Enrico Paulucci
Enrico Paulucci or Paulucci delle Roncole (1901–1999) was an Italian painter and scenic designer. He was one of the founding members of the Gruppo dei Sei.
Also recorded as Enrico Paolucci
Enrico Paulucci

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- Birth Name
- Enrico Paulucci delle Roncole
- Born
- 13 October 1901
- Birthplace
- Genoa, Kingdom of Italy
- Died
- 22 August 1999
- Place of death
- Turin, Italy
- Education
- * Regia Scuola superiore di studi applicati al commercio
- Movement
- Expressionism, Gruppo dei Sei
- Nationality
- Italy · Kingdom of Italy
- Occupation
- painter · decorator · illustrator · scenographer · graphic artist
- Honours
- Gold Medal of the Italian Order of Merit for Culture and Art
- Languages
- Italian
VALÉORINE Encyclopedia
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Documentary summary
Enrico Paulucci or Paulucci delle Roncole (1901–1999) was an Italian painter and scenic designer. He was one of the founding members of the Gruppo dei Sei.
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Enrico Paulucci (1901–1999) was a decorator, graphic artist and illustrator, among other activities, of Italian and Italian nationality. The decorator was born in Genoa and died in Turin.
Enrico Paulucci was educated at University of Turin. The decorator was a member of Accademia delle Arti del Disegno and worked in Turin.
Languages used include Italian. Works are held at Finnish National Gallery, Hermitage Museum and Slovak National Gallery.
Composed from admitted, traceable facts · 01 October 2026
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In this article
Biography
Biography
Enrico Paulucci studied at University of Turin. The recorded working language is Italian. Places of work recorded in the authority are Turin. Work by Enrico Paulucci is recorded in the collections of Finnish National Gallery, Slovak National Gallery and Hermitage Museum. Distinctions recorded are Gold Medal of the Italian Order of Merit for Culture and Art.

Collezione Mosaici Moderni -
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Collezione Mosaici Moderni -
Sailko
Key facts
Key facts
• Birth Name — Enrico Paulucci delle Roncole • Born — 13 October 1901 • Birthplace — Genoa, Kingdom of Italy • Died — 22 August 1999 • Place of death — Turin, Italy • Education — * Regia Scuola superiore di studi applicati al commercio • University of Turin • Movement — Expressionism, Gruppo dei Sei • Parents — Paolo Paulucci and Amalia Paulucci (née Mondo) • Patrons — * Felice Casorati • Riccardo Gualino
Biography
Biography
Born in Genoa in 1901, Enrico Paulucci moved to Turin in 1911, where he graduated in economics in 1924 and in law in 1927. He was briefly associated with the Turin group of “second generation” Futurists which included the painters Fillìa, Enrico Prampolini and Ugo Pozzo. In the mid-1920s he met Felice Casorati, one of the most important artistic personalities in Turin at the time. In 1928 he moved to Paris, where he resided for nearly a year. In the same year one of his paintings was chosen for the Venice Biennale. By 1929 he was back in Turin, where he founded the "Gruppo dei Sei" ("Group of the Six") along with his friends Jessie Boswell, Gigi Chessa, Nicola Galante, Carlo Levi and Francesco Menzio. The group looked for intellectual freedom and independence, at odds with the dominant Fascist ideology. It was championed by Riccardo Gualino, a wealthy patron of the arts, and by the art critics Edoardo Persico and Lionello Venturi, signers of the Manifesto of the Anti-Fascist Intellectuals of 1925 and one of the few public figures who had refused to swear allegiance to the regime in 1931. Through Persico, Paulucci contributed several articles for the monthly architectural magazine Casabella. His paintings from this period show his interest in expressionist art, especially the work of Henri Matisse and Raoul Dufy. The first joint exhibition of the "Gruppo dei Sei" took place in the