Egide Linnig

Work by Egide Linnig is held by Royal Museum of Fine Arts Antwerp, Royal Museums of Fine Arts of Belgium, Museum aan de Stroom and Print Collection.

30 works under this name are catalogued by Wikidata Query Service and The Art Institute of Chicago. Their recorded dates run from 1841 to 1860.

Night View, dated 1843, held by Royal Museum of Fine Arts Antwerp, inventory 2543. De Beurs, dated 1848, held by Print Room of the University of Antwerp, inventory tg:uapr:655. Redezicht bij Antwerpen met twee kerktorens achteraan rechts, dated 1853, held by Print Room of the University of Antwerp, inventory tg:uapr:266. De Mariazuil op de vismarkt te Antwerpen, dated 1841, held by Print Room of the University of Antwerp, inventory tg:uapr:755. Het vertrek van de driemaster 'Macassar', dated 1847, held by Print Room of the University of Antwerp, inventory tg:uapr:1456. Shipwreck on the Westerschelde near Terneuzen, dated 1852. The three-master 'Constant' off the coast of New Guinea, dated 1860. Shore landscape with moored sailing boats and a crowded barge, dated 1848. A shipwreck of a rocky coast, dated 1848. Entering the harbour, dated 1847. The Scheldt, dated 1848, held by Jef Rademakers Collection. Raft and sailing ship near the coast, dated 1850. Saving the Shipwrecked Sailors, dated 1860, held by http://www.wikidata.org/.well-known/genid/7145dfd0ddcbd1f41c267b97099e0290. Sailors in the storm, dated 1850. A moment of rest, dated 1850, held by http://www.wikidata.org/.well-known/genid/01aca029cb39e1f5bcc93a29dd4b3e0b. Dutch Interior, dated 1848. Figures and Barges in an Estuary, dated 1848. The 'Soho' enters the Scheldt estuary near Flushing, dated 1843, held by Museum aan de Stroom, inventory AV.3474.006. A paddle wheel steamer with auxiliary sail power on a stormy sea, dated 1850, held by Museum aan de Stroom, inventory AS.1977.063. Moored boats on a frozen river, dated 1846. A sailing vessel off a rocky coast, dated 1850. A river scene at dusk, dated 1849. European harbor scene with two ships, dated 1851. Return of the fishing boats, dated 1852. Shipping on a calm sea, dated 1853. Belgian merchant navy frigate "Macassar", dated 1854, held by Museum aan de Stroom, inventory AS.1931.008.002. Paddle Steamer Cygnus (ship, 1854), built by James Henderson & Son, Renfrew, dated 1855. Belgian three-mast barque New York Packet, dated 1855, held by Museum aan de Stroom, inventory AS.1985.017.001. Warship Sam Dunning, dated 1857, held by Maine Maritime Museum, inventory 92.046. Pont-à-Marcq, Enghien, dated 1850, etching on cream wove paper, held by The Art Institute of Chicago, inventory 1887.509.

Work associated with this heading is recorded in 8 named public collections.

Print Room of the University of Antwerp: 4 recorded objects, read from the institution's own published catalogue. Museum aan de Stroom: 4 recorded objects, read from the institution's own published catalogue. Royal Museum of Fine Arts Antwerp: 1 recorded object, read from the institution's own published catalogue. Jef Rademakers Collection: 1 recorded object, read from the institution's own published catalogue. http://www.wikidata.org/.well-known/genid/7145dfd0ddcbd1f41c267b97099e0290: 1 recorded object, read from the institution's own published catalogue. http://www.wikidata.org/.well-known/genid/01aca029cb39e1f5bcc93a29dd4b3e0b: 1 recorded object, read from the institution's own published catalogue. Maine Maritime Museum: 1 recorded object, read from the institution's own published catalogue. The Art Institute of Chicago: 1 recorded object, read from the institution's own published catalogue.

3 scholarly publications naming this subject were located in the registry of record.

34358, 1873-12-15, LINNIG (Egide), peintre † ; et a., Art Sales Catalogues Online. Linnig, Egidius, Benezit Dictionary of Artists, 2011. Linnig, Ben, Benezit Dictionary of Artists, 2011.

Bibliographic registers publish measured figures for this heading: 8 language editions of the general reference literature carrying an article (Wikimedia (language editions)). A count of publications is evidence of attention, not of standing, and is given here only as a measure.

This article draws on 3 independent source lineages. Copies and mirrors of the same underlying record were collapsed into a single witness, so 3 means 3 genuinely separate publishers of record. 16 further registers were consulted and returned nothing for this heading.