Duwawisioma
Victor Masayesva Jr. (born 1951) is a Hopi filmmaker, video artist, and photographer. Masayesva's artistic career promotes Hopi culture.
Also recorded as Victor, Jr. Masayesva · Victor Masayesva · Victor Masayesva Jr. · Victor Masayesva, Jr.
Duwawisioma

US Embassy Canada · Public domain
- Born
- 1951
- Birthplace
- Hotevilla, Arizona
- Education
- Princeton University, University of Arizona
- Known for
- photography, filmmaker
- Nationality
- United States.
- Occupation
- photographer, video artist, documentary filmmaker, television producer and film director.
- Honours
- Maya Deren Award.
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Documentary evidence
Documentary basis
Authority files
wikidata · Q29167505 · wikipedia · Victor Masayesva Jr.
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The documentary record
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Institutions cited
Getty Union List of Artist Names
Complete reading chain (JSON)In this article
Biography
Biography
The majority of his films are in the Hopi language.

In the Hopi tradition ritual clowns deliver moral messages.
US Mission Canada · Ritual Clowns

Victor Masayesva talked about the roles of Hopi ritual clowns at Simon Fraser University's Fletcher Challenge Theatre on November 15, 2012.
US Mission Canada · Victor Masayesva
Key facts
Key facts
• Born — 1951 • Birthplace — Hotevilla, Arizona • Citizenship — Hopi Tribe of Arizona and American • Education — Princeton University, University of Arizona • Known for — photography, filmmaker
Documentary record
Duwawisioma (born 1951) is described as a photographer in the authority records of the Getty Union List of Artist Names. Duwawisioma was born in 1951 in Hotevilla.
Early life and education
Early life and education
Masayesva was born on the Hopi Reservation of Arizona and grew up in Hotevilla, Arizona. As a teenager, Masayesva was recruited to attend the Horace Mann School in New York. He later studied Hopi ceremonies and English at Princeton University and pursued graduate studies in English and photography at the University of Arizona.
Career
Career
Following his studies, Masayesva became the director of Hotevilla's Ethnic Heritage Program, where, in 1980, he created a program to teach Hopi language. In 1982, the documentary short Hopiit was created from footage he had shot during the Ethnic Heritage program. Masayesva's first film is intended for presenting a "montage of different views of Hopi landscapes and people during the cycle of a year." In Masayesva's first feature-length documentary created in 1985, Itam Hakim, Hopiit, a tribal elder from the Hopi historian's clan recounts stories of Hopi history and philosophy, which Masayesva interprets through visual imagery. Made to commemorate the Hopi tercentennial 1680–1980, the film received funding from the German national television ZDF. Although initially released in Hopi in the United States, after receiving distribution opportunities, Masayesva created an English version. In 1988, Ritual Clowns is a film that uses computer animation. His next two documentaries were commissioned for museums, and both explore traditions in Native American ceramic-making: Pott Starr (1990), which also incorporates animation, and Siskyavi: The Place of Chasms (1991). The 1993 film Imagining Indians was shot on 16 mm film with an entirely Native-American crew. The documentary critiques representations of Native Americans in Hollywood and other forms of media. Masayesva visited indigenous communities in the United States and the Amazon to produce the film. It is considered one of Masayesva's "best-known and most critically debated films."
Filmography
Filmography
• Film — Year — Duration (minutes) • Hopiit — 1982 — 15 • Itam Hakim, Hopiit — 1985 — 58 • Ritual Clowns — 1988 — 18 • Pott Starr — 1990 — 6 • SISKYAVI - The place of Chasms — 1991 — 28 • Imagining Indians — 1992 — 30 • Two Faces of One Room — 1992 — 30 • TRANS-VOICES — 1992 — 24 • Paatuwaqatsi - Water, Land and Life — 2007 — 57
Identity
Identity
