Ernst Aufseeser
Ernst Aufseeser (1880–1940) was a German painter, illustrator and graphic designer. His design work included trademarks, stamps, book covers, typography, posters and textiles.
Ernst Aufseeser

Ernst Aufseeser · https: Studio International · Public domain
- Born
- 1880 · Nuremberg.
- Died
- 1940 · Schmidtheim.
- Nationality
- German Reich
- Occupation
- illustrator · university teacher · exlibrist · painter · designer · graphic artist
- Languages
- German
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Ernst Aufseeser (1880–1940) was a German painter, illustrator and graphic designer. His design work included trademarks, stamps, book covers, typography, posters and textiles.
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wikidata · Q1357375 · wikipedia · Ernst Aufseeser
In this article
Career
Career
Aufseeser was born in Nuremberg, Germany the son of a merchant and of Jewish ancestry. Intended for a commercial career himself, he completed an apprenticeship at the Nuremberg School of Commerce. Afterwards he volunteered at an export company in Nuremberg and then worked in England for some years. After deciding to embark on an artistic career, he attended the Stieglitz workshops between 1900 and 1903 in Berlin under the direction of the designer and typographer Fritz Helmuth Ehmcke, who later called Aufseeser to be his successor. In 1905 he moved to London where he attended the Slade School of Art for two years and by 1907 was working as an artist in Munich. He was a competitor in the art events of the 1928 Summer Olympics in Amsterdam. From 1914 he taught as a professor of commercial art at the Kunstakademie Düsseldorf, later succeeding Ehmcke as director of graphic design in 1919. In 1933 he was dismissed from his post as a result of the Nazi anti-Jewish laws. He died on 12 December 1940 in Düsseldorf. His son Hans Tisdall became a successful designer in England. His style characterised by the use of typographic ornaments, usually in black-and-white. His works were reproduced frequently in Das Zelt, journal of the Ehmcke-Kreises. Examples of his design work are held in the Victoria and Albert Museum and the Los Angeles County Museum of Art.
Gallery
Gallery
• Illustration — Two Calendar Images: Marz / November • Illustration — Alphabet • Illustration — Designs for Ex Libris • Illustration — Airmail Stamp Series “Wooden Dove”, 1924 • Illustration — Trees, coloured pencil and pastel on paper, c.1905
Exhibitions
Exhibitions
• Deutscher Werkbund, Cologne, 1914 • Wilhelm-Lehmbruck-Museums, Duisburg, 1983 • Kunstverein, Hannover, 1983 • Kunsthalle, Wilhelmshaven, 1983 • Düsseldorf, 1985 (group).

Trees
Ernst Aufseeser · Photo taken by myself as I own this drawing.

"Der Querschnitt", Februar 1927. Umschlagzeichnung von Ernst Aufseeser
Ernst Aufseeser · https: oges=2458 cachesLoaded=true
Places
Named by the record
Places
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Nuremberg.
Birth place
Schmidtheim.
Death place
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.German graphic designers during the Hitler period: Biographical and bibliographical references by Gerald Cinamon. Germandesigners.net. 1940-12-12.
- 2.Art Competitions at the 1928 Amsterdam Summer Games: Mixed Painting, Graphic Arts | Olympics at. Sports-reference.com.
- 3.Alan Powers. Obituary: Hans Tisdall. The Independent.
- 4.Furnishing fabric | Aufseeser, Ernst | V&A Search the Collections. Collections.vam.ac.uk.
- 5.Ernst Aufseeser. Ernst Aufseeser | LACMA Collections. Collections.lacma.org.
Bibliography printed in the source article · 17
- Deutsche Biographische Enzyklopädie, Munich, London, New Providence: K.G. Saur 1995– (from 1997: Munich only), 1995.
- ‘Flor-Stickereien von Ernst Aufseeser’, Die Kunst, 1/1910,
- Rudolf Bleistein, ‘Neue deutsche Buchillustration’, Das Plakat, March 1915 (supplement, pp. 1, 2)
- F. H. Ehmcke, ‘Wahrzeichen – Warenzeichen’ (trademarks), Das Plakat, Feb. 1921, pp. 69–100
- Der Querschnitt, 1921, p. 180 (museum poster)
- F. H. Ehmcke, ‘Deutsche Gebrauchsgraphik’, Klimschs Jahrbuch, 1927, pp. 9–37
- H. K. Frenzel, ‘Advertising in Germany in 1930’, Modern Publicity, 1930, pp. 102–9, 122
- Kunstsammlungen der Stadt Düsseldorf – 1945–8, Düsseldorf, 1948
- Barbara Lepper, ed., Verboten, verfolgt. Kunstdiktatur im 3. Reich (exh. cat.), Duisburg, 1983
- Ulrich Krempel (ed.), Am Anfang: Das junge Rheinland (exh. cat.), Düsseldorf: Claasen, 1985
- Walter F. Schubert, Die deutsche Werbegraphik, Berlin: Francke & Lang, 1927, p. 214 (cover of Der Querschnitt)
- Hans Bockwitz, ‘Typographie und Gebrauchsgraphik in der Düsseldorfer Kunstakademie’, Archiv für Buchgewerbe und Gebrauchsgraphik, Leipzig: Deutsche Buchgewerbeverein., Aug. 1932, pp. 334–44, 345
- H. K. Frenzel, ‘Professor Ernst Aufseeser’, Gebrauchsgraphik (International Advertising Art), Berlin: Phönix Illustrationsdruck und Verlag GmbH (later: ‘Gebrauchsgraphik’ Druck und Verlag GmbH), 1933–71. Published from Munich from 1950., Dec. 1932, pp. 12–26
- Rudolf Schmitt, ‘Illustrierte Bücher und Mappenwerke des Jungen Rheinland’, Imprimatur, Band XII, 1987, pp. 146–64
- Allgemeines Künstlerlexikon, Munich/Leipzig: K.G. Saur Verlag, 1990–., 1992
- Max Osborn, ‘Die neuen deutschen Briefmarken’ (new stamps), Gebrauchsgraphik (International Advertising Art), Berlin: Phönix Illustrationsdruck und Verlag GmbH (later: ‘Gebrauchsgraphik’ Druck und Verlag GmbH), 1933–71. Published from Munich from 1950., 1925, v. 2, pp. 16–22
- ‘Arbeiten von Mitgliedern der Gruppe Düsseldorf’, Gebrauchsgraphik (International Advertising Art), Berlin: Phönix Illustrationsdruck und Verlag GmbH (later: ‘Gebrauchsgraphik’ Druck und Verlag GmbH), 1933–71. Published from Munich from 1950., Feb. 1931, pp. 64–8, esp. p. 64
References
Citations
References
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Secondary witness
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 16 August 2026.
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