Edvard Grieg

Grieg is the most celebrated person from the city of Bergen, with numerous statues that depict his image and many cultural entities named after him: the city's largest concert building (Grieg Hall), its most advanced music school (Grieg Academy) and its professional choir (Edvard Grieg Kor). The Edvard Grieg Museum at Grieg's former home, Troldhaugen, is dedicated to his legacy.

Edvard Grieg studied at University of Music and Theatre Leipzig and Tanks Upper Secondary School. Training under Carl Reinecke is recorded. Barbara Larssen and Astrid Onarheim are recorded as having studied under Edvard Grieg. The recorded working language is Norwegian. Subjects and genres recorded for the work are classical and sardana. Works named in the authority record are Piano Concerto, Holberg Suite, In the Hall of the Mountain King, Peer Gynt Suites and Peer Gynt. Distinctions recorded are Knight Grand Cross of the Order of St.

• Name — Edvard Grieg • Born — 15 June 1843 • Birthplace — Bergen, Norway • Died — 4 September 1907 • Place of death — Bergen, Norway • Occupation — * Composer • pianist • Works — List of compositions

• Illustration — Statue of Grieg by Ingebrigt Vik in Bergen • Illustration — Edvard Grieg (1891), portrait by Eilif Peterssen Edvard Hagerup Grieg was born on June 15, 1843, in Bergen, Norway. His parents were Alexander Grieg (1806–1875), a merchant and the British Vice-Consul in Bergen, and Gesine Judithe Hagerup (1814–1875), a music teacher and daughter of solicitor and politician Edvard Hagerup. The family name, originally spelled Greig, is associated with the Scottish Clann Ghriogair (Clan Gregor). Grieg's great-grandfather, Alexander Greig (1739–1803), travelled widely before settling in Norway about 1770 and establishing business interests in Bergen. Grieg's paternal great-great-grandparents, John (1702–1774) and Anne (1704–1784), are buried in the abandoned churchyard of the ruined Church of St Ethernan in Rathen, Aberdeenshire, Scotland. Edvard Grieg was raised in a musical family. His mother was his first piano teacher and taught him to play when he was age six. He studied in several schools, including Tanks Upper Secondary School. In the summer of 1858, Grieg met the eminent Norwegian violinist Ole Bull, who was a family friend; Bull's brother was married to Grieg's aunt. Bull recognized the 15-year-old boy's talent and persuaded his parents to send him to the Leipzig Conservatory, the piano department of which was directed by Ignaz Moscheles. Grieg enrolled in the conservatory, concentrating on piano, and enjoyed the many concerts and recitals given in Leipzig. He disliked the discipline of the conservatory course of study. An exception was the organ, which was mandatory for piano students. About his study in the conservatory, he wrote to his biographer, Aimar Grønvold, in 1881: "I must admit, unlike Svendsen, that I left Leipzig Conservatory just as stupid as I entered it. Naturally, I did learn something there, but my individuality was still a closed book to me." In the spring of 1860, he survived two life-threatening lung diseases, pleurisy and tuberculosis. Throughout his life, Grieg's health was impaired by a destroyed left lung and considerable deformity of his thoracic spine. He suffered from numerous respiratory infections, and ultimately developed combined lung and heart failure. Grieg was admitted many times to spas and sanatoria both in Norway and abroad. Several of his doctors became his friends.

In 1861, Grieg made his debut as a concert pianist in Karlshamn, Sweden. In 1862, he finished his studies in Leipzig and had his first concert in his hometown, where his program included Beethoven's Pathétique sonata. • Illustration — Grieg and Nina Hagerup (Grieg's wife and first cousin) in 1899 In 1863, Grieg went to Copenhagen, Denmark, and stayed there for three years. He met the Danish composers J. P. E. Hartmann and Niels Gade. He also met his fellow Norwegian composer Rikard Nordraak (composer of the Norwegian national anthem), who became a good friend and source of inspiration. Nordraak died in 1866, and Grieg composed a funeral march in his honor.

On 11 June 1867, Grieg married his first cousin, Nina Hagerup (1845–1935), a lyric soprano. The following year, they had a daughter, Alexandra, who died in 1869 from meningitis. They had no more children.

