Élie-Miriam Delaborde
Élie-Miriam Delaborde (born Eraïm-Miriam Delaborde; 7 February 18399 December 1913) was a French virtuoso pianist and composer. He was also renowned as a player of the pedal piano.
Also recorded as Elie-Miriam Delaborde
Élie-Miriam Delaborde

Bibliothèque nationale de France · Public domain
- Name
- Élie-Miriam Delaborde
- Birth Name
- Eraïm-Miriam Delaborde
- Born
- 7 February 1839
- Died
- 9 December 1913
- Occupation
- Pianist and composer
- Nationality
- France
- Languages
- French
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Élie-Miriam Delaborde, la cui nascita è registrata nel 1839 e la morte il 9 dicembre 1913, figura nell'archivio di autorità della Bibliothèque nationale de France.
Vita
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Bibliothèque nationale de France
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wikidata · Q4157016 · wikipedia · Élie-Miriam Delaborde
In this article
Key facts
Key facts
• Name — Élie-Miriam Delaborde • Birth Name — Eraïm-Miriam Delaborde • Born — 7 February 1839 • Died — 9 December 1913 • Burial Place — Père Lachaise Cemetery • Occupation — Pianist and composer • Mother — Lina Eraïm Miriam • Father — Charles-Valentin Alkan
Early life
Early life
His birth was registered under the name of his mother Lina Eraïm Miriam, aged 38, of Nantes, and an unnamed father. Delaborde was generally believed to be the illegitimate son of the composer and pianist Charles-Valentin Alkan and one of his high-class married pupils. Delaborde was the maiden name of Antoinette, mother of George Sand, the author and sometime lover of Alkan's friend Frédéric Chopin. Some writers have seen some significance in this. Alkan's withdrawal from public life had also coincided with the birth and upbringing of Delaborde. Alkan and Delaborde also shared several similarities such as their similar skill in playing the pedal piano and both of them being parrot enthusiasts. It was claimed that the pianist Isidor Philipp averred that Delaborde detested his father, but this seems doubtful as Delaborde played Alkan's music and edited his works.
Career
Career
He was a pupil of Alkan, Franz Liszt, Ignaz Moscheles, and Adolf von Henselt. He made successful tours of England, Germany and Russia, and travelled with Henri Vieuxtemps and Henryk Wieniawski. In Spring of 1871, during the Franco-Prussian War, he escaped from France to London with his 121 parrots and cockatoos, as well as two pet monkeys. One of these monkeys he named Isadora, in honor of Isidor Philipp. In 1873 he was appointed professor at the Conservatoire de Paris, where his pupils included Olga Samaroff (one-time wife of Leopold Stokowski), Aline van Barentzen, and Marie Poitevin, the dedicatee of César Franck's Prelude, Chorale and Fugue.
Personal life
Personal life
Delaborde was a fencer, a passionate athlete, a bon vivant and a ladies' man. He also painted under the pseudonym "Miriam", and was a close friend of Édouard Manet. Camille Saint-Saëns' Piano Concerto No. 3 was dedicated to Delaborde. He was in the circle of Pauline Viardot, Ivan Turgenev and Ernest Guiraud.
Affairs
Affairs
Delaborde was also a close friend of fellow composer Georges Bizet and his wife, Geneviève. Delaborde may have been indirectly responsible for Bizet's death, which followed a swimming competition between the two, as a result of which Bizet caught a chill. After Bizet's death, Delaborde formed an alliance with Geneviève. Scholars have speculated that Delaborde and Geneviève were having an affair even before Bizet's death. The two had signed a marriage contract in August 1876, but they never got married. In 1901 he became engaged to a much younger pupil, but the engagement also failed to result in marriage.
Death
Death
Delaborde died on 9 December 1913, aged 74, and was buried at Père Lachaise Cemetery on 11 December.
Selected other works
Selected other works
• Cadence pour le Finale du concerto pour clavecin en ré mineur de J. S. Bach (1872) • Cadence sur l'Allegro du Concerto en sol, op. 58 de Beethoven. Piano (1878) • Etudes La bémol majeur (1889) • Etudes de concert. Piano. La bémol majeur. No 2 (1872) • Exercices de lecture. Piano. Op. 14, no 4 (1887) • Étude d'après une petite Valse de V. Dolmetsch (1889) • Fantaisies from 'Carmen' Op. 8. [Bizet] (1879) • Impromptu-valse Ré bémol majeur (1872) • Ouverture d'Attila (4 mains) (1879) • Paraphrase on Bundeslied Op. 122 [Beethoven] (1872) • Petite marche villageoise (1872) • Prélude. Harpe ou piano. Do majeur (1903) • Préludes Op. 13 • Promenade de noctambules (1889) • Scherzetto. Harpe ou piano. Fa majeur (1903) • Transcriptions. Scherzetto. Symphonie. [Marmontel] (1879) • Menuet from 'L'Arlésienne' [Bizet] (1873) • Trois pièces pour harpe chromatique (système G. Lyon) ou piano (1903) • Valse de concert. Harpe ou piano. Ré bémol majeur (1903)
Places
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Places
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Élie-Miriam Delaborde was born at Paris.
Birthplace
Élie-Miriam Delaborde died at Paris.
Deathplace
Paris.
Birth place
Compositions
His compositions included a youthful opera Maître Martin, the opéra-comique La Reine dort, the overture Attila, preludes, studies and fantasies for piano (including a Grande Fantaise on Bizet's Carmen), a piano quintet, and songs. There is also a Scherzetto for chromatic harp. He also edited some of Alkan's music. Delaborde's output is significant, but minimal attention has been given to his works. The first acoustic recording in history of one of Delaborde's compositions was Étude d'après une petite Valse de V. Dolmetsch, recorded by Vincenzo Maltempo in 2014, as a part of the Rarities of Piano Music at the "Schloss vor Husum" Festival.
Primary material
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reference work
- “Élie-Miriam Delaborde”, English Wikipedia, consulted as further reading
Reputable secondary · Wikipedia
authority record
- Wikidata, structured authority record Q4157016: Élie-Miriam Delaborde
General reference · Wikidata
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The biographical narrative on this page is based on the Wikipedia article Élie-Miriam Delaborde, revision 1351350088 (EN edition), by its contributors. VALÉORINE has edited that text and built its own documentary record around it. The reused material is available under CC BY-SA 4.0, and this page's reuse of it is offered under the same licence. Everything else on this page — the chronology, the holdings, the evidence, the plates and the connections — is VALÉORINE's own record. Sources and licences.
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