Enrique Soro Barriga

He graduated from this place in 1904, winning the Grand Prize for Composition. From there he toured Italy and France. Together with the musician Luigi Stefano Giarda, he soon became a professor of harmony and counterpoint at the National Conservatory of Music of Chile (Conservatorio Nacional de Música de Chile), where he quickly became its deputy director (1907) and then director, composition professor and piano teacher (1919), remaining linked to this institution for almost two decades. He was a teacher of: Domingo Santa Cruz, Juan Allende-Blin, Nino Marcelli, Héctor Melo, Juan Casanova Vicuña and Roberto Puelma. He premiered and presented his works in Europe, the United States and Latin America; He recorded master rolls for the Aeolian Company, records for Columbia and managed to get a 50-year contract with the Schirmer publishing house. Recognized as a great improviser on the piano, his life was linked with great personalities of the time, such as Pau Casals, Vincent D'Indy, Pietro Mascagni, Ignacy Paderewski, Giacomo Puccini, Maurice Ravel and Camille Saint-Saëns, among others. From a musical point of view, his work is rooted in the classical-romantic tradition, with a recognized style immersed in classical forms, full of a spontaneous lyrical sense. The researcher Raquel Bustos recognizes two periods in his work: from his beginnings until 1911 (beginning period), and, subsequently, from 1911 until his death (maturity period). He wrote few works with vernacular material in its natural state, the most performed being Tres aires chilenos (1942).

• Name — Enrique Soro Barriga • Born — July 15, 1884 • Birthplace — Concepción, Chile • Died — December 03, 1954 • Place of death — Santiago de Chile, Chile • Known for — Composer of the first symphony in Chile • Occupation — Composer and pianist

• Sinfonía Romántica (1923) • Preludios Sinfonicos (1936) • Tres Aires Chilenos (1942) • Gran Concierto para Piano y Orquesta en Re Menor (1918)