l'horlogerie • 44007, 23/02/1860 – Perfectionnements apportés à l'horlogerie • 50962, 24/08/1861 – Réveille-matin avertisseur • 53502, 25/03/1862 – Perfectionnements apportés à l'horlogerie • 65992, 26/01/1865 – Perfectionnements aux réveille-matin • 84057, 20/01/1869 – Timbre d'appel, avertisseur mobile de porte, et sonnerie télégraphique simplifiée • 89384, 31/03/1870 – Réveil horizontal à marche rotative et silencieuse • 89455, 26/03/1870 – Perfectionnements apportés et appliqués spécialement dans la fabrication des réveille-matin • 92460, 14/08/1871 – Pendule de nuit • 101995, 29/01/1874 – Perfectionnement et transformation dans la fermeture des porte-monnaie à cadre, pouvant s'appliquer à tous objets de fantaisie, tels que porte-cigares, cigarettes, carnets, bonbonnières, etc. • 102593, 14/03/1874 – Perfectionnements apportés aux pendules de nuit lumineuses • 107030, 01/03/1875 – Système de pendule-écusson applique, à remontoir auxiliaire et à tirage rentrant • 166518, 10/08/1875 – Device for winding clocks (US patent of 107030) • 167502, 07/03/1885 – Système de pendule à indications diurnes et nocturnes • 176982, 24/06/1886 – Pendule courtoise • 177703, 31/07/1886 – Réveil courtois • 252398, 12/12/1895 – Application du phonographe aux pièces d'horlogerie (registered to the name of the Société Farcot et Wandenberg) Files for each patent, including a description and drawings, can be consulted in the archives of the Institut national de la propriété industrielle (INPI).

• Illustration — Clock stand of the Société des Marbres Onyx d'Algérie during the 1867 Paris world fair. This reputed, multi-awarded French firm provided the pedestal for the timepieces. Both the clock making company and the stone carver-supplier marketed the product. Drawing by D. Lancelot. • Illustration — In the section devoted to the French horology at the 1867 Paris world fair is seen another version of the statue by Carrier-Belleuse. Drawing by Lamy. A class of its own among the conical pendulum clocks are the monumental timepieces commercialized between 1862 and 1878. When this model debuted at the London International Exhibition of 1862, it was presented as the first application of the conical pendulum to statuary. In addition to the British capital, this clock was also displayed at the Paris Exposition des beaux-arts appliqués à l'industrie (1863), as well as in the major world's fairs held in Paris (1867 and 1878) and Philadelphia (1876). In his own words, Eugène Farcot explained the origins of his idea during the 1867 Paris universal exposition (translated from the French): Each mystery clock of this series was individually handcrafted. They were produced by artisans and scientists from multiple disciplines, utilizing techniques of Second Empire decorative arts. Besides a remarkable precision in timekeeping, one of their most distinctive characteristics is the slow continual circular motion at a constant speed (instead of the conventional side to side swinging motion) of the noiseless pendulum, tracing a conical trajectory in space, hence its name.

The total number of clocks crafted is unknown; so far 13 have been found. It is unclear if the company used a separate serial number for its large-scale conical pendulum clocks, although probably no more than twenty were ever made. Those known are: • No. 0 – Lambert Castle, New Jersey, USA. Purchased in 1869 for $10,000 • No. 8 – The Roosevelt New Orleans Hotel, New Orleans, USA • No. 9 – Private collection, USA • No. 16 – Drexel University, Pennsylvania, USA. Acquired in 1867 for $6,000 • No. 19 – National Watch and Clock Museum (NWCM), Pennsylvania, USA • No. 23 – Private collection, USA • No. 25 – Cliffe Castle Museum, Yorkshire, UK • No. 28 – Cooper Hewitt, Smithsonian Design Museum, New York, USA • No. 30 – Private collection, USA • No. 44195 – Private collection, USA • No serial number, Museo Cerralbo, Spain • No serial number, The Dolder Grand Hotel, Switzerland • The one depicted in the drawing by Lamy with two dials in the pedestal front, whereabouts unknown

• Illustration — Serial number 23, exhibited at the London 1862 International Exhibition. The only one with a red griotte marble pedestal, rather than the costly Algerian onyx marble base all the other units originally came with. • Illustration — No serial number, Museo Cerralbo, circa 1863. • Illustration — SN 8, exhibited at the Paris International Exposition (1867). • Illustration — SN 16, exhibited at the Paris International Exposition (1867). • Illustration — SN 19, exhibited at the Philadelphia Centennial Exposition (1876). • Illustration — SN 25, exhibited at the Paris Exposition Universelle (1878).

• Illustration — The piece at the Galerie d'Iéna, one of the main exhibition pavilions in the Palais du Champ-de-Mars at the Paris world fair of 1878. • Illustration — The artefact epitomizes the alliance between art and industry promoted back then and also the golden age of the conical pendulum clock (second half of the 19th century). • Illustration — Drawing depicting the grand vestibule of the Galerie d'Iéna, both the clock and ceiling height have been magnified. In 1878, the largest conical pendulum clock ever built was erected in the since-demolished Palais du Champ-de-Mars on the occasion of the Paris Exposition universelle internationale. It was Farcot's ultimate contribution to the conical pendulum clock, a type of timepiece not invented by the French, but that he brought to a new level of sophistication and engineering. Not to mention that he also helped to popularize it by offering affordable mantel models, some with a patent of invention. The mechanical marvel was reviewed in several publications, next are included three of them:

• Illustration — The Louis Blanc over the clouds. • Illustration — Nadar shakes Farcot's hand, before taking off at 9:00 am from the Place Saint-Pierre in Montmartre. The Louis Blanc was the 10th balloon mail of 66 sent during the siege. • Illustration — Farcot and Traclet suffered a turbulent, risky landing in Belgium. While Farcot worked with a light engine built for him for aerostats, he caught his right thumb in the gears, and it had to be amputated, expressing later during the Franco-Prussian War [translated from the French]: I could not properly handle a rifle. This, however, did not impede him, during the Siege of Paris (1870–71), from leaving the city on 12 October 1870, piloting the ballon monté (balloon mail) Louis Blanc, overflying the siege and the Prussians shooting at it, in order to transport the mail, government dispatches, and eight carrier pigeons. He, and Auguste Traclet from the Association Colombophile de Paris, arrived in Béclers (Belgium) three hours later, becoming the first French aeronauts in Belgium. Despite the balloon bearing his name, the politician Louis Blanc, who was present at the departure, refused to fly in the balloon when Wilfrid de Fonvielle asked him.

Discourse pronounced before the tomb of the horologist by Paul Garnier, vice-president of the Chambre syndicale d'horlogerie de Paris [translated from the French]: