Edo Murtić

Edo Murtić was a prominent representative of abstract painting. Primarily known for painting in oil, and gouache, he also produced a variety of other works such as graphic design, ceramics, mosaics, murals, and theatrical set design. Murtic's early work was mainly realistic paintings of interiors, portraits and still lifes, and graphical illustrations. Following the Second World War, a new direction in art was taking place in North America, particularly New York where Abstract Expressionism became a personal expression of the artists' feelings and experiences. At the same time in Paris, Lyrical Abstraction was establishing a new identity. During the 1950s, Murtić experienced both art scenes at first hand. In America he encountered artists such as Willem de Kooning and Jackson Pollock, and in Europe he saw the work of Jean René Bazaine, Alfred Manessier, and Gustave Singier. Murtić's own paintings of this time show the influence of these ideas as he developed his own personal style. Towards the early 1960s, there were signs of Tachisme and Art Informel in his work. His paintings on dark ground were almost monochrome, while those on a light ground showed a rhythmical movement of a dark mass across it. This distinctive theme became his trademark style, with increasingly dynamic strokes with intense, energetic colour. During the 1970s, Murtić's works began appearing in public areas, such as in the Mirogoj Cemetery in Zagreb, the Memorial in the Čazma Ossuary, the Vatroslav Lisinski Concert Hall, and the Zagrepčanka office building (1975). By the 1980s, Murtić was internationally recognized as one of the leading abstract painters from the socialist world. In the summer of 1981 he spent months sailing around the southern Adriatic coast. From that experience came his "Fires" (Požari) cycle, a masterful interpretation of the landscape using strong gesture and expressive colour. The "Eyes of Fear" cycle (1981-4) was stimulated by a new edition of "Jama", a poem by Ivan Goran Kovačić on the horrors of war. Once again committing himself to create the illustrations, Murtić immersed himself in the topic of war, violence, pain and fear. He uses the symbolism of two dark figures from mythology - the Minotaur and the Raven, who are depicted at various times as horse, bull and villain. A threatening atmosphere is created by these figures combined with a stark red and black colour scheme and the tension of his drawing. The "Montraker" cycle (1992–95) was inspired by the Ancient Roman stone quarry near Vrsar, which became an important motif for Murtić. He was inspired not just by the landscape itself, but its history of being shaped by the hand of man. He portrayed the rocks and the surrounding views with the lights and shadows of different times of day, through the seasons and changing weather, giving a sense of the passage of time both in the landscape, and in himself. Even in his most abstract work, Murtić remained connected with nature. The shapes of the landscape are expressed by gesture or selection of colour. The line of the hill, rock, or tree are portrayed without reference to volume, and his palette was based on the colours and lights of the surrounding landscape. Edo Murtić himself said of his paintings that he "drew these colours out of the Istrian landscape" and that it would be possible to talk of "some essence of colour". In January 2010, an exhibit of Edo Murtić's "War" (Rat) opened at the Art Pavilion in Zagreb. Over 350 of his drawings, gouaches and collages on the subject of death, suffering, horror, and war were on display, presenting a strong humanist and anti-war message. At the opening reception, guests included the President of the Republic of Croatia Ivo Josipović, Prime Minister Jadranka Kosor, Deputy Prime Minister Đurđa Adlešič, Minister of Culture Božo Biškupić, fellow artists, architects, musicians, directors and many others. In his opening remarks, Božo Biškupić called Murtić "one of the greatest Croatian artists of the second half of the 20th century" and one who "pointed the way to the beginning of a new century". The Director of the Art Pavilion, Radovan Vuković described the exhibit as an "exceptional cultural and artistic event", and referring to the large crowd at the opening said "This confirms that Edo Murtić is not just a name, a symbol of Croatian culture and art of the 20th century, but that five years after his death still excites incredible interest". The Murtić Foundation (Fundacija Murtić) has been established to ensure that his art will continue to be available for future generations. "The Foundation will contribute to building our national identity" said Ivo Josipović, the Croatian President, "It deserves a museum because his work is great and very important, and the next generation will certainly want to see it. Edo Murtić donated over 1,500 of his works to the City of Zagreb, including paintings, sculptures, mosaics, drawings, ceramics and enamels. An exhibit of 300 selected works "From the Murtić Donation" opened in the Museum of Contemporary Art, Zagreb in October 2010. As part of the opening celebrations, the street on the east side of the museum was officially named in his honour.

Croatia: City of Zagreb Croatia: Museum of Modern Art Dubrovnik, Dubrovnik Croatia: Gallery of Fine Arts / Galerija likovnih umjetnosti, Osijek, Osijek Croatia: MMSU - Museum of Modern and Contemporary Art Rijeka, Rijeka Croatia: Rovinj Heritage Museum, Rovinj Croatia: Galerija Umjetnina Split, Split Croatia: Museum of Contemporary Art, Zagreb MSU (Muzej Suvremene Umjetnosti) Italy: CAMeC - Centro de Arte Moderna e Contemporanea della Spezia, La Spezia Macedonia (F.Y.R.M.): Museum of Contemporary Art Skopje, Skopje Serbia: Poklon zbirka Rajka Mamuzića, Novi Sad Slovenia: Galerija Murska Sobota, Murska Sobota Slovenia: Mednarodni grafični likovni center, Ljubljana United Kingdom: Tate Gallery, London USA: MoMA - Museum of Modern Art, New York City, NY