In the summer of 1868, Grieg wrote his Piano Concerto in A minor while on holiday in Denmark. Edmund Neupert gave the concerto its premiere performance on 3 April 1869 at the Casino Theatre in Copenhagen. Grieg himself was unable to be there due to conducting commitments in Christiania (now Oslo). In 1868, Franz Liszt, who had not yet met Grieg, wrote a testimonial for him to the Norwegian Ministry of Education, which resulted in Grieg's obtaining a travel grant. The two men met in Rome in 1870. During Grieg's first visit, they examined Grieg's Violin Sonata No. 1, which pleased Liszt greatly. On his second visit in April, Grieg brought with him the manuscript of his Piano Concerto, which Liszt proceeded to sightread (including the orchestral arrangement). Liszt's rendition greatly impressed his audience, although Grieg said gently to him that he played the first movement too quickly. Liszt also gave Grieg some advice on orchestration (for example, to give the melody of the second theme in the first movement to a solo trumpet, which Grieg himself chose not to accept). In the 1870s, he became friends with poet Bjørnstjerne Bjørnson, who shared his interests in Norwegian self-government. Grieg set several of his poems to music, including Landkjenning and Sigurd Jorsalfar. Eventually, they decided on an opera based on King Olav Trygvason, but a dispute as to whether the music or lyrics should be created first led to Grieg's being diverted to working on incidental music for Henrik Ibsen's play Peer Gynt, which naturally offended Bjørnson. Eventually, their friendship resumed. The incidental music composed for Peer Gynt at the request of the author contributed to its success and separately became some of the composer's most familiar music arranged as orchestral suites. Grieg had close ties with the Bergen Philharmonic Orchestra (Harmonien), and later became music director of the orchestra from 1880 to 1882. In 1888, Grieg met Tchaikovsky in Leipzig. Grieg was impressed by Tchaikovsky, who thought very highly of Grieg's music, praising its beauty, originality and warmth. On 6 December 1897, Grieg and his wife performed some of his music at a private concert at Windsor Castle for Queen Victoria and her court. Grieg was awarded two honorary doctorates, first by the University of Cambridge in 1894 and the next from the University of Oxford in 1906.

• Illustration — Edvard Grieg Museum in Troldhaugen The Norwegian government provided Grieg with a pension as he reached retirement age. In the spring of 1903, Grieg made nine 78-rpm gramophone recordings of his piano music in Paris. All of these discs have been reissued on both LPs and CDs, despite limited fidelity. Grieg recorded player piano music rolls for the Hupfeld Phonola piano-player system and Welte-Mignon reproducing system, all of which survive and can be heard today. He also worked with the Aeolian Company for its 'Autograph Metrostyle' piano roll series wherein he indicated the tempo mapping for many of his pieces. In 1899, Grieg cancelled his concerts in France in protest of the Dreyfus affair, an antisemitic scandal that was roiling French politics at the time. Regarding this scandal, Grieg had written that he hoped that the French might "Soon return to the spirit of 1789, when the French republic declared that it would defend basic human rights." As a result of his statements concerning the affair, he became the target of much French hate mail that day. In 1906, he met the composer and pianist Percy Grainger in London. Grainger was a great admirer of Grieg's music and a strong empathy was quickly established. In a 1907 interview, Grieg stated: "I have written Norwegian Peasant Dances that no one in my country can play, and here comes this Australian who plays them as they ought to be played! He is a genius that we Scandinavians cannot do other than love." Edvard Grieg died at the Municipal Hospital in Bergen, Norway, on 4 September 1907 at age 64 from heart failure. He had suffered a long period of illness. His last words were "Well, if it must be so." The funeral drew between 30,000 and 40,000 people to the streets of his home town to honor him. Obeying his wish, his own Funeral March in Memory of Rikard Nordraak was played with orchestration by his friend Johan Halvorsen, who had married Grieg's niece. In addition, the Funeral March movement from Chopin's Piano Sonata No. 2 was played. Grieg was cremated in the first Norwegian crematorium opened in Bergen just that year, and his ashes were entombed in a mountain crypt near his house, Troldhaugen. After the death of his wife, her ashes were placed alongside his. Edvard Grieg and his wife were Unitarians and Nina attended the Unitarian church in Copenhagen after his death. A century after his death, Grieg's legacy extends beyond the field of music. There is a large sculpture of Grieg in Seattle, while one of the largest hotels in Bergen (his hometown) is named Quality Hotel Edvard Grieg and a large crater on the planet Mercury is named after Grieg.

