Edmond O'Brien

His other notable films include The Hunchback of Notre Dame (1939), The Killers (1946), A Double Life (1947), White Heat (1949), D.O.A. (1950), The Hitch-Hiker (1953), Julius Caesar (1953), 1984 (1956), The Girl Can't Help It (1956), The Man Who Shot Liberty Valance (1962), Fantastic Voyage (1966), The Wild Bunch (1969), and The Other Side of the Wind (2018).

Edmond O'Brien studied at Columbia University, Fordham University and Neighborhood Playhouse School of the Theatre. The recorded working language is English. Subjects and genres recorded for the work are Western. Employment is recorded with Warner Bros. Distinctions recorded are Academy Award for Best Supporting Actor, Golden Globe Awards and star on Hollywood Walk of Fame.

• Name — Edmond O'Brien • Birth Name — Eamon Joseph O'Brien • Born — 10 September 1915 • Birthplace — Brooklyn, New York, U.S. • Died — 8 May 1985 • Place of death — Inglewood, California, U.S. • Awards — Hollywood Walk of Fame • Occupation — * Actor • film director • Years Active — 1936–1974 • Children — 3, including Maria and Brendan O'Brien • Relatives — Liam O'Brien (brother) • Website — edmondobrien.com

O'Brien was born in Brooklyn, New York,[1] the seventh and youngest child of Agnes (née Baldwin) and James O'Brien. His parents were natives of Tallow, County Waterford, Ireland.[2] His father died when he was four years old. O'Brien performed magic shows for children in his neighborhood, spelling his last name backwards and billing himself as "Neirbo the Great". An aunt who taught high school English and speech took him to the theatre from an early age and he developed an interest in acting.[3] He began acting in plays at school. After attending Fordham University[4] for six months, O'Brien went to Neighborhood Playhouse School of the Theatre on a scholarship. O'Brien studied for two years under such teachers as Sanford Meisner; his classmates included Betty Garrett. "It was simply the best training in the world for a young actor, singer or dancer," O'Brien said, adding that "(w)hat these teachers encouraged above all was getting your tools ready – your body, your voice, your speech."[5] O'Brien took classes with the Columbia Laboratory Players group, which emphasized training in Shakespeare.

O'Brien began working in summer stock in Yonkers. He made his first Broadway appearance at age 21 in Daughters of Atreus.[6] He played a grave digger in Hamlet, toured in Parnell, and then appeared in Maxwell Anderson's The Star-Wagon with stars Lillian Gish and Burgess Meredith. In 1940, O'Brien performed with Ruth Chatterton in John Van Druten's Leave Her to Heaven on Broadway. Twelve years later, O'Brien appeared in Van Druten's I've Got Sixpence.

During World War II, O'Brien served in the U.S. Army Air Forces and appeared in the Air Forces' Broadway play Winged Victory. He was joined in the Moss Hart production by Red Buttons, Karl Malden, Kevin McCarthy, Gary Merrill, Barry Nelson, and Martin Ritt. The play was filmed in 1944 with O'Brien reprising his stage performance and Judy Holliday co-starring. O'Brien toured for two years in the stage production, appearing alongside a young Mario Lanza.

O'Brien returned to the screen at Universal, playing insurance investigator Jim Reardon in film noir The Killers in 1946. He followed that with the lead in The Web, and the second lead in A Double Life, both 1947 noirs. He had a second lead in the screen version of Lillian Hellman's drama Another Part of the Forest. He then starred in the romantic comedy For the Love of Mary (again with Deanna Durbin), the World War II-set Fighter Squadron, and the noir An Act of Murder (all 1948).

In late 1948, O'Brien signed a long-term contract with Warner Bros., which cast him as the undercover police officer in White Heat (1949) opposite James Cagney. "He [Cagney] said he had only one rule", O'Brien noted. "He would tap his heart and he would say, 'Play it from here, kid.' He always did and I believe it's the best rule for any performer. He could play a scene 90 ways and never repeat himself. He did this to keep himself fresh. I try to do this whenever possible." In 1949, 3,147 members of the Young Women's League of America, a national charitable organisation devoted to single living,[8] voted that O'Brien had more "male magnetism" than any other man in America. "All women adore ruggedness," league president Shirley Connolly said. "Edmund O'Brien's magnetic appearance and personality most fully stir women's imaginative impulses. We're all agreed that he has more male magnetism than any of the 60,000,000 men in the United States today." (Runners-up were Ezio Pinza, William O'Dwyer and Doak Walker.)[9]