spring of 1929 at Galleria Guglielmi in Turin. Although each artist had an individual style, they were linked together by the influence of Parisian Post-Impressionism and fauvism, including the work of Amedeo Modigliani, and their anti-fascist ideology – a position that set them apart from other movements like Novecento Italiano and Futurism. In 1930 and 1931, exhibitions of the "Gruppo dei Sei" took place in Paris, London, and Rome. In the early 1930s, Paulucci founded, together with Casorati, the "studio Casorati-Paulucci," which also served as an art gallery. In 1931, together with his friend Carlo Levi (soon to be exiled to Aliano for his anti-fascist views), Paulucci designed the film settings for Gennaro Righelli's comedy "Patatrac", one of the first Italian sound films. In the 1930s he befriended the American poet Ezra Pound, then sojourned in Rapallo. Paulucci made a sketch of the poet as he promenaded the seafront. In 1940, Paulucci took up the position of professor of painting at the Accademia Albertina of Turin. In 1948, he realized the scenery and costumes for Darius Milhaud's Les Malheurs d'Orphée, staged at the Teatro La Fenice in Venice. Paulucci was appointed director of the Albertina in 1954. In 1963, he was appointed president of the Italian Committee of the International Association of Plastic Arts. A special show of his work was staged for him at the XXVIII Venice Biennale. Enrico Paulucci died in Turin in 1999.
Identity and overview
Identity and overview
The following is established of the heading itself.
Places
Named by the record
Places
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Genoa.
Birth place
Turin.
Death place
Primary material
Documents and archives
reference work
- “Enrico Paulucci”, English Wikipedia, consulted as further reading
Reputable secondary · Wikipedia
authority record
- Wikidata, structured authority record Q3725977: Enrico Paulucci
General reference · Wikidata
Honors
• Hawards • Gold Medal of Merit for Culture and Art
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Di Genova, Giorgio. Storia dell'arte italiana del '900. Generazione primo decennio. Bora. 63. 1986. 978-8885638716.
- 2.Biografia di Enrico Paulucci. Comune di Montegrosso d'Asti.
- 3.Sei di Torino. Enciclopedia Treccani.
- 4.Jirat-Wasiutyński, Vojtěch. Modern Art and the Idea of the Mediterranean. University of Toronto Press. 189. 2007. 978-0-8020-9170-3.
- 5.Cardelli, Mascia. La prospettiva estetica di Lionello Venturi. Le Càriti. 287. 2004. 9788887657197.
- 6.Bacigalupo, Massimo. Ezra Pound's Artistic Thinking and Relations in Italy, 1925–1945. The Edinburgh Companion to Ezra Pound and the Arts. Edinburgh University Press. 1. 403. 2019. 9781474429177.
- 7.Pirovano, Carlo. La Pittura in Italia. Electa. 2: 1945-1990. 817. 1992.
- 8.Vangelista. I Pittori italiani dopo il Novecento. 150. 1970.
Bibliography printed in the source article · 7
- PAULUCCI DELLE RONCOLE, Enrico. Stefano. Turina. 81.
- Paulucci, Enrico. Enciclopedia Treccani.
- Viale, Vittorio. I Sei di Torino: 1929-1932: Torino, Galleria Civica d'Arte Moderna, September-October 1965. F.lli Pozzo-Salvati-Gros Monti e C. Poligrafiche Riunite. 1965.
- Persico, Edoardo. I Sei di Torino. Tutte le Opere (1923-1935). Edizioni di Comunità. 356–371. 1964.
- Andreotti, Libero, Art and politics in fascist Italy. The exhibition of the fascist revolution (1932), Ph.D. diss., MIT, 1989, pp. 203–206.
- Ventavoli, Lorenzo (2006). Conversazioni con Enrico Paulucci. In: Della Casa, S. and Prono, F. (eds.), Contessa di Parma. La Modernità a Torino negli anni trenta, Rome: Fondazione Archivi del '900. pp. 147–166.
- Silvana Editore Spa. Enrico Paulucci. Se non dipingo non sono. 2009. 978-8836614332.
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Studied at
1- University of TurinOrganisation
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The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 17 August 2026.
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