Duwawisioma is recorded with the occupation documentary filmmaker. Recorded with the occupation television producer. Recorded with the occupation film director. Recorded with the occupation photographer. Recorded with the occupation video artist. Recorded as photographer, video artist, documentary filmmaker, television producer and film director.
Life and career
Dated record
Life and career
The full dated record · 1 entries
1951
Duwawisioma born.
Primary material
Documents and archives
reference work
- “Victor Masayesva Jr.”, English Wikipedia, consulted as further reading
Reputable secondary · Wikipedia
authority record
- Wikidata, structured authority record Q29167505: Duwawisioma
General reference · Wikidata
Awards and honors
Masayesva received one of the first Intercultural Media Fellowships from the Rockefeller Foundation. He has received the University of Arizona Distinguished Alumni Award, the Gold Hugo at the Chicago International Film Festival, the Two Rivers Visionary Award, the Taos Festival's filmmaker award, and the American Film Institute's Maya Deren Award. His video work has appeared in the Native American Film and Video Festival, the Museum of Modern Art New York, the Long Beach Museum of Art, the World Wide Video Festival, the Whitney Museum of American Art Biennial, Haus der Kulturen der Welt Berlin, the San Francisco Art Institute, and the American Indian Contemporary Arts Festival 2000. In 2022, his film Itam Hakim, Hopiit was selected for preservation in the National Film Registry by the Library of Congress.
Text attribution
Licensing
Text attribution
Part of the biographical narrative on this page reuses licensed material. Its origin, revision and licence are recorded here.
The biographical narrative on this page is based on the Wikipedia article Victor Masayesva Jr., revision 1372701569 (EN edition), by its contributors. VALÉORINE has edited that text and built its own documentary record around it. The reused material is available under CC BY-SA 4.0, and this page's reuse of it is offered under the same licence. Everything else on this page — the chronology, the holdings, the evidence, the plates and the connections — is VALÉORINE's own record. Sources and licences.
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Weatherford, Elizabeth. To End and Begin Again. Art Journal. 54. 4. 48–52. 1995-12-01. 0004-3249.
- 2.Bahn-Coblans, Sonja. Reading with a Eurocentric Eye the 'Seeing with a Native Eye': Victor Masayesva's Itam Hakim, Hopiit. Studies in American Indian Literatures. 8. 4. 47–60. 1996-01-01. 20739370.
- 3.Sands, Kathleen M. Seeing with a Native Eye: A Hopi Film on Hopi. American Indian Quarterly. 14. 4. 387–396. 1990-01-01. 10.2307/1184965.
- 4.Veerman-Leichsenring, Annette. A Popoloc Riddle. Studies in American Indian Literatures. 8. 4. 1–12. 1996-01-01. 20739366.
- 5.Rony, Fatimah Tobing. Victor Masayesva, Jr., and the Politics of "Imagining Indians". Film Quarterly. 48. 2. 20–33. 1994-12-01. 0015-1386.
- 6.Electronic Arts Intermix: Victor Masayesva, Jr. : Biography. www.eai.org.
- 7.Padget, Martin. Hopi Film, the Indigenous Aesthetic and Environmental Justice: Victor Masayesva Jr.'s Paatuwaqatsi – Water, Land and Life. Journal of American Studies. 47. 2. 363–384. 2013-05-01. 0021-8758.
- 8.Electronic Arts Intermix: Victor Masayesva, Jr. www.eai.org.
- 9.Electronic Arts Intermix: Imagining Indians, Victor Masayesva, Jr. www.eai.org.
- 10.Resources, Documentary Educational. DER Filmmaker: Victor Masayesva, Jr. www.der.org.
- 11.Ulaby, Neda. 'Iron Man', 'Super Fly' and 'Carrie' are inducted into the National Film Registry. NPR. December 14, 2022.
- 12.Victor Masayesva, Jr. Ritual Clowns. 1988 MoMA. The Museum of Modern Art.
- 13.Esserres. PAATUWAQATSI : WATER, LAND AND LIFE. www.filmfestamiens.org.
References
Citations
References
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reference work
Secondary witnessauthority record
General reference
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 18 August 2026.
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