O'Brien's contract with Warner Bros. ended following his appearance as the second lead in Backfire (shot in 1948 but not released until 1950). In the meantime, he signed on with CBS Radio for the radio drama Yours Truly, Johnny Dollar, playing the title role of a two-fisted insurance investigator.[10] He remained with the role for exactly 31 months, starring in 103 half-hour episodes from February 3, 1950 to October 3, 1952. His other work in radio included Philip Morris Playhouse on Broadway.[11]

O'Brien returned to film noir, where he was a frequent player, and made one of his most famous movies, D.O.A., where he portrays a man investigating his own murder. He followed this with the lead in the noir 711 Ocean Drive (1950). Next was a starring role in the comedy The Admiral Was a Lady, co-starring roles in the noir Between Midnight and Dawn (1950) and the Western The Redhead and the Cowboy (1951), then the leads in the crime film Two of a Kind and the Westerns Warpath and Silver City, all in 1951. These were followed by the lead in the Western Denver and Rio Grande, and second lead in the noir The Turning Point. However, even though O'Brien still managed to command leading-man roles, the prestige of his pictures and casts had begun to diminish and his career hit a slump. According to TCM, "In the early '50s, O'Brien started struggling with his weight, which could change significantly between films. He had no problems if that relegated him to character roles, but for a few years, "it was hard to come by anything really first rate." "The funny thing about Hollywood is that they are interested in having you do one thing and do it well and do it ever after," said O'Brien. "That's the sad thing about being a leading man – while the rewards may be great in fame and finances, it becomes monotonous for an actor. I think that's why some of the people who are continually playing themselves are not happy." He still made some notable movies, including the lead in two for Ida Lupino, The Hitch-Hiker and The Bigamist, and as a featured player as Casca in Joseph L. Mankiewicz's ensemble film of Julius Caesar (1953). And the leads again in, China Venture (1953), Shield for Murder (1954), and The Shanghai Story (1954). O'Brien also worked heavily in television at this time, on such shows as Pulitzer Prize Playhouse, Lux Video Theatre and Schlitz Playhouse of Stars. He announced plans to direct his own films.[12] In 1951, he was in a well-publicized brawl with Serge Rubinstein at a cafe.[13] In spite of the ups and downs of his Hollywood career, O'Brien was still capable of greatness, both on the stage and on film. In 1954, Mankiewicz cast O'Brien as press agent Oscar Muldoon in The Barefoot Contessa, earning him an Academy Award for Best Supporting Actor. O'Brien followed this with a number of important roles, including the second lead in the musical crime film Pete Kelly's Blues, the lead in the dystopian political movie 1984 and the noir A Cry in the Night (1956), co-lead in the World War II drama D-Day the Sixth of June (all 1956). That same year, he had a refreshing change of pace as the comedy lead (a Runyonesque gangster who stumbles into rock-and-roll) in The Girl Can't Help It, alongside Tom Ewell and Jayne Mansfield. In 1957, O'Brien earned the second lead in the Western The Big Land, film noir Stopover Tokyo, and the second lead in the musical drama Sing, Boy, Sing and lead in the drama The World Was His Jury in 1958. In 1959, he co-starred in the World War II drama Up Periscope and the French-Australian melodrama The Restless and the Damned.[15]

• Illustration — Edmond O'Brien and Yvonne Craig on Sam Benedict in 1963 O'Brien appeared extensively in television, including the 1957 live 90-minute broadcast on Playhouse 90 of The Comedian, a drama written by Rod Serling and directed by John Frankenheimer in which Mickey Rooney portrayed dictatorial television comedian Sammy Hogarth. O'Brien played Al Preston, the show's headwriter driven to the brink of insanity. Burned out dealing with the volatle Hogarth, unable to come up with new material for the show's comedy sketches, Preston deliberately plagiarizes material authored by a young comedy writer who died in combat during World War II. When the ruse is discovered, Preston is fired, but tells Hogarth his rages are rooted in his inability to find love. In 1958, he directed and starred in a TV drama written by his brother, "The Town That Slept With the Lights On", about two Lancaster murders that so frightened the community that residents began sleeping with their lights on. From 1959 to 1960, O'Brien portrayed the title role in the syndicated crime drama Johnny Midnight, about a New York City actor-turned-private detective. The producers refused to cast him unless he shed at least 50 pounds, so he went on a crash vegetarian diet and quit drinking. "I seldom get very far away from crime," he recalled. "I've found it pays … I tried non-crime films like Another Part of the Forest … good picture, good cast, but no good at the box office … But you just put a gun in your hands and run through the streets doing cops and robbers and you're all set." O'Brien also had his own production company, O'Brien-Frazen.[16] He made a French film, The Restless and the Damned for a fee more than $200,000. He was cast on the strength of his performance in The Girl Can't Help It and his Oscar.[17] O'Brien had roles on many television series, including an appearance on Target: The Corruptors!, The Eleventh Hour, Breaking Point and Mission: Impossible.

