Edgar Heap of Birds
Edgar Heap of Birds (Cheyenne name: Hock E Aye Vi) is a multi-disciplinary artist. His art contributions include public art messages, large-scale drawings, Neuf series acrylic paintings, prints, and monumental porcelain enamel on steel outdoor sculpture. He is Southern Cheyenne and enrolled in the Cheyenne and Arapaho Tribes.
Also recorded as Hock E Aye Vi Edgar Heap of Birds · Hock E Aye VI · Hachivi Edgar Heap of Birds
Edgar Heap of Birds

Americans4Arts · Flickr: Day One: Public Art Innovator Edgar Heap of Birds · CC BY 2.0
- Name
- Edgar Heap of Birds
- Birth Name
- Hock E Aye Vi
- Born
- 22 November 1954
- Birthplace
- Wichita, Kansas, United States
- Field
- Painting, drawing, printmaking, sculpture, installation, conceptual
- Training
- MFA Tyler School of Art, BFA University of Kansas, Royal College of Art
- Nationality
- United States.
- Occupation
- painter, television producer, printmaker, video artist, photographer and installation artist.
- Fields
- painting.
- Education
- Tyler School of Art, University of Kansas and Royal College of Art.
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Documentary summary
Edgar Heap of Birds (Cheyenne name: Hock E Aye Vi) is a multi-disciplinary artist. His art contributions include public art messages, large-scale drawings, Neuf series acrylic paintings, prints, and monumental porcelain enamel on steel outdoor sculpture. He is Southern Cheyenne and enrolled in the Cheyenne and Arapaho Tribes.
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wikidata · Q13634229 · wikipedia · Edgar Heap of Birds
In this article
Biography
Biography
He sits on the board for MoMA PS1.
Edgar Heap of Birds studied at Tyler School of Art, University of Kansas and Royal College of Art. The field of work recorded is painting. Work by Edgar Heap of Birds is recorded in the collections of Museum of Modern Art, Missoula Art Museum, Forge Project, Gochman Family Collection and Whitney Museum of American Art.

A modern NYC Parks sign outside the southern basketball court at the west end of Murray Playground, at the northeast corner of 11th Street and 45th Road in Long Island City, Queens. Both courts were decorated in the Neufs for Hawaii mural by Hock E Aye Vi (Edgar Heap of Birds) in 2022, in addition to new backboards and hoops, after being one of the last unrenovated sections of the park. nyc.gov Pr
Tdorante10