Some of Grieg's early works include a symphony (which he later suppressed) and a piano sonata. He wrote three violin sonatas and a cello sonata. Grieg composed the incidental music for Henrik Ibsen's play Peer Gynt, which includes the excerpts "In the Hall of the Mountain King" and "Morning Mood." In an 1874 letter to his friend Frants Beyer, Grieg expressed his unhappiness with "In the Hall of the Mountain King," one of the movements in the Peer Gynt incidental music, writing "I have also written something for the scene in the hall of the mountain King – something that I literally can't bear listening to because it absolutely reeks of cow-pies, exaggerated Norwegian nationalism, and trollish self-satisfaction! But I have a hunch that the irony will be discernible." Grieg's Holberg Suite was originally written for the piano, and later arranged by the composer for string orchestra. Grieg wrote songs in which he set lyrics by poets Heinrich Heine, Johann Wolfgang von Goethe, Henrik Ibsen, Hans Christian Andersen, Rudyard Kipling and others. Russian composer Nikolai Myaskovsky used a theme by Grieg for the variations with which he closed his Third String Quartet. Norwegian pianist Eva Knardahl recorded the composer's complete piano music on 13 LPs for BIS Records from 1977 to 1980. The recordings were reissued in 2006 on 12 compact discs, also on BIS Records. Grieg himself recorded many of these piano works before his death in 1907. Pianist Bertha Tapper edited Grieg's piano works for publication in America by Oliver Ditson.

• Piano Sonata in E minor, Op. 7 • Violin Sonata No. 1 in F major, Op. 8 • Concert Overture In Autumn, Op. 11 • Violin Sonata No. 2 in G major, Op. 13 • Piano Concerto in A minor, Op. 16 • Incidental music to Bjørnstjerne Bjørnson's play Sigurd Jorsalfar, Op. 22 • Incidental music to Henrik Ibsen's play Peer Gynt, Op. 23 • Ballade in the Form of Variations on a Norwegian Folk Song in G minor, Op. 24 • String Quartet in G minor, Op. 27 • Two Elegiac Melodies for strings or piano, Op. 34 • Four Norwegian Dances for piano four hands, Op. 35 (better known in orchestrations by Hans Sitt and others) • Cello Sonata in A minor, Op. 36 • Holberg Suite for piano, later arr. for string orchestra, Op. 40 • Violin Sonata No. 3 in C minor, Op. 45 • Peer Gynt Suite No. 1, Op. 46 • Lyric Suite for orchestra, Op. 54 (orchestration of four Lyric Pieces) • Peer Gynt Suite No. 2, Op. 55 • Four Symphonic Dances for piano, later arr. for orchestra, Op. 64 • Haugtussa Song Cycle after Arne Garborg, Op. 67 • Sixty-six Lyric Pieces for piano in ten books, Opp. 12, 38, 43, 47, 54, 57, 62, 65, 68 and 71, including: Arietta, To the Spring, Little Bird, Butterfly, Notturno, Wedding Day at Troldhaugen, At Your Feet, Longing For Home, March of the Dwarfs, Poème érotique and Gone.

• Carley, Lionel (2006) Edvard Grieg in England (Woodbridge, Suffolk: The Boydell Press) • Finck, Henry Theophilus (2008) Edvard Grieg (Bastian Books) • Finck, Henry Theophilus (2002) Edvard Grieg; with an introductory note by Lothar Feinstein (Adelaide: London Cambridge Scholars Press) • Foster, Beryl (2007) Songs of Edvard Grieg (Woodbridge, Suffolk: The Boydell Press) • Grimley, Daniel (2007) Grieg: Music, Landscape and Norwegian Cultural Identity (Woodbridge, Suffolk: The Boydell Press) • Jarrett, Sandra (2003) Edvard Grieg and his songs (Aldershot: Ashgate). *

• Bredal, Dag/Strøm-Olsen, Terje (1992) Edvard Grieg – Musikken er en kampplass (Oslo: Aventura Forlag A/S) • Dahl Jr., Erling (2007) Edvard Grieg – En introduksjon til hans liv og musikk (Bergen: Vigmostad og Bjørke) • Purdy, Claire Lee (1968) Historien om Edvard Grieg (Oslo: A/S Forlagshuse)

*

Edvard Grieg is recorded as having studied at University of Music and Theatre Leipzig and Tanks Upper Secondary School.

• Papillon – Lyric Piece, Op. 43, no. 1 as recorded by Grieg on piano roll, 17 April 1906, Leipzig (Info)

• Edvard Grieg, Sonata No. 1 in F major, I. Allegro con brio – Gregory Maytan (violin), Nicole Lee (piano) • Edvard Grieg, Sonata No. 1 in F major, II. Allegretto quasi Andantino – Gregory Maytan (violin), Nicole Lee (piano) • Edvard Grieg, Sonata No. 1 in F major, III. Allegro molto vivace – Gregory Maytan (violin), Nicole Lee (piano) • Edvard Grieg, Sonata No. 3 in C minor, I. Allegro molto ed appassionato – Gregory Maytan (violin), Nicole Lee (piano) • Edvard Grieg, Sonata No. 3 in C minor, II. Allegretto espressivo all Ramanza – Gregory Maytan (violin), Nicole Lee (piano) • Edvard Grieg, Sonata No. 3 in C minor, III. Allegro animato – Gregory Maytan (violin), Nicole Lee (piano)