"It would be awfully hard to do a series again," he said in a 1971 interview. "I wouldn't go for an hour show again. They don't have much of a chance against the movies."[18] He was a cast member of The Other Side of the Wind, Orson Welles' unfinished 1970s movie that finally was released in 2018. In 1971, he was hospitalized with a "slight pulmonary condition."[19] His last works, both in 1974, were an episode of the television series Police Story and main role in the film 99 and 44/100% Dead.

O'Brien was first married to actress Nancy Kelly from 1941 until 1942.[21] He married his second wife, actress Olga San Juan in 1948.[22] San Juan was the mother of his three children, television producer Bridget O'Brien and actors Maria O'Brien (1950–2026) and Brendan O'Brien (1962–2023). The marriage ended in divorce in 1976. In the late 1970s, O'Brien fell ill with Alzheimer's disease. In a 1983 interview, his daughter Maria remembers seeing her father in a straitjacket at a Veterans' Hospital: "He was screaming. He was violent. I remember noticing how thin he'd gotten. We didn't know, because for years he'd been sleeping with all his clothes on. We saw him a little later and he was walking around like all the other lost souls there."

Edmond O'Brien died on May 9, 1985, at St. Erne's Sanitorium in Inglewood, California, of complications from Alzheimer's disease at age 69.[23][24]

For his contribution to the motion picture industry, Edmond O'Brien has a star on the Hollywood Walk of Fame at 1725 Vine Street, and a second star at 6523 Hollywood Boulevard for his contribution to the television industry. Both were dedicated on February 8, 1960.[25]

• Year — Title — Role — Notes • 1939 — The Hunchback of Notre Dame — Gringoire • 1941 — A Girl, a Guy, and a Gob — Stephen Herrick • Parachute Battalion — William "Bill" Mayberry Burke • 1942 — Obliging Young Lady — "Red" Reddy, aka Professor Stanley • Powder Town — J. Quincy "Penji" Pennant • 1943 — The Amazing Mrs. Holliday — Tom Holliday • 1944 — Winged Victory — Irving Miller — Credited as Sgt. Edmond O'Brien • 1946 — The Killers — Jim Riordan • 1947 — The Web — Bob Regan • A Double Life — Bill Friend • 1948 — Another Part of the Forest — Benjamin "Ben" Hubbard • For the Love of Mary — Lt. Tom Farrington • Fighter Squadron — Major Ed Hardin • An Act of Murder — David Douglas • 1949 — Task Force — Radio Announcing Pearl Harbor Attack — Voice, uncredited • White Heat — Hank Fallon Vic Pardo • Under Capricorn — Narrator — Voice, uncredited • D.O.A. — Frank Bigelow • 1950 — Backfire — Steve Connelly — Filmed in 1948 • 711 Ocean Drive — Mal Granger • The Admiral Was a Lady — Jimmy Stevens • Between Midnight and Dawn — Officer Dan Purvis • 1951 — The Redhead and the Cowboy — Maj. Dunn Jeffers • Two of a Kind — Michael "Lefty" Farrell • Warpath — John Vickers • Silver City — Larkin Moffatt • 1952 — The Greatest Show on Earth — Midway Barker at End — Uncredited • Denver and Rio Grande — Jim Vesser • The Turning Point — John Conroy • 1953 — The Hitch-Hiker — Roy Collins • Man in the Dark — Steve Rawley • Cow Country — Ben Anthony • Julius Caesar — Casca • China Venture — Capt. Matt Reardon • The Bigamist — Harry Graham Harrison Graham • 1954 — Shield for Murder — Detective Lt. Barney Nolan — Also co-directed • The Shanghai Story — Dr. Dan Maynard • The Barefoot Contessa — Oscar Muldoon — Academy Award for Best Supporting Actor Golden Globe Award for Best Supporting Actor – Motion Picture New York Film Critics Circle Award for Best Actor (3rd Place) • 1955 — Pete Kelly's Blues — Fran McCarg • 1956 — 1984 — Winston Smith of the Outer Party • D-Day the Sixth of June — Lt. Col. Alexander Timmer • A Cry in the Night — Capt. Dan Taggart • The Rack — Lt. Col. Frank Wasnick • The Girl Can't Help It — Marty "Fats" Murdock • 1957 — The Big Land — Joe Jagger • Stopover Tokyo — George Underwood • 1958 — The World Was His Jury — David Carson • Sing, Boy, Sing — Joseph Sharkey • 1959 — Up Periscope — Commander Paul Stevenson • The Restless and the Damned — Mike Buchanan — aka L'Ambitieuse • 1960 — The Last Voyage — Second Engineer Walsh • The 3rd Voice — The Voice — Voice • 1961 — The Great Impostor — Capt. Glover – HMCS Cayuga • Man-Trap — Voice of Photographer — Uncredited, O'Brien is the director of this film • 1962 — Moon Pilot — McClosky ("Mac") • The Man Who Shot Liberty Valance — Dutton Peabody — Western Heritage Award for Best Theatrical Motion Picture • Birdman of Alcatraz — Tom Gaddis • The Longest Day — Maj. Gen. Raymond D. Barton • 1964 — Seven Days in May — Sen. Raymond Clark — Golden Globe Award for Best Supporting Actor – Motion Picture Nominated—Academy Award for Best Supporting Actor • Rio Conchos — Col. Theron Pardee • The Hanged Man — Arnie Seeger • 1965 — Sylvia — Oscar Stewart • Synanon — Chuck Dederich • 1966 — Fantastic Voyage — General Alan Carter • The Doomsday Flight — The Man — TV movie • 1967 — The Viscount — Ricco Barone • To Commit a Murder — Sphax (publisher) • The Outsider — Marvin Bishop — TV movie • 1968 — Flesh and Blood — Harry — TV movie • 1969 — The Wild Bunch — Freddie Sykes • The Love God? — Osborn Tremaine • 1970 — The Intruders — Col. William Bodeen — TV movie filmed in 1967 • Dream No Evil — Timothy MacDonald • 1971 — River of Mystery — R.J. Twitchell — TV movie • What's a Nice Girl Like You...? — Morton Stillman — TV movie • 1972 — Jigsaw — Det. Ed Burtelson — TV movie • They Only Kill Their Masters — George • 1973 — Isn't It Shocking? — Justin Oates — TV movie • Lucky Luciano — Commissioner Harry J. Anslinger — Credited as Edmund O'Brien • 1974 — 99 and 44/100% Dead — Uncle Frank Kelly • Juicio de Socrates — Socrates — Short • 2018 — The Other Side of the Wind — Pat — Filmed in the 1970s

