Eduard Franck

Eduard Franck studied at Berlin University of the Arts. Training under Felix Mendelssohn and Ferdinand Hiller is recorded. Moritz Moszkowski is recorded as having studied under Eduard Franck. The recorded working language is German. Subjects and genres recorded for the work are classical music.

Franck was born in Breslau, the capital of the Prussian province of Silesia. He was the fourth child of a wealthy banker who exposed his children to Germany's cultural figures. Frequenters of the Franck home included Heine, Humboldt, Heller, Mendelssohn, and Wagner. His family's financial position allowed Franck to study with Felix Mendelssohn as a private student in Düsseldorf and later in Leipzig. As a talented pianist, he embarked upon a dual career as a concert artist and teacher for more than four decades during the course of which he held many positions. Although he was highly regarded as both a teacher and performer, he never achieved the public recognition of his better-known contemporaries such as Mendelssohn, Schumann or Liszt. Despite being compared favourably to them, the fact that he failed to publish very many of his compositions until toward the end of his life, in part, explains why he was not better known. Said to be a perfectionist, he continually delayed releasing his works until they were polished to his demanding standards. Schumann, among others, thought quite highly of the few works he did publish during the first part of his life. He was the father of Richard Franck.

His chamber music is generally considered amongst his finest compositions. Of the works with opus numbers, there are 3 string quartets, 2 string quintets for 2 violins, 2 violas and cello, 2 string sextets, 4 piano trios, a piano quintet, 2 sonatas for cello & piano, and 4 sonatas for violin and piano. In addition to these, there are several other works without opus, including a piano sextet, 2 piano trios, a piano quintet, a sonata for violin & piano and an occasional piece for cello & piano.

• Op.12: Concert-overture in Eflat (1848) • Op.13: Piano Concerto in D minor (1850); Critical Urtext-Edition edited by James Tocco, 2012 by Pfefferkorn Music Publishers, Leipzig • Op.30: Violin Concerto in E minor (1855) • Op.47: Symphony in A (1860?) • Op.52: Symphony in Bflat (1856) • Op.57: Violin Concerto in D (1860) • Without opus?: Piano Concerto No.2 in C? (1879) (manuscript)