Émile Vuillermoz
Émile-Jean-Joseph Vuillermoz (23 May 1878 – 2 March 1960) was a French critic in the areas of music, film, drama and literature. He was also a composer, but abandoned this for criticism.
Also recorded as Emile Vuillermoz · Émile-Jean-Joseph Vuillermoz
Émile Vuillermoz

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- Full name
- Jean Joseph Émile Vuillermoz.
- Born
- 1878. · 4th arrondissement of Lyon.
- Died
- 1960. · 16th arrondissement of Paris.
- Nationality
- France.
- Occupation
- film critic, journalist, composer, musicologist, music critic, writer, literary critic and organist.
- Fields
- musicology, music criticism, film criticism and theatre criticism.
- Education
- University of Lyon and Conservatoire de Paris.
- Teachers
- Antoine Taudou, Gabriel Fauré and Jules Massenet.
- Honours
- Knight of the Legion of Honour and Officer of the Legion of Honour.
- Languages
- French.
In this article
Early life
Émile Vuillermoz studied at University of Lyon and Conservatoire de Paris. Training under Antoine Taudou, Gabriel Fauré and Jules Massenet is recorded. The recorded working language is French. The field of work recorded is musicology, music criticism and film criticism. Distinctions recorded are Knight of the Legion of Honour and Officer of the Legion of Honour.
Émile Vuillermoz was born in Lyon in 1878. He studied literature and law at University of Lyon, then became a music student at the Conservatoire de Paris, his teachers being Jules Massenet, Gabriel Fauré, Antoine Taudou and Daniel Fleuret. Among his fellow students was Maurice Ravel, who became his lifelong friend. He was a member of Les Apaches, along with Ravel, Igor Stravinsky, Manuel de Falla and others.
Career
He had early success as a writer of songs and operettas, and with settings of French and Canadian folk songs, but chose to follow the career of a critic instead. He wrote initially for the Mercure musical, and then he edited the Revue musicale SIM (Société internationale de musique). With Ravel, Paul Dukas, Florent Schmitt, Charles Koechlin and others, he co-founded the Société musicale indépendante (SMI). Its first concert, on 20 April 1910, contained three world premieres: Gabriel Fauré's song cycle "La chanson d'Ève" (its first complete performance; excerpts had been presented earlier); Claude Debussy's "D'un cahier d'esquisses", performed by Maurice Ravel; and Ravel's own Ma mère l'oye in its original version for piano 4-hands, played by Jeanne Leleu and Geneviève Durony. His interests extended beyond music to drama and literature, and he wrote for Le Temps, L'Excelsior, L'Illustration, L'Éclair and Candide. He also contributed to the Encyclopédie française, and to foreign journals. In 1916 he described Debussy as "a pupil of Claude Monet", a description the composer was happy to accept. Also from around 1916 Émile Vuillermoz was at the forefront of serious film criticism in France, often using the pseudonyms Gabriel Darcy and Claude Bonvin. In 1924 he helped organise the first important exhibition on film at the Musée Galliera, "L'Exposition de l'art dans le cinéma français". In 1921, Federico Mompou's Scènes d'enfants (1915–18), performed by Ferdinand Motte-Lacroix, inspired Vuillermoz to proclaim Mompou "the only disciple and successor to Claude Debussy". He wrote "in the Middle Ages the people would have condemned to the stake an artist gifted with such powers". Ravel's 50th birthday in March 1925 was celebrated by an edition of the Revue musicale devoted to him, with contributions from many people including Vuillermoz. In 1933 he published his work Clotilde et Alexandre Sakharoff about the expressionist dancers Alexander Sakharoff and Clotilde von Derp, who were at that time based in Paris. In 1935, Émile Vuillermoz and Jacques Thibaud started a new project, called Cinéphonies, to create a series of short films of musicians performing classical music. They employed directors such as Max Ophüls and Dimitri Kirsanoff, and artists such as Elisabeth Schumann, Alfred Cortot, Alexander Brailowsky and Ninon Vallin. The composers represented were Albéniz, Chopin, Debussy, Fauré, Mompou, Schubert and Szymanowski. In 1936 he was a member of the jury of the 4th Venice International Film Festival. Following on from this, he played a significant role in the creation of the Cannes Film Festival. He and fellow film historian René Jeanne suggested the idea to Jean Zay, the Minister of Public Instruction at the time, who liked the idea and supported its establishment. After Ravel's death in 1937, Vuillermoz wrote a substantial review of the composer's oeuvre, Maurice Ravel par quelques-uns de ses familiers, for the memorial volume published by some of his friends in 1939. Also in 1937 he was the uncredited musical director for the classic film La Grande Illusion. He founded the International Besançon Competition for Young Conductors in 1951, as an adjunct to the Besançon International Music Festival, founded in 1948. Vuillermoz's publications included: • Musique d'aujourd'hui (1923) • La Vie amoureuse de Chopin (1927) • Cinquante ans de musique française • Visages de musiciens • Clothilde et Alexandre Sakharoff • books on Ravel, Chopin, Fauré and Debussy. Émile Vuillermoz was appointed an Officer of the Legion of Honour. He died in Paris in 1960, aged 81.
Identity and origins
The authorities additionally record the headings Emile Vuillermoz and Émile-Jean-Joseph Vuillermoz. His recorded language was French.
Career and activity
Émile Vuillermoz worked in musicology, music criticism, film criticism, theatre criticism and ballet. He belonged to Les Apaches, Société musicale indépendante and jury.

Cover of Visage de musiciens, essay by Emile Vuillermoz, graphic design by Jean-Paul Dubray, published in Paris.
Jean-Paul Dubray · Abebooks
Dated record
Life and career
The full dated record · 1 entries
1960
Émile Vuillermoz died in 1960 at 16th arrondissement of Paris.
Named by the record
Places
Only places the record itself states, plotted where the house gazetteer settles their coordinates. Nothing is inferred from a name or a nationality.
4th arrondissement of Lyon.
Birth place
16th arrondissement of Paris.
Death place
Licensing
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The biographical narrative on this page is based on the Wikipedia article Émile Vuillermoz, revision 1353792235 (EN edition), by its contributors. VALÉORINE has edited that text and built its own documentary record around it. The reused material is available under CC BY-SA 4.0, and this page's reuse of it is offered under the same licence. Everything else on this page — the chronology, the holdings, the evidence, the plates and the connections — is VALÉORINE's own record. Sources and licences.
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Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.geocities
- 2.Maurice-ravel.net from the original
- 3.IMSLP: Chansons populaires françaises et canadiennes
- 4.Roger Nichols, Ravel
- 5.Grove’s Dictionary of Music and Musicians, 5th ed (1954), Vol. IX, p. 80
- 6.Marina del Rey Summer Symphony
- 7.Classics Online: Frederic Mompou – Piano Music, Vol. 1 (Jordi Maso)
- 8.Gale Encyclopedia of Biography
- 9.Clotilde et Alexandre Sakharoff, Émile Vuillermoz, retrieved 19 February 2014
- 10.filmowychopin
- 11.IMdB: La Grande illusion
- 12.D. Kern Holoman, The Société Des Concerts Du Conservatoire, 1828–1967
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Émile Vuillermoz studied at University of Lyon and Conservatoire de Paris. He trained under Antoine Taudou, Gabriel Fauré and Jules Massenet.
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 17 August 2026.
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