• Year — Series — Role — Episode(s) • 1951 — Pulitzer Prize Playhouse — Ben Jordan — "Icebound" • 1953–1958 — Schlitz Playhouse of the Stars — Captain Simpson Rick Saunders Jim Reardon — "The Long Shot" (1953) "Lineman's Luck" (1953) "The Net Draws Tight" (1954) "Tower Room 14-A (1957)" "The Town That Slept with the Lights On" (1957) • 1954 — The Ford Television Theatre — Captain Joyce — "Charlie C Company" • 1954–1956 — Climax! — Joel Flint Leo Waldek — "An Error in Chemistry" (1954) "Figures in Clay" (1956) • 1955 — Stage 7 — Clinton Sturgess — "Debt in Honor" • The Red Skelton Show — Grizzled Old Prospector — Episode #4.23 • Damon Runyon Theater — Duke Martin — "Old Em's Kentucky Home" • Playwrights '56 — Sidney — "The Heart's a Forgotten Hotel" • The Star and the Story — Ray Ericson — "Dark Stranger" • 1956 — Screen Directors Playhouse — Thaddeus Kubaczik — "A Ticket for Thaddeus" • 1957–1959 — Playhouse 90 — Al Preston Joe Ferguson Roy Brenner — "The Comedian" (1957) "The Male Animal" (1958) "The Blue Men" (1959) • Zane Grey Theatre — Russ Andrews Marshal Ben Clark — "A Gun Is for Killing" (1957) "Lonesome Road" (1959) • 1958 — Suspicion (TV series) — Sgt. Miles Odeen — "Death Watch" • Lux Playhouse — Big Jim Webber — "Coney Island Winter" • 1959 — Laramie — Captain Sam Prado — "The Iron Captain" • 1960 — Johnny Midnight — Johnny Midnight — 39 episodes • 1961 — The Dick Powell Show — Sid Williams — "Killer in the House" • Target: The Corruptors! — Ollie Crown — "The Invisible Government" • 1962–1963 — Sam Benedict — Sam Benedict — 28 episodes • 1964 — The Greatest Show on Earth — Mike O'Kelley — "Clancy" • Breaking Point — Roger Conning — "The Tides of Darkness" • The Eleventh Hour — Buck Denholt — "The Color of Sunset" • 1965 — Walt Disney's Wonderful World of Color — Jefferson Crowley — 6 episodes • The Long, Hot Summer — Will "Boss" Varner — 13 episodes • 1967 — The Virginian — Thomas Manstead — "Ah Sing vs. Wyoming" • 1968 — Mission: Impossible — Raymond Halder — The Counterfeiter • 1969 — The Bold Ones: The Protectors — Warden Millbank — "If I Should Wake Before I Die" • 1970 — Insight — Houseworthy – Tycoon — "The 7 Minute Life of James Houseworthy" • The Young Lawyers — MacGillicuddy — "MacGillicuddy Always Was a Pain in the Neck" • 1971 — The Name of the Game — Bergman — "LA 2017" • The High Chaparral — Morgan MacQuarie — "The Hostage" • 1972 — Cade's County — Clint Pritchard — "The Brothers" • The Streets of San Francisco — Officer Gustav "Gus" Charnovski, SFPD — "The Thirty-Year Pin" • McMillan & Wife — Mr. Fontaine — "Cop of the Year" • 1973 — The New Temperatures Rising Show — Dr. Banning — "Super Doc" • 1974 — Police Story — Chief Frank Modeer — "Chain of Command"