The southern basketball court at the west end of Murray Playground, at the northeast corner of 11th Street and 45th Road in Long Island City, Queens. Both courts were decorated in the Neufs for Hawaii mural by Hock E Aye Vi (Edgar Heap of Birds) in 2022, after being one of the last unrenovated sections of the park. According to this document, the process including repaving and installing new rims
Tdorante10
Key facts
Key facts
• Name — Edgar Heap of Birds • Birth Name — Hock E Aye Vi • Born — 22 November 1954 • Birthplace — Wichita, Kansas, United States • Citizenship — Cheyenne and Arapaho Tribes, United States • Field — Painting, drawing, printmaking, sculpture, installation, conceptual • Training — MFA Tyler School of Art, BFA University of Kansas, Royal College of Art • Works — In Our Language, Wheel • Website — http: eheapofbirds.com
Early life and education
Early life and education
Hachivi Edgar Heap of Birds was born on November 22, 1954, in Wichita, Kansas, where his father worked in the aeronautical industry. He attended East High School in Wichita and graduated in 1972. After graduation, Heap of Birds studied at Haskell Indian Junior College in Lawrence, Kansas. In 1976 Heap of Birds earned his Bachelor of Fine Arts from University of Kansas in Lawrence, Kansas and in 1979 he received his Master of Fine Arts from Temple University's Tyler School of Art in Philadelphia, Pennsylvania. In between his undergraduate and graduate studies, Heap of Birds also took classes at the Royal College of Art in London, England from 1976 to 1977. In 2008, Heap of Birds was awarded an Honorary Doctors of Fine Arts from the Massachusetts College of Art and Design in Boston, Massachusetts. In 2018, Heap of Birds was awarded an honorary doctorate of arts degree from the California Institute of the Arts at the institute's 2018 commencement ceremony on May 11.
Professional career
Professional career
• Illustration — Dead Indian Stories, monoprint, Honolulu Museum of Art • Illustration — Wheel Heap of Birds has taught as visiting professor at Yale University, Rhode Island School of Design, and Michaelis School of Fine Art, University of Cape Town, South Africa. At the University of Oklahoma, Heap of Birds teaches in Native American Studies and previously taught Fine Arts. He is known for text-based conceptual art, such as Dead Indian Stories in the Honolulu Museum of Art. It superficially resembles public signage, but is actually commentary on the Native American experience. An example of his site-specific public signage projects is Building Minnesota (1990), a signage installation mounted on the banks of the Mississippi River in Minneapolis, Minnesota and commissioned by the Walker Art Center. In it, Heap of Birds set forty large, metal, billboard-like signs along Minneapolis's downtown riverfront. The signs honored the forty Dakota men who were sentenced to death by president Abraham Lincoln and his vice president Andrew Johnson after the Dakota War of 1862, in what is the largest mass execution in American history. The piece became a focal point "of mourning and remembrance to which people brought gifts and offerings" in memory of the men who were executed. These 39 men were those that remained of 303 Sioux who were originally sentenced to death following the murder and rape of more than 800 American men, women and children civilians in the Dakota War. The original 303 were sentenced to death by a military commission. President Lincoln after conducting a personal review, considered there was only strong enough evidence to execute 39; who were guilty of massacres which were separate to battles, this number was later reduced to 38. He did this against the advice of General Pope, Minnesota Senator Morton S. Wilkinson, and Governor Alexander Ramsey; who feared a continuation of violence due to revenge attacks if the White population did not see that justice was done. Heap of Birds created a fifty-foot signature, outdoor sculpture titled "Wheel" as a signature entrance piece for the Gio Ponti (North) building of the Denver Art Museum. The circular porcelain enamel on steel work was commissioned by the Denver Art Museum and is inspired by the traditional Medicine Wheel of the Big Horn Mountains of Wyoming.
Exhibitions
Exhibitions
Heap of Birds has exhibited nationally and internationally. An early solo exhibition was Full Blooded (1984) at the Center of the American Indian in Oklahoma City, Oklahoma.
Identity
Identity
Edgar Heap of Birds is recorded with the occupation television producer. Recorded with the occupation installation artist. Recorded as painter, television producer, printmaker, video artist and photographer.
Life and career
Dated record
Life and career
The full dated record · 1 entries
1954
Edgar Heap of Birds was born on 1 January 1954.
Books
• Blasted Allegories, an Anthology of Artists Writings, New Museum-MIT Press, 1987. • Makers, Point Riders Press, 1998. • The Myth of the Primitive, Susan Hiller (Editor), Routledge Press, 1991. • Completing The Circle: Artists’ Books On The Environment, Minnesota Center for Book Arts, 1992. • Visit Teepee Town, Native Writing After the Detours, Dianne Glancy and Mark Nowak, Coffee House Press, 1999. *
Primary material
Documents and archives
authority record
- Wikidata, structured authority record Q13634229: Edgar Heap of Birds
General reference · Wikidata
reference work
- “Edgar Heap of Birds”, English Wikipedia, consulted as further reading
Reputable secondary · Wikipedia
Awards
Heap of Birds has received grants and awards from the National Endowment for the Arts, the Rockefeller Foundation, The Louis Comfort Tiffany Foundation, The Wallace Foundation, the Bonfil Stanton Foundation, and The Pew Charitable Trusts. In 2012, Heap of Birds was named a Fellow of United States Artists. In 2025, he was elected as a member of the American Academy of Arts and Letters.
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Pecore, Bradley. Hock E Aye Vi. Museum of Contemporary Native Arts.
- 2.Barnd, Natchee Blu. Native space: geographic strategies to unsettle settler colonialism. Oregon State University press. 2017. 978-0-87071-902-8.
- 3.Anthes, Bill. Edgar Heap of Birds. Duke University Press. 2015. 978-0-8223-5994-4.
- 4.Rader, Dean. Engaged resistance: American Indian art, literature, and film from Alcatraz to the NMAI. University of Texas Press. 2011. 978-0-292-72399-3.
- 5.Reno, Dawn. Contemporary Native American Artists. Alliance Publishing. 72. 1995. 0-9641509-6-4.
- 6.Officers and Trustees MoMA.
- 7.Lester, Patrick. The Biographical Directory of Native American Painters. The Oklahoma University Press. 227. 1995. 0-8061-9936-9.
- 8.Zarro, Jennifer, "Edgar Heap of Birds' Signs and a Lecture at Temple Contemporary", Artblog, Nov. 23, 2012
- 9.Berlo, Janet C. Native North American Art. Oxford University Press. 235. 1998.
- 10.Heap of Birds, Edgar. Hock E Aye VI Edgar Heap of Birds CV. Garis & Hahn.
- 11.United States Artists. United States Artists Official Website.
- 12.News. American Academy of Arts and Letters.
References
Citations
References
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Secondary witness
Further particulars
Held on the record
Further particulars
Open the remaining particulars
He also worked under the name Hock E Aye Vi.
Identity and origins
Recognition and collections
Work by Edgar Heap of Birds is
Museum of Modern Art, Missoula Art Museum, Forge Project and Gochman Family Collection
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 17 August 2026.
Elsewhere in Prints
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