• Hamlet (Oct 1936) • Daughters of Atreus (Oct 1936) • The Star Wagon (Sept 1937 – April 1938) • Julius Caesar (May 1938) • King Henry IV Part I (Jan–April 1939) • Leave Her to Heaven (Feb–March 1940) • Romeo and Juliet (May–June 1940) • Winged Victory (Nov 1943 – May 1944) • I've Got Sixpence (Dec 1952)

Edmond O'Brien is recorded as having studied at Columbia University, Fordham University and Neighborhood Playhouse School of the Theatre.

O'Brien's theatre work attracted the attention of Pandro Berman at RKO. Berman offered O'Brien the role of a romantic lead in The Hunchback of Notre Dame (1939). O'Brien returned to Broadway to play Mercutio opposite Laurence Olivier and Vivien Leigh in Romeo and Juliet. RKO offered O'Brien a long-term contract. Harold Lloyd was then producing comedies for RKO, and co-starred O'Brien with Lucille Ball and George Murphy in A Girl, a Guy, and a Gob (1941). O'Brien co-starred with Nancy Kelly, whom O'Brien would later marry, in Parachute Battalion (1941). O'Brien went back to the Harold Lloyd unit, which continued to function after the producer's departure, and displayed a breezy sense of humor in the farce comedy Obliging Young Lady (1942), a vehicle for the young Broadway star Joan Carroll. In May 1942, Universal bought out O'Brien's RKO contract so he could star opposite Deanna Durbin in The Amazing Mrs. Holliday (1943).[7] After that, O'Brien joined the armed services.

O'Brien walked off the set of The Last Voyage in protest at safety issues during the shoot. He later came back and found out that his co-starring role had been trimmed. He was cast as American reporter Jackson Bentley in Lawrence of Arabia (1962), but had a heart attack during filming and was replaced in the co-starring role by Arthur Kennedy. O'Brien recovered to direct his first feature Man-Trap (1961), a neo-noir starring Jeffrey Hunter and Stella Stevens, co-starred in the Disney comedy Moon Pilot (1962), and in the star-studded ensemble cast of the World War II epic The Longest Day (1962). He continued to receive good roles, co-starring in The Man Who Shot Liberty Valance (1962) and as the author of the Robert Stroud biography the Birdman of Alcatraz (1962) was based upon. "I've never made any kind of personality success," he admitted in a 1963 interview. "People never say 'that's an Eddie O'Brien part.' They say, 'That's a part Eddie O'Brien can play.'" "I'd like to be able to say something important," he added. "To say something to people about their relationship with each other. If it touches just one guy, helps illustrate some points of view about living, then you've accomplished something." Though his star would soon begin to dim, and his name occasionally slip further down in the billing, O'Brien could still deliver in the right role. His sweaty performance as a heroic U.S. senator in the tense political drama Seven Days in May (1964) earned him a second Oscar nomination. In the mid-'60s, O'Brien co-starred with Roger Mobley and Harvey Korman in the "Gallegher" episodes of NBC TV's Walt Disney's Wonderful World of Color. From 1963 to 1965, he co-starred in the NBC legal drama Sam Benedict. O'Brien worked steadily in both film and television throughout the late 1960s and early 1970s, however his memory problems were beginning to take their toll. A heart attack forced him to drop out of The Glass Bottom Boat (1966). He had a memorable role as the decrepit but boisterous Freddie Sykes in Sam Peckinpah's groundbreaking revisionist western The Wild Bunch (1969).